Her life is organized and predictable, revolving around her husband and two children. All that changes the day she stops at the grocery store for some carrots. As the cashier rings up her purchases, a gunman is busy robbing the bank inside the store. When a customer grabs the robber's mask, he is shot and everyone runs for cover. Everyone except Shelby, who finds herself face to face with the killer. The next thing she knows, she's lying on the floor with a bullet wound to her head. Luckily, the bullet only grazes her scalp, and she doesn't suspect any lasting affects until later, when she suddenly 'hears' what people are thinking. With this uncanny ability, her life takes on a whole new dimension. Her kids think she's bossy and too old to understand them, but that's nothing compared to her husband. He says he loves her, but what is it about the redhead at work that he doesn't want her to know? As if that isn't enough, the gunman knows she can identify him, and he's out to silence her forever. In her fight to stay alive, she is saved from certain death by a handsome hit-man with ties to organized crime. This pulls Shelby even deeper into danger, where knowing someone's thoughts can not only hurt her feelings, but get her killed.

    She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary.Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries. Hayley is faking it till she makes it, and one of her plans to breathe new life into the Society is actually taking flight--an Agatha Christie fan fiction writers group is paying dues to meet up at Middlebank House.But when one of the group is found dead in the venerable stacks of the library, Hayley has to catch the killer to save the Society and her new job.

    But waking up gaunt, hangry, and undead makes for a very bad day. Mallory's killer better hide, because she's just discovered blood, meat, and dairy don't agree with her, and a future with no cheese is grim indeed. She's out to find her killer... and maybe a vegan cheese that doesn't melt her nose hairs.

    For most of those years, she's been in the habit of taking a brisk morning walk along the beach. Dead men have never been part of the scenery before.Aunt Bessie assumes that the dead man died of natural causes, then the police find the knife in his chest.Try as she might, Bessie just can't find anything to like about the young widow that she provides tea and sympathy to in the immediate aftermath of finding the body. There isn't much to like about the rest of the victim's family either.Aunt Bessie assumes that the police will have the case wrapped up in no time at all, then she finds a second body.Can Bessie and her friends find the killer before she ends up as the next victim?

    It sounded so—so aggressive. But she must be exact. “Actually I was a little angry—at his rudeness, you know—so I poked him in the back...” When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she’s fated to be a sitting duck . . . for murder most foul! Meet Miss Emily D. Seeton: retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with only her sketch pad and umbrella, she is every inch an eccentric English spinster and the most lovable and unlikely master of detection.

    Claire dropped out of school and started her own crime scene cleaning business. Now, when a routine cleaning job leads her to a murder weapon the police overlooked, she realizes that the wrong man is in jail. With the help of her new and attractively single neighbor, Riley Thomas, Gabby plays the detective to make sure the right man is put behind bars.

    When she moved to Stoneham, city slicker Tricia Miles met nothing but friendly faces. And when she opened her mystery bookstore, she met friendly competition. But when she finds Doris Gleason dead in her own cookbook store, killed by a carving knife, the atmosphere seems more cutthroat than cordial. Someone wanted to get their hands on the rare cookbook that Doris had recently purchased-and the locals think that someone is Tricia. To clear her name, Tricia will have to take a page out of one of her own mysteries-and hunt down someone who isn't killing by the book.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?