Blessed with beauty, enormous wealth and a devoted husband, she has everything anyone could wish for. But as the happy couple set out on an idyllic honeymoon cruise on the Nile, storm clouds are gathering...Linnet's former friend, Jacqueline de Bellefort, follows her and Simon wherever they go and Linnet senses she is in danger. At first her fears seem groundless. But an attempt is made first on her life and then on her husband's. Eventually the killer is successful, and Linnet is found horribly murdered.With an obvious suspect who cannot possibly have committed the crime, it is up to Hercule Poirot to probe the depths of a remarkable criminal mind and discover the dark secret behind what is only the first in a series of inexplicable deaths.

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    A young woman is found dead in her flat, the day after Guy Fawkes night. Did she die by her own hand, or someone else's?In Personal Call, also written specially for radio by Agatha Christie, a disturbing telephone call from a woman named Fay has consequences for both Richard Brent and his wife Pam. This 1960 production stars Ivan Brandt and Barbara Lott.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    The rest remains a mystery.Gripping, yet ever elusive, join the real-life hunt for answers in the year’s first not-to-be-missed, true-crime series. Investigative journalist, Sam Bungey, and documentarian, Jennifer Forde, guide listeners through the brutal, unsolved murder and the tangled web of its investigation, while introducing an intricate cast of characters, a provocative prime suspect, and a recovering community whose story begs to be heard.

    Its seclusion suits former Boston police detective Bill Robinson, novice owner and innkeeper. As long as the dozen residents pay their rent, Robinson doesn’t ask any questions.Yet all too soon Robinson discovers that leaving the city is no escape from dangers he left behind. A new crew of deadly criminals move into the small town, bringing drugs and violence to the front door of the inn.Robinson feels the weight of responsibility on his shoulders. His sense of duty compels him to fight off the threat to his town. But he can’t do it alone. Before time runs out, the residents of the inn will face a choice.Stand together? Or die alone.

    Mike Scanlon is called to serve as an army doctor in Afghanistan, he's acutely aware of the dangers he'll face and the hardships it will cause his wife Chloe and newborn baby. And deep inside, he doesn't think of himself as a warrior, but a healer.However, in an ironic turn of events, as Mike operates on a wounded soldier in a war-torn country, Chloe dies at home in the suburbs, in an apparent household accident. Devastated, he returns home to bury her, only to discover that the life he left behind has fallen apart. His medical practice is in jeopardy, and he is a complete stranger to the only family he has left - his precious baby girl. Worse, he learns a shocking secret that sends him into a downward spiral.Ultimately, Mike realizes that the most important battle of his life faces him on the home front and he'll have to put it all on the line to save what's dearest to him – his family.

    But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.

    But she’s left with a traumatic brain injury and a terrifying reality: she can’t remember anything.Left in the care of her sister, Grace returns to the family’s secluded old farmhouse to recover—but within an hour of her return, the police arrive. Grace’s boyfriend has been murdered. Without any memory, Grace has no alibi.With suspicion weighing heavily on her and flashes of memory returning, Grace searches for clues to her past. But with every glimpse, her anxiety grows. There is something about the house, her family, her childhood…perhaps the accident isn’t the only reason she can’t remember. Are the dark recesses of her mind hiding something even more sinister and terrifying than she could ever imagine?And someone is watching. Someone willing to kill again to protect a secret.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    To increase her number of bookings, resort manager Jane Steward has decided to host a Murder and Mayhem week so that fans of the mystery genre can gather together for some role-playing and fantasy crime solving.But when the winner of the scavenger hunt, Felix Hampden, is found dead in the Mystery Suite, and the valuable book he won as his prize is missing, Jane realizes one of her guests is an actual murderer. Amid a resort full of fake detectives, Jane is bound and determined to find a real-life killer. There’s no room for error as Jane tries to unlock this mystery before another vacancy opens up…

    Bored, lonely and used to getting her way, she enters a local baking contest: Surely a blue ribbon for the best quiche will make her the toast of the town. But her recipe for social advancement sours when Judge Cummings-Browne not only snubs her entry--but falls over dead! After her quiche's secret ingredient turns out to be poison, she must reveal the unsavory truth…Agatha has never baked a thing in her life! In fact, she bought her entry ready-made from an upper crust London quicherie. Grating on the nerves of several Carsely residents, she is soon receiving sinister notes. Has her cheating and meddling landed her in hot water, or are the threats related to the suspicious death? It may mean the difference between egg on her face and a coroner's tag on her toe…

    So she stayed, taking a job at the local paper, to try to both convince the sheriff that she was right-and maybe convince herself she was wrong. After all, her father had been the town doctor, loved (she always thought) by all. To think he was killed was to think that one of her friends or neighbors has harbored some deep resentment toward him. Then she finds the dead body of the women who had been her father's nurse for many years. Obviously murdered. Now Catherine knows that she was not wrong about her parent's death. Someone in Lowfield has a terrible secret, a secret worth killing for. Not once, not twice, but -- when another body is found -- three times. And the killer won't hesitate to add more victims to the list, as Catherine gets closer and closer to the truth.

    Forced in front of them as an infant under grim circumstances, she now hides behind them as a crime scene photographer with a bad habit. But for a girl born to a waitress in a coma—courtesy of a bullet from her famous father—warped relationships are the norm. When Janie receives two photos of her mother's crime scene, she gains a dire perspective on the decades-old death, one that threatens to upend her life and resurrect the wrath of the long-dormant Haiku Killer. With her twin brother running for office and her own problems rising to the fore, Janie finds herself in the dreaded spotlight once again. These recent photos won't help matters. Enlisting the help of a unique crime consultant, a newbie detective, and her estranged father, Janie pries off the layers of deceit that marked her mother's final day. But as an unwelcome truth finally comes into focus, Janie may wish she'd left things undeveloped. Will she now pay the ultimate price for finally righting her skewed existence?