Our understanding of what it is to be a spy has been largely defined by the fictional worlds of James Bond and John le Carre. The Art of Betrayal provides a unique and unprecedented insight into this secret world and the reality that lies behind the fiction. It tells the story of how the secret service has changed since the end of World War II and by focusing on the people and the relationships that lie at the heart of espionage, revealing the danger, the drama, the intrigue, the moral ambiguities and the occasional comedy that comes with working for British intelligence.From the defining period of the early Cold War through to the modern day, MI6 has undergone a dramatic transformation from a gung-ho, amateurish organisation to its modern, no less controversial, incarnation. Gordon Corera reveals the triumphs and disasters along the way. The grand dramas of the Cold War and after - the rise and fall of the Berlin Wall, the Cuban Missile Crisis, the 11 September 2001 attacks and the Iraq war - are the backdrop for the human stories of the individual spies whose stories form the centrepiece of the narrative. But some of the individuals featured here, in turn, helped shape the course of those events. Corera draws on the first-hand accounts of those who have spied, lied and in some cases nearly died in service of the state. They range from the spymasters to the agents they ran to their sworn enemies. Many of these accounts are based on exclusive interviews and access. From Afghanistan to the Congo, from Moscow to the back streets of London, these are the voices of those who have worked on the front line of Britain's secret wars. And the truth is often more remarkable than the fiction.

    While the US was trying to quell extremists, a highly secretive and compartmentalized wing of I.S.I., known as "Directorate S," was covertly training, arming, and seeking to legitimize the Taliban, in order to enlarge Pakistan's sphere of influence. After 9/11, when fifty-nine countries, led by the U. S., deployed troops or provided aid to Afghanistan in an effort to flush out the Taliban and Al Qaeda, the U.S. was set on an invisible slow-motion collision course with Pakistan.Today we know that the war in Afghanistan would falter badly because of military hubris at the highest levels of the Pentagon, the drain on resources and provocation in the Muslim world caused by the U.S.-led invasion of Iraq, and corruption. But more than anything, as Coll makes painfully clear, the war in Afghanistan was doomed because of the failure of the United States to apprehend the motivations and intentions of I.S.I.'s "Directorate S". This was a swirling and shadowy struggle of historic proportions, which endured over a decade and across both the Bush and Obama administrations, involving multiple secret intelligence agencies, a litany of incongruous strategies and tactics, and dozens of players, including some of the most prominent military and political figures. A sprawling American tragedy, the war was an open clash of arms but also a covert melee of ideas, secrets, and subterranean violence. Coll excavates this grand battle, which took place away from the gaze of the American public. With unsurpassed expertise, original research, and attention to detail, he brings to life a narrative at once vast and intricate, local and global, propulsive and painstaking. This is the definitive explanation of how America came to be so badly ensnared in an elaborate, factional, and seemingly interminable conflict in South Asia. Nothing less than a forensic examination of the personal and political forces that shape world history, Directorate S is a complete masterpiece of both investigative and narrative journalism.

    Alerted by the CIA, Britain's security service, MI5, had discovered two British spies stealing invaluable secrets from the highly sensitive submarine research center at Portland, UK.  Their controller, Gordon Lonsdale, was a Canadian who frequently visited a middle-aged couple, the Krogers, in their sleepy London suburb. But the seemingly unassuming Krogers were revealed to be deep cover American KGB spies—infamous undercover agents the FBI had been hunting for years—and they were just one part of an extensive network of Soviet operatives in the UK.In the wake of the spies' sensational trial, the FBI uncovered the true identity of the enigmatic Lonsdale—Konon Molody, a Russian who had lived in California before being recruited by the KGB. Molody opened secret talks with MI5 to betray Russia, but before he had the chance, the KGB blackmailed Britain into spy swaps for him and the Krogers.Based on revelatory, newly-released archival material and inside sources from around the world, Dead Doubles follows the hunt for the highly damaging Portland Spy Ring.  As gripping as a le Carré novel, this incredible narrative, layered with false identities, deceptions, and betrayal, crisscrosses from the UK to the USSR to the US, Canada, Europe and New Zealand, and brings to life one of the most extraordinary spy stories of the Cold War.

    Now Bamford describes the transformation of the NSA since 9/11, as the agency increasingly turns its high-tech ears on the American public.The Shadow Factory reconstructs how the NSA missed a chance to thwart the 9/11 hijackers and details how this mistake has led to a heightening of domestic surveillance. In disturbing detail, Bamford describes exactly how every American’s data is being mined and what is being done with it. Any reader who thinks America’s liberties are being protected by Congress will be shocked and appalled at what is revealed here.From the Trade Paperback edition.

    Wolf was undoubtedly the greatest spymaster of our century. A shadowy Cold War legend who kept his own past locked up as tightly as the state secrets with which he was entrusted, Wolf finally broke his silence in 1997. and Man Without a Face is the result. It details all of Wolf's major successes and failures and illuminates the reality of espionage operations as few nonfiction works before it. Wolf tells the real story of Gunter Guillaume, the East German spy who brought down Willy Brandt. He reveals the truth behind East Germany's involvment with terrorism. He takes us inside the bowels of the Stasi headquarters and inside the minds of Eastern Bloc leaders. With its high-speed chases, hidden cameras, phony brothels, secret codes, false identities, and triple agents, Man Without a Face reads like a classic spy thriller—except this time the action is real.

    The quintessential Englishman, Philby was also an officer in the KGB. Here is the story that Philby revealed to the only Western journalist he trusted. 16 pages of photos.

    For 27 years, Morris Childs, code name "Agent 58", provided the USA with the Kremlin's innermost secrets. Repeatedly risking his life, "Agent 58" made 57 clandestine missions into the USSR, China, Eastern Europe & Cuba. Because of his high ranking in the American communist party & his position as editor of its official paper, the Daily Worker, he was treated like royalty by communist leaders such as Khrushchev, Brezhnev & Mao Tse-tung. Thru first-hand accounts, Operation Solo tells the story of the conflicts within the FBI & American intelligence about the operation, & how the FBI, thru extraordinary measures, managed to keep that operation hidden from everyone, including the CIA.

    Called the "Bob Gates of his generation," Michael Morell is a top CIA officer who saw it all--the only person with President Bush on 9/11/01 and with President Obama on 5/1/11 when Usama Bin Laden was brought to justice. Like Ghost Wars, See No Evil, and At the Center of the Storm, THE GREAT WAR OF OUR TIME will be a vivid, newsmaking account of the CIA, a life of secrets and a war in the shadows.

    From the Nazi purges of 'degenerate art' and Goering's shopping sprees in occupied Paris to the perilous journey of the 'Mona Lisa' from Paris and the painstaking reclamation of the priceless treasures of liberated Italy, The Rape of Europa is a sweeping narrative of greed, philistinism, and heroism that combines superlative scholarship with a compelling drama.The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from Leonardo da Vinci to Pablo Picasso.

    In Spies Beneath Berlin, David Stafford-whom the New York Times Book Review calls "a superb researcher who has a feel for when 'secret' meant 'significant' and when it did not,"-tells the fascinating, in-depth account of one of the most audacious and intriguing covert operations of the Cold War: Operation Stopwatch/Gold. Called by CIA chief Allen Dulles, "one of the most valuable and daring projects ever undertaken," Operation Stopwatch/Gold was carried out from a secret tunnel half a mile long under the Russian sector of Cold War Berlin as, for more than a year, the CIA tuned into German Red Army intelligence. This was an almost impossible trick: apart from the technical wizardry needed, any noise or vibration could have given the game away. When snow fell, panic measures were taken to prevent it thawing in a tell-tale line leading to the target building. Added complexity comes from the fact that Stopwatch/Gold was a joint CIA/MI6 project, and after Burgess and Maclean it was clear that truth, even between allies, was dangerous. And indeed, there was a mole in the British secret services, thus the KGB knew about the tunnel even before it was built-yet the Germans couldn't let on that they knew about the tunnel, which would have jeopardized the position of their prized mole. Whether or not Operation Stopwatch/Gold was a success has been a point of contention over the years, as new information about KGB mole George Blake and the Cold War has been uncovered. Now, for the first time, using eyewitness interviews and the full range of source material-from KGB files to CIA documents-Stafford reveals the thrillingly complex story of this operation.

    First published in 1957 to critical and popular acclaim, his memoir has become a cult favorite in intelligence circles. He chronicles his experiences from his time as a junior officer fleeing a tedious training assignment in Louisiana to his rigorous OSS training rituals in the United States, England, and Scotland for its Special Operations unit. Quick to pick up on the skills necessary for behind-the-lines intelligence work, Hall became an expert instructor, but was only reluctantly given operational duties because of his reputation as an iconoclast. In his droll storytelling style, Hall describes his first parachute jump in support of the French resistance as a comedy of errors that terminated prematurely. His last assignment in the war zone came when then Capt. William Colby, the future head of the CIA, handpicked him to lead the second section of a Norwegian special operations group into Norway via Sweden.

    Donovan began his walk toward the center of the Glienicke Bridge, the famous “Bridge of Spies” which then linked West Berlin to East. With him, walked Rudolf Ivanovich Abel, master spy and for years the chief of Soviet espionage in the United States. Approaching them from the other side, under equally heavy guard, was Francis Gary Powers, the American U-2 spy plane pilot famously shot down by the Soviets, whose exchange for Abel Donovan had negotiated. These were the strangers on a bridge, men of East and West, representatives of two opposed worlds meeting in a moment of high drama.Abel was the most gifted, the most mysterious, the most effective spy in his time. His trial, which began in a Brooklyn United States District Court and ended in the Supreme Court of the United States, chillingly revealed the methods and successes of Soviet espionage.No one was better equipped to tell the whole absorbing history than James B. Donovan, who was appointed to defend one of his country’s enemies and did so with scrupulous skill. In Strangers on a Bridge, the lead prosecutor in the Nuremburg Trials offers a clear-eyed and fast-paced memoir that is part procedural drama, part dark character study and reads like a noirish espionage thriller. From the first interview with Abel to the exchange on the bridge in Berlin—and featuring unseen photographs of Donovan and Abel as well as trial notes and sketches drawn from Abel’s prison cell—here is an important historical narrative that is “as fascinating as it is exciting” (The Houston Chronicle).

    CI is often misunderstood and narrowly equated with security and catching spies, which are only part of the picture. As William R. Johnson explains, CI is the art of actively protecting secrets but also aggressively thwarting, penetrating, and deceiving hostile intelligence organizations to neutralize or even manipulate their operations.Johnson, a career CIA intelligence officer, lucidly presents the nuts and bolts of the business of counterintelligence and the characteristics that make a good CI officer. Although written during the late Cold War, this book continues to be useful for intelligence professionals, scholars, and students because the basic principles of CI are largely timeless. General readers will enjoy the lively narrative and detailed descriptions of tradecraft that reveal the real world of intelligence and espionage. A new foreword by former CIA officer and noted author William Hood provides a contemporary perspective on this valuable book and its author.

    Now, after six years of research, those missions are told in Blind Man's Bluff, a magnificent achievement in investigative reporting. It reads like a spy thriller -- except everything in it is true. This is an epic of adventure, ingenuity, courage, and disaster beneath the sea, a story filled with unforgettable characters who engineered daring missions to tap the enemy's underwater communications cables and to shadow Soviet submarines. It is a story of heroes and spies, of bravery and tragedy.

    The young chemical engineer offers compelling testimony of Saddam Hussein’s secret program to build weapons of mass destruction. He claims that the dictator has constructed germ factories on trucks, creating a deadly hell on wheels. His grateful German hosts pass his account to their CIA counterparts but deny the Americans access to their superstar informant. The Americans nevertheless give the defector his unforgettable code name: Curveball.The case lies dormant until after 9/11, when the Bush administration turns its attention to Iraq. Determined to invade, Bush’s people seize on Curveball’s story about mobile germ labs–even though it has begun to unravel. Ignoring a flood of warnings about the informant’s credibility, the CIA allows President Bush to cite Curveball’s unconfirmed claims in a State of the Union speech. Finally, Secretary of State Colin Powell highlights the Iraqi’s “eyewitness” account during his historic address to the U.N. Security Council. Yet the entire case is based on a fraud. America’s vast intelligence apparatus conjured up demons that did not exist. And the proof was clear before the war.Most of the events and conversations presented here have not been reported before. The portrayals–from an obdurate president to a bamboozled secretary of state to a bungling CIA director to case handlers conned by their snitch–are vivid and exciting. Curveball reads like an investigative spy thriller. Fast-paced and engrossing, it is an inside story of intrigue and incompetence at the highest levels of government. At a time when Americans demand answers, this authoritative book provides them with clarity and conviction.Just when you thought the WMD debacle couldn’t get worse, here comes veteran Los Angeles Times national-security correspondent Drogin’s look at just who got the stories going in the first place…Simultaneously sobering and infuriating–essential reading for those who follow the headlines. --Kirkus Reviews In this engrossing account, Los Angeles Times correspondent Drogin paints an intimate and revealing portrait of the workings and dysfunctions of the intelligence community. --Publishers WeeklyEnter Bob Drogin's new book… an insightful and compelling account of one crucial component of the war's origins… Had Drogin merely pieced together Curveball's story, it alone would have made for a thrilling book. But he provides something more: a frightening glimpse at how easily we could make the same mistakes again…The real value of Drogin's book is its meticulous demonstration that bureaucratic imperative often leads to self-delusion.--Washington MonthlyDrogin delivers a startling account of this fateful intelligence snafu.--BooklistBut, again, the intelligence community was disappointing the Bush administration… Los Angeles Times correspondent Bob Drogin lays out the whole sorry tale in his forthcoming book, "Curveball: Spies, Lies, and the Con Man Who Caused a War." --Newsweek By the time you finish this book you will be shaking your head with wonder, or perhaps you will be shaking with anger, about the misadventures that preceded the misadventures in Iraq. This book is so powerful, it almost refutes its subtitle: The man called Curveball did not cause a war; he became a pretext -- one among many. -- George F. Will There used to be an old rule that *real* journalists lived by: 'All governments are run by liars, and nothing they say should be believed.' We've come a long way from those days, to a media that has been cowed into submission and accepting the 'official story.' Thank God for Bob Drogin and his refusal to believe. It's journalists like him and books like CURVEBALL that give many of us a sliver of hope that we can turn things around. --Michael Moore, Director of "Fahrenheit 9/11," and "Sicko"Curveball is the factual equivalent of Catch 22. It is impossible to read this book and then look at our world leaders without thinking, "F*ck. Oh f*ck. Oh my God, oh f*ck." --Mark Thomas, comedian and political activist…the biggest fiasco in the history of secret intelligence over 500 years.--Frederick Forsyth, author of The Day Of The Jackal, The Odessa File and The AfghanBob Drogin struck journalistic gold in this story of a conman who told his intelligence handlers exactly what they wanted to hear. If this twisted tale could be read simply as a thrilling farce it would be pure delight -- but much more importantly, it is a history of our time.--Philip GourevitchBob Drogin is a brilliant reporter. In Curveball, he has produced a riveting and important investigation, full of startling and carefully documented detail, laying bare the anatomy of an intelligence failure and its contribution to a catastrophic war.--Steve Coll, author of GHOST WARS: The Secret History of the CIA, Afghanistan, and Bin Laden, from the Soviet Invasion to September 10, 2001Bob Drogin accomplishes what only the best reporters can; he forces you to wonder how he could possibly know that! If you want to know how the CIA could have possibly been so wrong about Iraq, here is a big part of the answer.--Mark Bowden, author of Black Hawk DownA crucial study in the political manipulation of intelligence, understanding how Curveball got us into Iraq will arm us for the next round of lies coming out of Washington.--Robert Baer, author of See No Evil: The True Story of a Ground Soldier in the CIA's War on TerrorismHere we go again: the self-deception, the corruption of intelligence, and the abuse of authority, amid a full cast of the usual suspects in the White House and the Pentagon. It's a crucially important story, and it comes wonderfully alive in Curveball. It would be almost fun to read if the message wasn't so important–and so devastating to the integrity of the American processes.--Seymour M. Hersh, author of Chain of Command: The Road from 9/11 to Abu Ghraib Curveball is a true story, marvelously reported, about a descent into the netherworld of deceit and duplicity, where the lies of a single man in an interrogation cell in Germany grew like a malign spore in the dark. When it emerged, on the lips of the President and the Secretary of State, it infected the course of world events.--Jonathan Harr, author of A Civil Action and The Lost Painting.