This selection of four plays also shows his ability to portray the poignancy of love as well as write entertaining comedy and create convincing roles for women. Setting Ford's earliest surviving independently written play, The Lover's Melancholy, alongside his three best-known works, The Broken Heart, 'Tis a Pity She's a Whore, and Perkin Warbeck, this edition includes an introduction with sections on each play, addressing gender issues, modern relevance, and staging possibilities

    A tiny stand selling empanadas near the corner of Bleecker and MacDougal streets is the center of the action for the shy narrator, an aspiring writer just out of college. At the stand he falls in with a crowd of kooky outcasts from Argentina who introduce him to their raucous adventures, melodramatic dreamsand women, particularly a tough little flamenco dancer from Buenos Aires. Charming and insightful, this deceptively simple novel is a tale told by a master. It is a wise coming-of-age story, full of joyand touched by heartbreak, that captures a special time and place with extraordinary empathy and humor.

    White Estate, in cooperation with Pacific Press Publishing Association, released a new compilation of Ellen White statements about the end times entitled Last Day Events.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    As each boat ferries exhausted men from the beaches to the waiting ships, under incessant fire from enemy aircraft and in a sea awash with debris and bodies, the men are unknowingly united by a powerful driving force—the urgent need to find one man, brother or son, who matters more to them than anyone else. Each of these missing men has a family, a wife or a sweetheart at home who is anxiously waiting for news—and one sweetheart in particular is determined to play her own part in the rescue.

    In this stunning new edition of the work, Don Paterson, an award-winning sonneteer and lyric poet in his own right, offers an illuminating and accessible guide to these unforgettable verses. In a series of mesmerising and highly-entertaining short commentaries, placed alongside the sonnets themselves, Don Paterson explains the inner workings of the poems: their hidden structures and techniques, their narratives and their brilliance. An approachable handbook to the sonnets and the sonnet form, packed with reading tips and advice on the craft, this new edition offers an enjoyable and indispensable insight into our greatest Elizabethan writer by one of the leading poets of our own day.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    "The book succeeds because the characters are realistic and because Hannah is able to make us care about them".--Houston Post.

    Stage adaptation of a Dickens novel by an accomplished director

    The orthodox view is that the author of the works of Shakespeare was, of course, the actor and businessman of Statford-upon-Avon. But the known facts about this man are surprisingly meager and contrast puzzlingly with the learned, courtly philosopher revealed in the sonnets and plays--the universal genius and supreme stylist. John Michell's witty investigation of the theories and claims reads like a series of detective stories. By the end of the book even the most faithful disciples of the Bard will find themselves asking, "Who Wrote Shakespeare?"

    S. Eliot, Daniel Albright, Douglas Archibald, Harold Bloom, George Bornstein, Elizabeth Cullingford, Paul de Man, Richard Ellman, R. F. Foster, Stephen Gwynn, Seamus Heaney, Marjorie Howes, John Kelly, Declan Kiberd, Lucy McDiarmid, Michael North, Thomas Parkinson, Marjorie Perloff, James Pethica, Jahan Ramazani, Ronald Schuchard, Michael J. Sidnell, Anita Sokolsky, and Helen Vendler. A Chronology and Selected Bibliography are included.

    He’s been skipping school, getting into fights, his grades slip to barely passing, and he has broken up with his fiancée. After he rescues an abandoned dog on a lonely stretch of country back road, things start to look up–that is until he is blindsided by a crippling tragedy. Along his journey to recovery, a girl he met by chance keeps haunting his dreams and his thoughts. But there’s a problem–he doesn’t even know her name.Emma Mendoza is lamenting her turn in life: almost divorced, lousy job, no family, and no one to share her life with. She sits alone in her apartment thinking about her upcoming deployment, and about a boy she met. Who is he? Where is he? Why can’t she stop thinking about him? And so begins a story about the love of two people transcending time and tragedy, and about the love of a dog that will never be forgotten…“Smooth, fluid prose, with a strong emotional hook,” says a judge of a major metropolitan writing contest. Unspoken Bond is an award-winning, heart-warming story about how one unselfish act can have far reaching and lifelong consequences. It’s a celebration of the unspoken bond between a man and his dog, and the timeless bond between two people, held together by a whisper of a touch.

    Little Bitty Lies is a tantalizing tale about an abandoned Atlanta housewife and mother who tells one tiny white lie that sets her world spiraling outrageously out of control. This winning and wonderful romp focuses on about all the important things in life: marriage and divorce, mothers and daughters, friendship and betrayal. Throw in small town secrets, one woman’s lifelong quest for home, and the perfect chicken salad recipe, and you have an ideal escape for fans of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, Emily Giffin, and the Sweet Potato Queens. No lie!

    We Africans in America have been socially engineered to reject our past, and far too many of us live in a state of suspended animation.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.