Perfect for fans of One of Us is Lying, E. Lockhart, and Gillian Flynn.17-year-old Kim never expected to plot a murder. But that was before her boyfriend dumped her for another girl. Now, Kim’s stuck on a class trip to London with him and his new soulmate and she can’t help wishing he was a little bit dead, even if she’d never really do that.   But when Kim meets Nicki, a stranger on the plane who’s more than willing to listen to Kim’s woes, things start to look up. Nicki's got a great sense of humor, and when she jokes about swapping murders, Kim plays along—that is, until Kim’s ex-boyfriend mysteriously dies.   Blackmailed by Nicki to fulfill her end of the deal, Kim will have to commit a murder or take the fall for one.

    Virtually overnight, almost against their will, the two befriended the lonely old man; it wasn't long before they were more comfortable in his house than their own. But now Mr. Pignati is dead. And for John and Lorraine, the only way to find peace is to write down their friend's story - the story of the Pigman.

    It's no wonder John writes articles like "Interview with the Stepfather" and "Memoirs from Hell." The only release he finds is in homemade zines like the amazing Escape Velocity by Marisol, a self-proclaimed "Puerto Rican Cuban Yankee Lesbian." Haning around the Boston Tower Records for the new issue of Escape Velocity, John meets Marisol and a hard love is born.While at first their friendship is based on zines, dysfunctional families, and dreams of escape, soon both John and Marisol begin to shed their protective shells. Unfortunately, John mistakes this growing intimacy for love, and a disastrous date to his junior prom leaves that friendship in ruins. Desperately hoping to fix things, John convinces Marisol to come with him to a zine conference on Cape Cod. On the sandy beaches by the Bluefish Wharf Inn, John realizes just how hard love can be.With keen insight into teenage life, Ellen Wittlinger delivers a story of adolescence that is fierce and funny — and ultimately transforming — even as it explores the pain of growing up.

    One is that nothing will ever come between her and her best friend, Kya Kessler. They have a pact. Buds Before Studs. Sisters Before Misters. But in the summer before senior year, life throws out challenges they never expected. And suddenly the person who's always been there starts to need the favor returned. Grace and Kya are forced to question how much a best friend can forgive. And the answer is not what they expected.

    Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school. Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston. Frankie Landau-Banks, at age 16: No longer the kind of girl to take "no" for an answer and possibly a criminal mastermind. This is the story of how she got that way.Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when her ex-boyfriend shows up in the strangest of places. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many, many pranks to be done.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    Please come right away.We have to finish."Frances Robinson is in high school now. She lives a quiet, suburban life, far from her horrifying past. When she was a child, her birthmother smothered her three sisters. Through pure luck, Frances survived. Now her mother has just been released from prison . . . and she wants to see Frances.A new boy at school called Nix charms Frances. Together, Nix and Frances embark on a clandestine journey to visit Frances' mother: to confront the monster in its lair. This trip will help Frances at last find peace or die trying. But no matter what, Frances will discover just what it means to finish.

    It was a secret quest to vanquish evil. The Game is now a hazy memory as Dani looks up from the floor of the isolation room at Riverwood Clinic. God, how did she get here? She remembers the vodka and pills.Slowly Dani emerges from the painful effects of substance abuse, and begins to adapt to life at Riverwood, a psychiatric treatment facility for "teens with problems."As she recovers from her physical trauma, Dani must confront a deeper emotional trauma, which at the moment she can neither explain nor recognize. There's the cool aloofness of her mother. Her father's abusive perfectionism. Kelly's refusal to answer her letters. Fragmented memories of the last Game. She can't fit all the pieces together."The Game" is an extraordinary story of betrayal, anger, guilt, confusion and dread, and their brutal effects on the mind. It also a tribute to the healing effects of compassion and friendship, and to the strength we can summon, even in our weakest moments.

    Dooks. But when a kindly substitute teacher introduces her to LaVaughn's inner-city world in the free verse novel, Make Lemonade, Prinny discovers that life can be full of possibilities – and poetry.

    Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy.As power fails, and systems fail, the farm becomes more isolated. Despite the war, it's a kind of Eden, with no adults in charge and no rules, a place where Daisy's uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way.A riveting and astonishing story.

    Desperate for money, she takes a job at the Glenmore, where hotel guest Grace Brown entrusts her with the task of burning a secret bundle of letters. But when Grace's drowned body is fished from the lake, Mattie discovers that the letters could reveal the grim truth behind a murder.Set in 1906 against the backdrop of the murder that inspired Theodore Dreiser's An American Tragedy, Jennifer Donnelly's astonishing debut novel effortlessly weaves romance, history, and a murder mystery into something moving, and real, and wholly original.Includes a reader's guide and an interview with the author.

    Selfies while driving never end well. She knows it now #suckstobeme. And she has unfinished business. Her friend Ryan is planning to shoot up the school. But the afterlife is so unexpected. She gets distracted. Who knew she would find love? Just like prose, a novel in verse tells a story. But verse is unique because readers access the text through short chapters, or poems. The varying lengths of the chapters are ideal for a struggling reader, giving them breaks to collect their thoughts, to imagine the characters in their mind s eye, and to set the scene like a frame in a movie. The structure of poetry makes the books appear less intimidating, with plenty of airy white space. Moreover, the depth and substance conveyed in verse is every bit as deep and real as in a Gravel Road prose novel."

    But ever since her dad died, she’s been isolating herself from her boyfriend, her best friends—everyone who wants to support her. And when her mom decides to adopt a baby, it feels like she’s somehow trying to replace a lost family member with a new one.Mandy Kalinowski understands what it’s like to grow up unwanted—to be raised by a mother who never intended to have a child. So when Mandy becomes pregnant, one thing she’s sure of is that she wants a better life for her baby. It’s harder to be sure of herself. Will she ever find someone to care for her, too?As their worlds change around them, Jill and Mandy must learn to both let go and hold on, and that nothing is as easy—or as difficult—as it seems.

    Sixteen-year-old Ellie Morgan's life would be almost perfect if she could just get her potentially prize-winning pumpkin to put on about 200 more pounds—and if she could take off 20 herself...in hopes of attracting Wes, the new boy in town.

    But one day, while her mother is out of the country, the famed rock star from Staring Into the Abyss shows up on her doorstep. This makes sense - kinda - because Julian Oliver is Taliah's father, even though her mother would never admit it to her.Julian asks if Taliah if she will drop everything and go with him to his hometown of Oak Falls, Indiana, to meet his father - her grandfather - who is nearing the end of his life. Taliah, torn between betraying her mother's trust and meeting the family she has never known, goes.With her best friend Harlow by her side, Taliah embarks on a three-day journey to find out everything about her 'father' and her family. But Julian isn't the father Taliah always hoped for, and revelations about her mother's past are seriously shaking her foundation. Through all these new experiences, Taliah will have to find new ways to be true to herself, honoring her past and her future.