Then Gen's mom signs them up for Camp Frontier--a vacation that promises the "thrill" of living like 1890s pioneers. Forced to give up all of her modern possessions, Gen nevertheless manages to email her friends back home about life at "Little Hell on the Prairie," as she's renamed the camp. It turns out frontier life isn't without its good points--like the cute boy who lives in the next clearing. And when her friends turn her emails into a blog, Gen is happily surprised by the fanbase that springs up. But just when it seems Gen and family might pull through the summer, disaster strikes as a TV crew descends on the camp, intent on discovering the girl behind the nationwide blogging sensation--and perhaps ruining the best vacation Gen has ever had.

    He's covered in blood and bruises. He hurts all over. And a strange voice outside the door just ordered his death.The last thing he can remember, he was a normal high-school kid doing normal things--working on his homework, practicing karate, daydreaming of becoming an air force pilot, writing a pretty girl's number on his hand. How long ago was that? Where is he now? Who is he really?And more to the point . . . how is he going to get out of this room alive?

    It's how he makes sense of the world, and how he tries to convince himself that he's a real boy and not just a character in his father's bestselling cult-classic book. Finn has two things going for him: his best friend, the possibly-insane-but-definitely-excellent Cade Hernandez, and Julia Bishop, the first girl he's ever loved. Then Julia moves away, and Finn is heartbroken. Feeling restless and trapped in the book, Finn embarks on a road trip with Cade to visit their college of choice in Oklahoma. When an unexpected accident happens and the boys become unlikely heroes, they take an eye-opening detour away from everything they thought they had planned—and learn how to write their own destiny.

    And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything. So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to? Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.

    Tripp, who plays guitar only for himself, and Lyla, a cellist whose talent has already made her famous but not happy, form an unlikely friendship when they are forced to share a practice room at their high school.

    One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn't even know who Yaqui is, never mind what she's done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn't Latin enough with her white skin, good grades, and no accent. And Yaqui isn't kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she's never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy's life. Is there any way for Piddy to survive without closing herself off or running away? In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine who is forced to decide who she really is.

    Fifteen-year-old orphan Ana Cortez has just blown her last chance with a foster family. It’s a group home next—unless she agrees to leave East Los Angeles for a farm trainee program in Northern California. When she first arrives, Ana can’t tell a tomato plant from a blackberry bush, and Emmett Garber is skeptical that this slight city girl can be any help on his farm. His sister Abbie, however, thinks Ana might be just what they need. Ana comes to love Garber Farm, and even Emmett has to admit that her hard work is an asset. But when she inadvertently stirs up trouble in town, Ana is afraid she might have ruined her last chance at finding a place to belong.

    She's taken the flight from Honolulu to the Midway Atoll, a group of Pacific islands where her parents live, many times. When she has to get to Midway in a hurry after a visit with her aunt in Hawaii, she gets on the next cargo flight at the last minute. She knows the pilot, but on this flight, there's a new co-pilot named Max. All systems are go until a storm hits during the flight. The only passenger, Robie doesn't panic until the engine suddenly cuts out and Max shouts at her to put on a life jacket and she sees him struggle with a raft.And then...she's in the water. Fighting for her life. Max pulls her onto the raft, and that's when the real terror begins. They have no water. Their only food is a bag of Skittles. There are sharks. There is an island. But there's no sign of help on the way.

    Helen Kimura collects men (and loans, spending money, and gifts of all kinds) from all over the country. Sure, she's not your typical role model, but she's also not just a pretty face and nail polish. She is confident and brave; she lives life on her own terms, and her four daughters simply adore her. These girls have been raised outside the traditional boundaries. They know how to take the back exit. They know how to dodge crazed lovers in highway car chases. They do not, however, know how to function without one another. Then suddenly they must. A late-night phone call unexpectedly shreds the family apart, catapulting the girls across the country to live with their respective fathers. But these strong-willed sisters are, like their mother, determined to live life on their own terms, and what they do to pull their family back together is nothing short of beautiful. At turns wickedly funny and insistently thought-provoking, Outside Beauty showcases Cynthia Kadohata's unerring ability to explore the bonds that bind.

    If you think you know their story, think again.In this reimagining of Shakespeare's famous tragedy, it is Ophelia who takes center stage. A rowdy, motherless girl, she grows up at Elsinore Castle to become the queen's most trusted lady-in-waiting. Ambitious for knowledge and witty as well as beautiful, Ophelia learns the ways of power in a court where nothing is as it seems. When she catches the attention of the captivating, dark-haired Prince Hamlet, their love blossoms in secret. But bloody deeds soon turn Denmark into a place of madness, and Ophelia's happiness is shattered. Ultimately, she must choose between her love for Hamlet and her own life. In desperation, Ophelia devises a treacherous plan to escape from Elsinore forever . . . with one very dangerous secret.Lisa Klein's Ophelia tells the story of a young woman falling in love, searching for her place in the world, and finding the strength to survive. Sharp and literary, dark and romantic, this dramatic story holds readers in its grip until the final, heartrending scene.

    Elizabeth is passionate about her work and determined to learn all she can at the summer theatre company on the sea where she is an apprentice actress. She’s never felt so alive. And soon she finds another passion: Kurt Canitz, the dashing young director of the company, and the first man Elizabeth’s ever kissed who has really meant something to her. Then Elizabeth’s perfect summer is profoundly shaken when Kurt turns out not to be the kind of man she thought he was.Moving and romantic, this coming-of-age story was written during the 1940s. As revealed in an introduction by the author’s granddaughter Léna Roy, the protagonist Elizabeth is close to an autobiographical portrait of L’Engle herself as a young woman—“vibrant, vulnerable, and yearning for love and all that life has to offer.”

    Along with his dog, his best friend, and-surprisingly-the Cambodian boy whose car was involved in the fatal accident, Henry experiences a journey that is both physically daunting and spiritually exhilarating. The writing combines breathtaking nature imagery and hilarious comedy, as only Gary Schmidt can.

    It turns out the two women are identical twins, separated at birth, and raised in dramatically different circumstances. Lucy's mother quickly resolves to give her less fortunate sister the kind of life she has never known. And the transformation in Aunt Helen is indeed remarkable. But when Helen begins to imitate her sister in every way, even Lucy isn't sure at times which twin is which. Can Helen really be trusted, or does her sweet face mask a chilling agenda?Filled with shocking twists and turns, THE TWIN'S DAUGHTER is an engrossing gothic novel of betrayal, jealousy, and treacherous secrets that will keep you guessing to the very end.

    Each with a terrible resentment she can barely contain.Two Fear family weddings, decades apart... Each bride will find that the ancient curse that haunts the Fears LIVES ON. It feeds off the evil that courses through their blood. It takes its toll in unexpected ways, and allows dark history to repeat itself.In this all-new Fear Street story, family ties bind sisters together—till DEATH do they part.

    . . . In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.