But Rachela, a famous Polish émigré mathematician and professor at the University of Wisconsin, is rumored to have solved the million-dollar, Navier-Stokes Millennium Prize problem. Rumor also has it that she spitefully took the solution to her grave. To Sasha’s chagrin, a ragtag group of socially challenged mathematicians arrives in Madison and crashes the shiva, vowing to do whatever it takes to find the solution — even if it means prying up the floorboards for Rachela’s notes.Written by a Ph.D. geophysicist, this hilarious and multi-layered debut novel brims with colorful characters and brilliantly captures humanity’s drive not just to survive, but to solve the impossible.

    Clever, capable, and as headstrong as her red hair suggests, she’s determined to better herself despite the overwhelming hardships of the Great Depression.However, Maeve also has a dangerous fondness for strange men and bootleg gin—a rebellious appetite that soon finds her spiraling downward, leading a double life. When the strain proves too much, Maeve becomes an unwilling patient in a psychiatric hospital, where she strikes up a friendship with an enigmatic young woman, who, like Maeve, is unable or unwilling to control her un-lady-like desire for freedom.Once out, Maeve faces starting over again. Armed with a bottle of bleach and a few white lies, she lands a job at an eccentric antiques shop catering to Boston’s wealthiest and most peculiar collectors. Run by an elusive English archeologist, the shop is a haven of the obscure and incredible, providing rare artifacts as well as unique access to the world of America’s social elite. While delivering a purchase to the wealthy Van der Laar family, Maeve is introduced to beautiful socialite Diana Van der Laar—only to discover she’s the young woman from the hospital.Reunited with the charming but increasingly unstable Diana and pursued by her attractive brother James, Mae becomes more and more entwined with the Van der Laar family—a connection that pulls her into a world of moral ambiguity and deceit, and ultimately betrayal. Bewitched by their wealth and desperate to leave her past behind, Maeve is forced to unearth her true values and discover how far she’ll to go to reinvent herself.

    He does not know that a query from a Mrs Tina Hopgood about a world-famous antiquity in his museum is about to alter the course of his life.Oceans apart, an unexpected correspondence flourishes as they discover shared passions: for history and nature; for useless objects left behind by loved ones; for the ancient and modern world, what is lost in time, what is gained and what has stayed the same. Through intimate stories of joy, anguish, and discovery, each one bares their soul to the other. But when Tina's letters suddenly cease, Anders is thrown into despair. Can this unlikely friendship survive?

    A beautiful older woman named Peggy greets her and invites her to stay, on the house's usual conditions: she has ninety-nine nights to turn her life around. With nothing left to lose, Alba takes a chance and moves in. She soon discovers that this is no ordinary house. Past residents have included Virginia Woolf and Dorothy Parker, who, after receiving the assistance they needed, hung around to help newcomers - literally, in talking portraits on the wall. As she escapes into this new world, Alba begins a journey that will heal her wounds - and maybe even save her life. Filled with a colorful and unforgettable cast of literary figures, The House at the End of Hope Street is a charming, whimsical novel of hope and feminine wisdom that is sure to appeal to fans of Jasper Fforde and especially Sarah Addison Allen.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    Told from the perspective of Annie Marck (“Cleves”), a 17-year-old aspiring journalist from Cleveland who meets Henry at summer camp, The Dead Queens Club is a fun, snarky read that provides great historical detail in an accessible way for teens while giving the infamous tale of Henry VIII its own unique spin.What do a future ambassador, an overly ambitious Francophile, a hospital-volunteering Girl Scout, the new girl from Cleveland, the junior cheer captain, and the vice president of the debate club have in common? It sounds like the ridiculously long lead-up to an astoundingly absurd punchline, right? Except it’s not. Well, unless my life is the joke, which is kind of starting to look like a possibility given how beyond soap opera it’s been since I moved to Lancaster. But anyway, here’s your answer: we’ve all had the questionable privilege of going out with Lancaster High School’s de facto king. Otherwise known as my best friend. Otherwise known as the reason I’ve already helped steal a car, a jet ski, and one hundred spray-painted water bottles when it’s not even Christmas break yet. Otherwise known as Henry. Jersey number 8.Meet Cleves. Girlfriend number four and the narrator of The Dead Queens Club, a young adult retelling of Henry VIII and his six wives. Cleves is the only girlfriend to come out of her relationship with Henry unscathed—but most breakups are messy, right? And sometimes tragic accidents happen…twice…

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

    The only child of the beekeeper, she knows her place and her future - until her father dies unexpectedly and leaves her bereft and alone. Alone, that is, except for the man she loves, whom she knows she can never have.Massachusetts, 1973: Grace's beautiful, impetuous daughter Trixie Valentine is in love. Jasper is wild and romantic, a singer in a band on the brink of stardom. Then tragedy strikes and he must return to his home in England, promising to come back to Trixie one day, if only she will wait for him…Weighed down by memories, unaware of the secrets that bind them, both mother and daughter are searching for lost love. To find what they are longing for they must confront the past, and unravel the lies told long ago…