That was over nineteen hundred years ago and the American government is tracking her.Here is the story of an administration during its eighth and final year in office looking for a way to salvage its legacy by finding and killing the world's most wanted terrorist. For seven years America has failed to accomplish this mission and now, desperate and beset by scandal, the government hatches a covert plan to capture, and then coerce, the world's first vampire into locating and killing the Sheikh.The government's lead researcher, a competent molecular biologist, begins to uncover the secrets of this remarkable and deadly creature. But as his research moves forward he discovers that instead of finding a remorseless killer driven to feed on humankind, the female vampire is a being who desires companionship and love.It is when they are sent to the Pashtun Belt on the mission to find and assassinate the Sheikh that the researcher and the vampire, facing death, make the ultimate sacrifice for each other.

    Only…I had no idea vampires existed. None. Nada. I’m more of a reader than a fighter, and even though I’d been wishing to escape my boring existence in the middle of nowhere, I’d give anything to have it back now if it meant my aunt was safe. Then there’s the vampire Sebastian, who seems slightly nicer than most of the bloodsuckers I’ve run into so far. Yes, he’s the hottest being I’ve ever come across, but there’s no way I can trust him. He swears he’s helping me get answers, but there’s more to his story. Now I’m a key pawn in a raging vampire war, and I need to pick the right ally. But my chances of surviving this war are slim at best, when the side I choose might be the one that wants me dead the most.

    Poplar Farm has been in Louise’s family for generations, inherited by her sharecropping forbearer from a white landowner after a lynching. Now the farm has been carved up, the trees torn down—a mini-massacre replicating the history of many farms before it, and the destruction of lives and societies taking place all across America. Architect of this destruction is Paul Krovik, a property developer soon driven insane by the failure of his ambition. Left behind is a half-finished "luxury suburb” of neo-Victorian homes on the outskirts of a sprawling midwestern city. To Paul it is a collapsed dream, but to Julia and Nathaniel, arriving from their small Boston apartment, it is a new start, promising a bucolic future. With their son, Copley, they buy Paul’s signature home in a foreclosure sale and move in to their brave new world. Yet violence lies just beneath the surface of this land, and simmers deep within Nathaniel. The remaining trees bear witness, Louise lives on in her beleaguered farmhouse, and as reality shifts, and the edges of what is right and wrong blur and then vanish, Copley becomes convinced that someone is living in the house with them.