and waitingAt twelve, Maggie had been thrown out of more boarding schools than she cared to remember. "Impossible to handle," they said—nasty, mean, disobedient, rebellious, thieving—anything they could say to explain why she must be removed from the school.Maggie was thin and pale, with shabby clothes and stringy hair, when she arrived at her new home. "It was a mistake to bring her here," said Maggie's great-aunts, whose huge stone house looked like another boarding school—or a prison. But they took her in anyway. After all, aside from Uncle Morris, they were Maggie's only living relatives.But from behind the closet door in the great and gloomy house, Maggie hears the faint whisperings, the beckoning voices. And in the forbidding house of her ancestors, Maggie finds magic ... the kind that lets her, for the first time, love and be loved.

    Twelve-year-old Lanesha lives in a tight-knit community in New Orleans' Ninth Ward. She doesn't have a fancy house like her uptown family or lots of friends like the other kids on her street. But what she does have is Mama Ya-Ya, her fiercely loving caretaker, wise in the ways of the world and able to predict the future. So when Mama Ya-Ya's visions show a powerful hurricane--Katrina--fast approaching, it's up to Lanesha to call upon the hope and strength Mama Ya-Ya has given her to help them both survive the storm. From the New York Times bestselling author of Ghost Boys and Towers Falling, Ninth Ward is a deeply emotional story about transformation and a celebration of resilience, friendship, and family--as only love can define it.

    By accident she discovers a simple box, said to contain something so terrifying and horrible that no one must ever, ever touch it for fear of inflicting all of mankind with the wrath of the Gods and Goddesses. This, of course, makes the box the perfect thing for Pandora to bring for her school project. Unfortunately, things don't go quite the way she was hoping, and the box accidentally gets opened, unleashing all kinds of evil and misery into the world. Hauled before Zeus, Hera and the rest of immortals, Pandy's given the task of collecting all the evils within a year's time.

    Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it. Humankind won't know what's happening until it's too late. And if the prophecy is right, Sophie and Josh Newman are the only ones with the power to save the world as we know it. Sometimes legends are true. And Sophie and Josh Newman are about to find themselves in the middle of the greatest legend of all time.

    The castle is a temporary boarding school for children escaping the Blitz, but soon it’s clear there is something terribly wrong. There are clues hinting that a spy is in the house, and there are undeniable signs of a sinister magic. When the children in the castle’s temporary boarding school begin disappearing one by one, it’s a race against the clock for twelve-year-old Kat Bateson, her two younger siblings, and their new best friend.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Joseph Johnson has lost just about everyone he's ever loved. He lost his pa in an accident. He lost his ma and his little sister to sickness. And now, he's lost his pony--fast, fierce, beautiful Sarah, taken away by a man who had no right to take her.Joseph can sure enough get her back, though. The odds are stacked against him, but he isn't about to give up. He will face down deadly animals, dangerous men, and the fury of nature itself on his quest to be reunited with the only family he has left.Because Joseph Johnson may have lost just about everything; but he hasn't lost hope. And he hasn't lost the fire in his belly that says he's getting his Sarah back--no matter what.

    And, oddly enough, for just as long, her mother has seemed anxious to keep her away from the water. But when Mom finally agrees to let her take swimming lessons, Emily makes a startling discovery - about her own identity, the mysterious father she's never met, and the thrilling possibilities and perils shimmering deep below the water's surface. With a sure sense of suspense and richly imaginative details, first-time author Liz Kessler lures us into a glorious undersea world where mermaids study shipwrecks at school and Neptune rules with an iron trident - an enchanting fantasy about family secrets, loyal friendship, and the convention-defying power of love.

    The old powers try to come back, and the planet is plunged into chaos, and civilization is destroyed, and it gets all violent and evil...the old legends tell that a hero...with the sacred turtle, always...Los Angeles, California.Neddie Wentworthstein is the guy with the turtle.Sandor Eucalyptus is the guy with the jellybean.Sholmos Bunyip wants the turtle...and he'll stop at nothing to get it.This is the story of how Neddie, three good friends, a shaman, a ghost, and a little maneuver known as the French substitution determine the fate of the world.

    She’s a typical girl in an atypical world: one where sasquatches helped to win the Civil War, where dragons glide over Route 1 on their way south for the winter (sometimes burning down a T.J. Maxx or an Applebee’s along the way), where giants hide in caves near LA and mermaids hunt along the beaches, and where Dark Clouds come for people when they die.To Gracie it’s all pretty ho-hum…until a Cloud comes looking for her little brother Sam, turning her small-town life upside down. Determined to protect Sam against all odds, her parents pack the family into a used Winnebago and set out on an epic search for a safe place that most people say doesn’t exist: The Extraordinary World. It’s rumored to lie at the ends of the earth, and no one has ever made it there and lived to tell the tale. To reach it, the Lockwoods will have to learn to believe in each other—and to trust that the world holds more possibilities than they’ve ever imagined.

    But instead, he finds himself at the center of a ruthless conspiracy to overthrow the emperor and spark the Praetor War, a battle to destroy Rome from within. Traitors and spies lurk at every turn, each more desperate than the next to use Nic's newfound powers for their own dark purposes.In a quest to stop the rebellion, save Rome, and secure his own freedom, Nic must harness the magic within himself and defeat the empire's most powerful and savage leaders.

    Trolls, werewolves, and butter-churn riding witches lurk amid the clawing branches, eager to swoop up the unwary. Jinx has always feared leaving the path—then he meets the wizard Simon Magus. Jinx knows that wizards are evil. But Simon’s kitchen is cozy, and he seems cranky rather than wicked. Staying with him appears to be Jinx’s safest, and perhaps only, option. As Jinx’s curiosity about magic grows, he learns to listen to the trees as closely as he does to Simon’s unusual visitors. The more Jinx discovers, the more determined he becomes to explore beyond the security of well-trod paths. But in the Urwald, a little healthy fear is never out of place, for magic—and magicians—can be as dangerous as the forest, and soon Jinx must decide which is the greater threat. Sage Blackwood introduces a daring new hero for an innovative new world as Jinx is joined by friends, battles enemies, and discovers life beyond—and even within—the forest is more complex than he can imagine, and that the Urwald itself needs him more than he could ever guess.

    Her father has been dead for years. One of her brothers has been conscripted into the Tsar’s army, the other taken as a servant in the house of the local landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in Saint Petersburg — a family that includes Ekaterina, a girl of Elena’s age. When the two girls’ lives collide, an adventure is set in motion, an escapade that includes mistaken identity, a monk locked in a tower, a prince traveling incognito, and — in a starring role only Gregory Maguire could have conjured — Baba Yaga, witch of Russian folklore, in her ambulatory house perched on chicken legs

    Every day she endures taunts for the birthmark on her face—though her beloved Pauline, the only person who has ever cared for her, tells her it is a precious diamond. When Pauline is sent to work for another carnival, Bee is lost.Then a scruffy dog shows up, as unwanted as she, and Bee realizes that she must find a home for them both. She runs off to a house with gingerbread trim that reminds her of frosting. There two mysterious women, Mrs. Swift and Mrs. Potter, take her in. They clothe her, though their clothes are strangely out of date. They feed her, though there is nothing in their house to eat. They help her go to school, though they won't enter the building themselves. And, strangely, only Bee seems able to see them.Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world--if only she will let herself be a part of it.This tender novel beautifully captures the pain of isolation, the healing power of community, and the strength of the human spirit.

    But she’s about to discover that witches aren’t just the stuff of movies, books, and spooky stories. When some eighth-grade bullies try to ruin her Halloween, something really strange happens. It turns out that Founder’s Bluff, Massachusetts, has a centuries-old history of witch drama. And, surprise: Moth’s family is at the center of it all! When Moth’s new powers show up, things get totally out-of-control. She meets a talking cat, falls into an enchanted diary, and unlocks a hidden witch world. Secrets surface from generations past as Moth unravels the complicated legacy at the heart of her town, her family, and herself.