A lyrical story, originally published in 1922, with autobiographical elements of a childhood in a Russian village, Nikita's Childhood is considered one of Tolstoi's major works

    Artiom is a strong young man who survives all facets of the hell that is the Soviet camps: hunger, cold, betrayal, the death of friends, a failed escape attempt and a love affair. Unlike the many political prisoners at Solovki, he has no strong convictions. He is an everyman who, like the Virgil of Solovki, simply narrates what is happening in front of his eyes. His only motivation is to survive.Founded in the 15th century on an archipelago in the White Sea, from 1923 the monastery became a “camp of special designation,” the foundation stone of the Soviet GULAG system. The novel describes a period when Solovki was being converted from a re-education camp for “socially damaging elements” into what eventually became a mass labor camp. The notion of a Utopia for “forging new human beings,” complete with a library, athletic events, and research laboratories, eventually mutated into a hell of despotism and brutality.Published with the support of the Institute for Literary Translation, Russia

    Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.http://press.princeton.edu/titles/897...

    Galina’s artist father Mikhail has been kept away from the front to help save the treasures of the Hermitage. Its cellars could now provide a safe haven, provided Mikhail can navigate the perils of a portrait commission from one of Stalin’s colonels. Nearly 40 years later, Galina herself is a teacher at the Leningrad Art Institute. What ought to be a celebratory weekend at her forest dacha turns sour when she makes an unwelcome discovery. The painting she embarks upon that day will hold a grim significance for the rest of her life, as the old Soviet Union makes way for the new Russia and Galina’s familiar world changes out of all recognition. Warm, wise and utterly enthralling, Molly Gartland’s debut novel guides us from the old communist world, with its obvious terrors and its more surprising comforts, into the glitz and bling of 21st-century St. Petersburg. Galina’s story is at once a compelling page-turner and an insightful meditation on ageing and nostalgia.

    Acclaimed French artist Alain Korkos vividly brings to life the mental anguish and moral dilemmas that plague Raskolnikov, a poor St. Petersburg student who murders a miserly pawnbroker. In this classic of Russian literature, the hero, unable to quell his guilt and paranoia, falls from a self-styled “super human” to a tormented soul in search of redemption. Both a philosophical inquiry and searing social critique, this suspense-driven drama remains as widely popular today as ever.

    It discloses a little-known tradition of absurdism that persisted during the Stalinist period, a testimony to both the hardiness of the Russian imagination in the face of socialist realism and the vitality of an important cultural and literary tradition.

    The Guide selects the most useful and insightful of these and puts them in context, making available the range of critical debate on this important novel to both specialist and general readers.

    “Every time my father went hunting he would bring back live baby animals. We fed them, took care of them, and brought them up ourselves. Each of us had our own special pet - one had a lively fox-cub, another a baby donkey and my youngest sister had a guinea-pig.” There are tales of a pair of wolf cubs, a deer, a donkey, a tiger cub, a fox, and a horse.

    Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn.As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times. This is the epic, mesmerizing story of one indomitable woman's journey through some of the most dramatic events of the last century.

    For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.

    

     This was the beginning of two years of persecution, punishment and imprisonment for Tchernavin and his family. Although a penniless scientist who was aiding the U.S.S.R. with research in fishing he was persecuted by the state because his family were Russian nobility, which to the Soviet Government meant that he was a class enemy. Tchernavin’s fascinating story takes the reader into the heart of the Soviet Union of the 1930s as it was desperately trying to industrialise, no matter what the cost was in human lives. Accused of counter-revolutionary activities and not assisting in the industrial drive that Stalin had implemented he was imprisoned in 1931 and sentenced to five years in the Gulags. Tchernavin’s account vividly depicts the persecution that he and his fellow prisoners suffered at the hands of the U.S.S.R., how many buckled under the torturous conditions, confessing to crimes they had never committed and even indicting others in the process. Along with his wife and son Tchernavin was one of the lucky ones who was able to escape across the border to Finland and later live in England. “Professor Tchernavin has an important story to tell and tells it well and convincingly.” William Henry Chamberlain, Pacific Affairs “The story reveals the life and organization of the prisons, the treatment meted out to those dealing with the Communists.” Kirkus Reviews Vladimir Tchernavin was a Russian scientist, who specialized in studying fish. He was one of the first and very few prisoners of the Gulag system to escape. His work I Speak for the Silent Prisoners of the Soviets was first published in 1934 and he died in 1949. This work was translated by Nicholas Oushakoff who had left the U.S.S.R. in the 1920s to settle in Massachusetts. He died in 1973.

    The Northwestern University Press published the novel in English in spring 2013.The book is forbidden in Belarus behind the scenes, although there is no official approve. Victor Martinovich is a journalist, writer and art critic. Currently he teaches at European Humanities University. The author defines his genre as a reality-dystopia: "You don't need to make up "1984" nowadays, just look around", he says.This book is about the occuring feeling, when the phone rings at the middle of the night, and you pick up the phone to wake up right in the resounding silence on the other end. And the thought that the next call will be at your door scares you so much...that you go and open it. And you open it, knowing that people who remain silent on the phone should never be invited. The book is about the world, in which every breath is eavesdropped and numbered, every smile is registered and put into the list, the only walls' function is wiretapping and passers-by can never be random. And it's all about those invisible people, who remain silent on the phone and help this world to get into you.

    It includes stories by Chekhov, Gorky, Bunin, Zamyatin, Babel, Nabokov, Solzhenitsyn, and Voinovich; excerpts from Andrei Bely's Petersburg, Mikhail Bulgakov's The Master and Margarita, Boris Pasternak's Dr. Zhivago, and Sasha Solokov's A School for Fools; the complete text of Yuri Olesha's 1927 masterpiece Envy; and poetry by Alexander Blok, Anna Akhmatova, and Osip Mandelstam.

    Sea-devil has appeared in the Rio de la Plata. Weird cries out at sea, slashed fishermen's nets, glimpses of a most queer creature astride a dolphin leave no room for doubt. The Spaniard Zurita, greed overcoming his superstition, tries to catch Sea-devil and force it to pearl-dive for him but fails. On a lonely stretch of shore, not far from Buenos Aires, Dr. Salvator lives in seclusion behind a high wall, whose steel-plated gates only open to let in his Indian patients. The Indians revere him as a God but Zurita has a hunch that the God on land and the devil in the sea have something in common. Enlisting the help of two wily Araucanian brothers he sets out to probe the mystery. As action shifts from the bottom of the sea to the Spaniard's schooner The Jellyfish and back again, with interludes in sun-drenched Buenos Aires and countryside, the mystery of Ichthyander the sea-devil is unfolded before the reader in a narrative as gripping as it informative.