In the early 1980s Ada and Stefan are young, would-be lovers living on opposite sides of the Berlin Wall--Ada lives with her mother and grandmother and paints graffiti on the Wall, and Stefan lives with his grandmother in the East and dreams of escaping to the West.

    The murder sparks riots in Delhi and for three days Sikh families are targeted and killed in retribution for the Prime Minister’s death. It is into this chaos that sixteen-year-old Maya and her Sikh father, Amar, arrive from their home in Canada. India’s political instability is the backdrop and catalyst for Maya’s awakening to the world.

    Kwame Alexander and James Patterson join forces to vividly depict his life up to age seventeen in both prose and verse, including his childhood friends, struggles in school, the racism he faced, and his discovery of boxing. Readers will learn about Cassius' family and neighbors in Louisville, Kentucky, and how, after a thief stole his bike, Cassius began training as an amateur boxer at age twelve. Before long, he won his first Golden Gloves bout and began his transformation into the unrivaled Muhammad Ali.Fully authorized by and written in cooperation with the Muhammad Ali estate, and vividly brought to life by Dawud Anyabwile's dynamic artwork, Becoming Muhammad Ali captures the budding charisma and youthful personality of one of the greatest sports heroes of all time.

    Say she got that way trying to kill herself. Would it be such a bad thing to help her die?In "Walking on Glass" a young man relives the events that have shattered his life and left him wondering: Would it be murder or mercy to turn off the machines keeping his mother alive?The Terri Schiavo case made everyone painfully aware of the moral dilemmas created by advances in medical technology. The line between life and death is no longer as clear as it once was, and families are often faced with agonizing end-of-life decisions. Alma Fullerton's free-verse novel intimately explores this controversial issue, and the results are riveting.

    And then everything -- absolutely everything -- changed. Now she's counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That's her -- that's Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it's like to lose part of yourself - and to summon the courage it takes to find yourself again.age range: 12 yrs and upgrade range: Grade 7 and up

    Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl.            After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky is torn. Just how much is she willing to sacrifice to pursue her dreams?

    After her mother’s early death, Iris’s father focuses on big plans for his new shoe stores and his latest girlfriend, and has no time for his daughter. Unbeknownst to her, he hires Iris out as housekeeper and companion for a country doctor’s elderly mother. Suddenly Iris is alone, stuck in gritty rural Missouri, too far from her only friend Leroy and too close to a tenant farmer, Cecil Deets, who menaces the neighbors and, Iris suspects, his own daughter. Iris is buoyed by the warmth and understanding the doctor and his mother show her, but just as she starts to break out of her shell, tragedy strikes. Iris must find the guts and cunning to take aim at the devil incarnate and discover if she is really as helpless—or as hopeless—as she once believed. Lyrical, yet humorous, Barbara Stuber’s debut novel is the unforgettable story of a girl who struggles to cast aside her long-standing grief and doubt and, in the span of one dusty summer, learn to trust, hope, and—ultimately—love.

    Fresh from the heartache of losing her grandmother and missing her best friend, Gloria resolves to make the best of her new circumstances. But some things are proving to be more challenging than she expected. Like the series of mysterious clues left by a certain Professor X before he even shows up to teach his class, Secrets of the Written Word. Or the very sweet, but very conservative, roommate whose coal-industry family champions mountaintop removal. Not to mention the obnoxious Mason, who dresses like the Mad Hatter and immediately gets on Gloria’s nerves — but somehow won’t escape her thoughts. Beautifully told by debut author Sarah Combs, this honest and touching story of growing up is imbued with the serene atmosphere of Kentucky’s natural landscape.

    Bun O’Keefe 14, has an eccentric point of view to tell us her unusual story. Her ma told her to go, so she did.. In the nearest city, the girl is taken in by a street musician. The shared house has an eclectic cast: a pot-smoking dishwasher with culinary dreams; a drag queen with a tragic past; a Catholic school girl desperately trying to reinvent herself; and the landlord to be avoided at all cost.

    He’s a star wrestler, a video game aficionado, and a loving boyfriend to his seemingly perfect match, Vanessa. But on the inside, Brendan struggles to understand why his body feels so wrong—why he sometimes fantasizes having long hair, soft skin, and gentle curves. Is there even a name for guys like him? Guys who sometimes want to be girls? Or is Brendan just a freak?In Freakboy's razor-sharp verse, Kristin Clark folds three narratives into one powerful story: Brendan trying to understand his sexual identity, Vanessa fighting to keep her and Brendan’s relationship alive, and Angel struggling to confront her demons.

    Gretchen Asher knows this, because that’s how long a stranger held her body to the ground. When a car sped toward them and Gretchen’s attacker told her to run, she recognized a surprising terror in his eyes. And now she doesn’t even recognize herself.Ninety seconds can change a life — not just the place you live, but the person others think you are. Phoenix Flores-Flores knows this, because months after setting off toward the U.S. / Mexico border in search of safety for his brother, he finally walked out of detention. But Phoenix didn’t just trade a perilous barrio in El Salvador for a leafy suburb in Atlanta. He became that person — the one his new neighbors crossed the street to avoid.Ninety seconds can change a life — so how will the ninety seconds of Gretchen and Phoenix’s first encounter change theirs?Told in alternating first person points of view, The Radius of Us is a story of love, sacrifice, and the journey from victim to survivor. It offers an intimate glimpse into the causes and devastating impact of Latino gang violence, both in the U.S. and in Central America, and explores the risks that victims take when they try to start over. Most importantly, Marie Marquardt's The Radius of Us shows how people struggling to overcome trauma can find healing in love.

    In a heartbreaking narrative that flows like a novel, we follow Ludie from childhood to falling in love and getting married, through the birth of her own children, and on into old age. This is the story of one woman’s experiences in a hard­scrabble coal-mining town, a story that brims with universal themes about life, love, and family—and all of the joy, laughter, heartache, and loss that accompany them. Would she tell you that six children were too many, that some disappointed, that others surprised, but that, all in all, six were too many and onewould have been just fine. Would she tell you that she married that boy at fifteen not only because he was tall and kind but also because she needed a way out.              —from LUDIE’S LIFE

    And by grounded, she means working as an indentured servant in her family’s struggling grocery store to pay off her debts. With each order of deli meat she slices, Margot can feel her carefully cultivated prep school reputation slipping through her fingers, and she’s willing to do anything to get out of this punishment. Lie, cheat, and maybe even steal…Margot’s invitation to the ultimate beach party is within reach and she has no intention of letting her family’s drama or Moisés—the admittedly good looking but outspoken boy from the neighborhood—keep her from her goal.

    To cope, she tries to live by the Fat Girl Rules–like “no making waves,” “avoid eating in public,” and “don’t move so fast that your body jiggles.” And she’s found her safe space–her swimming pool–where she feels weightless in a fat-obsessed world. In the water, she can stretch herself out like a starfish and take up all the room she wants. It’s also where she can get away from her pushy mom, who thinks criticizing Ellie’s weight will motivate her to diet. Fortunately, Ellie has allies in her dad, her therapist, and her new neighbor, Catalina, who loves Ellie for who she is. With this support buoying her, Ellie might finally be able to cast aside the Fat Girl Rules and starfish in real life–by unapologetically being her own fabulous self.

    He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth-century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African-American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.