In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China.Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with “universes,” and how Disney remade itself in Apple’s image and reaped enormous profits.But despite the destruction of the studios’ traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era.

    She married a Frenchman, took on all his compatriots, and has been the heroine of a love affair ever since. Her skirmishes with French traffic, French maids, French salesladies, French holidays, French law, French doctors, above all, the French language, are here set forth in a delightful and amusing record. Paraphrasing Caesar, Miss de Havilland says, "I came, I saw, I was conquered."

    He writes to comics, corporations, children, presidents, and even his daughter's boyfriend. Here is Groucho swapping photos with T. S. Eliot (”I had no idea you were so handsome!”); advising his son on courting a rich dame (”Don't come out bluntly and say, 'How much dough have you got?' That wouldn't be the Marxian way”); crisply declining membership in a Hollywood club (”I don't care to belong to any social organization that will accept me as a member”); reacting with utmost composure when informed that he has been made into a verb by James Joyce (”There's no reason why I shouldn't appear in Finnegans Wake . I'm certainly as bewildered about life as Joyce was”); responding to a scandal sheet (”Gentleman: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription”); describing himself to the Lunts (”I eat like a vulture. Unfortunately the resemblance doesn't end there”); and much, much more. That mobile visage, that look of wild amazement, and that weaving cigar are wholly captured, bound but untamed, in The Groucho Letters.

    To Violet Ramis, he was best known as an amazing father, confidant, and friend. In Ghostbuster's Daughter, Violet reflects on the life and legacy of her father, providing readers with an extraordinarily candid and insightful look into the man who helped shape modern American comedy.Funny, endearing, and vulnerable, Ghostbuster's Daughter takes readers into the personal life of an American comedy icon, from his humble roots in Chicago and his ascension into Hollywood superstardom to his personal philosophies on life, love, and filmmaking. While the book serves as a comprehensive biography of her father's filmmaking career, Ghostbuster's Daughter is also an homage to their special father/daughter relationship. Violet weaves anecdotes about her father's unique and devoted parenting style among stories of her own unconventional upbringing, ultimately allowing readers to see a more vivid portrait of the man behind the camera. An incredibly personal biography as well as a charming family story for the ages, Ghostbuster's Daughter is an intimate look at one of America's preeminent comedy filmmakers.

    She went on to work with two of the hottest young directorial talents of the era: Martin Scorsese (Taxi Driver) and Steven Spielberg (Close Encounters of the Third Kind). Phillips blazed a trail as one of the very few females to break into the upper echelons of a notoriously chauvinistic industry.But for all her success, Phillips remained an outsider in the all-male Hollywood club. She had a talent for deal-making, hard-balling and wise-cracking, and a considerable appetite for drink, drugs, and sex. But while these predilections were tolerated and even encouraged among 'the boys', Phillips found herself gradually ostracized. By the late 1980s, she was ready to burn bridges and name names, and the result was this coruscating memoir of her career.Julia Phillips died on January 1, 2002, at the age of 57, but her book will stand as one of the classic exposes of La-La-Land in all its excesses and iniquities.

    These women infiltrated the all-male domain of Disney Studios and used early technologies to create the rich artwork and iconic storylines that would reach millions of viewers across generations. Over the decades--while battling sexism, domestic abuse, and workplace harassment--these women also fought to influence the way female characters are depicted to young audiences.Based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation tells the story of their vital contribution to Disney's golden age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film.

    And why —Come hell or high waterThrough thick and through thinFor better and for worseBut not quite until death did we part —It was great fun. — K. H.

    Whether you've watched "Casablanca" countless times or you're going to see it for the first time, "The Casablanca Companion" will both deepen your understanding and heighten your enjoyment.

    Michael Straczynski has been one of the most successful writers in Hollywood, one of the few to forge multiple careers in movies, television and comics. Yet there’s one story he’s never told before: his own.In this dazzling memoir, the acclaimed writer behind Babylon 5, Sense8, Clint Eastwood’s Changeling and Marvel’s Thor reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder and a terrible secret.Joe's early life nearly defies belief. Raised by damaged adults—a con-man grandfather and a manipulative grandmother, a violent, drunken father and a mother who was repeatedly institutionalized—Joe grew up in abject poverty, living in slums and projects when not on the road, crisscrossing the country in his father’s desperate attempts to escape the consequences of his past. To survive his abusive environment Joe found refuge in his beloved comics and his dreams, immersing himself in imaginary worlds populated by superheroes whose amazing powers allowed them to overcome any adversity. The deeper he read, the more he came to realize that he, too, had a superpower: the ability to tell stories and make everything come out the way he wanted it. But even as he found success, he could not escape a dark and shocking secret that hung over his family’s past, a violent truth that he uncovered over the course of decades involving mass murder.Straczynski’s personal history has always been shrouded in mystery. Becoming Superman lays bare the facts of his life: a story of creation and darkness, hope and success, a larger-than-life villain and a little boy who became the hero of his own life. It is also a compelling behind-the-scenes look at some of the most successful TV series and movies recognized around the world.Featuring an introduction by Neil Gaiman.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    The magic of the silent screen, illuminated by the recollections of those who created it.A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on.

    In his long, impressive career, he has been hailed as America's finest classical stage actor, earning acclaim for his portrayals of Hamlet, Macbeth, Richard III, and King Lear. He has worked alongside and become friends with the giants of American culture, from Joseph Papp to George C. Scott, from James Earl Jones to Oliver Stone.Keach’s memoir begins with the riveting account of his arrest in London for cocaine possession. He takes readers through his trial and his time at Reading Jail as he battles his drug addiction and then fights to revive his career. Keach poignantly reveals his acting insecurities and relationship struggles. All in All is full of priceless behind the scenes Hollywood moments and friendships—from his late-night pool and backgammon showdowns with John Huston to his passionate relationship with Judy Collins.

    He also surveys the historical origins of the archetypal monsters, such as vampires, zombies, and werewolves, and takes you behind the scenes to discover the secrets of those special-effects wizards who created such legendary frighteners as King Kong, Dracula, and Halloween's Michael Myers. With more than 1000 stunning movie stills and posters, this book is sure to keep even the most intense fright-seekers at the edge of their seats for hours!

    There are production stills and in-depth accounts of the worldwide acclaim and financial success following the release of The Godfather. The study also details the production and release of The Godfather Part II and The Godfather Part III.

    She catapulted to fame after winning Motion Picture magazine's 1921 "Fame and Fortune" contest. The greatest box-office draw of her day she once received 45,000 fan letters in a single month, Clara Bow's on screen vitality and allure that beguiled thousands, however, would be her undoing off-camera. David Stenn captures her legendary rise to stardom and fall from grace, her success marred by studio exploitation and sexual scandals.