Parkman conceived the project in 1841, when he was a Harvard sophomore, and persisted in it despite chronic disorders that affected his eyes. The last volume of what he called his “history of the American forest” appeared almost thirty years after the first. Deservedly compared as a literary achievement to Gibbon’s The Decline and Fall of the Roman Empire, Parkman’s accomplishment is hardly less awesome than the explorations and adventures he so vividly describes. His own indomitable spirit is reflected in two of the history’s most fiercely resolute figures: La Salle, obsessed with colonizing the Mississippi Valley, and Frontenac, determined to bolster France’s tottering position in the New World. He tells a story of great empires maneuvering in an unfamiliar and hostile terrain with all the guile, sophistication, and ingenuity learned from centuries of European rivalry.Pioneers of France in the New World (1865) begins with the early and tragic settlement of the French Huguenots in Florida, then shifts to the northern reaches of the continent and follows the expeditions of Samuel de Champlain up the St. Lawrence River and into the Great Lakes as he mapped the wilderness, organized the fur trade, promoted Christianity among the natives, and waged a savage forest campaign against the Iroquois.The Jesuits in North America in the Seventeenth Century (1867) traces the zealous efforts of the Jesuits and other Roman Catholic orders to convert the Native American tribes of North America. Jean de Brébeuf, Isaac Jogues, Marguerite Bourgeoys, Marie de l’Incarnation, and Joseph Bressani represent only a few of that resolute company, many of whom suffered captivity, torture, and martyrdom in the far corners of the wilderness.La Salle and the Discovery of the Great West (1869) records that explorer’s voyages on the Ohio and Mississippi Rivers and his treks, often alone, across the vast western prairies and through the labyrinthine swamps of Louisiana. Although he won the respect and admiration of the Native Americans, La Salle often distrusted and alienated his associates. He survived two attempts to poison him before he was finally assassinated by his own men in a lonely Texas outpost.The Old Régime in Canada (1874) recounts the political struggles among the religious sects, colonial officials, feudal chiefs, royal ministers, and military commanders of Canada. Their bitter fights over the monopoly of the fur trade, the sale of brandy to the natives, the importation of wives from the orphanages and poorhouses of France, and the bizarre fanaticism of religious extremists and their “incessant supernaturalism” animate this pioneering social history of early Canada.Parkman’s chronicle of nearly two and a half centuries of conflict will permanently transform our image of the American landscape. Written with verve, suppleness, and wit, this grand narrative history of political and theological conflict, of feats of physical endurance, of courtly manners practiced with comic disproportion against the backdrop of a looming wilderness, is itself one of the still-undiscovered treasures of our national and of world literature.

    . . But I think it is sometimes done—or very, very nearly done—in stories.”C.S. Lewis is widely known for his fiction, especially his stories of science fiction and fantasy, for which he was a pioneering author in an age of realistic fiction. In On Stories, he lays out his theories and philosophy on fiction over the course of nine essays, including “On Stories,” “The Death of Words,” and “On Three Ways of Writing for Children.” In addition to these essays, On Stories collects eleven pieces of Lewis’s writing that were unpublished during his lifetime. Along with discussing his own fiction, Lewis reviewed and critiqued works by many of his famous peers, including George Orwell, Charles Williams, Rider Haggard, and his good friend J.R.R. Tolkien, providing a wide-ranging look at what fiction means and how to craft it from one of the masters of his day.

    It is also the world’s most widely distributed book, translated into over two thousand languages, and the world’s best selling book, year after year. But the Bible is a complex work with a complicated and obscure history. Made up of sixty-six “books” written by various authors and divided into two testaments, its contents have changed over the centuries. The Bible has been transformed by translation and, through interpretation, has developed manifold meanings to various religions, denominations, and sects. In this seminal account, acclaimed historian Karen Armstrong discusses the conception, gestation, and life of history’s most powerful book. Armstrong analyzes the social and political situation in which oral history turned into written scripture, how this all-pervasive scripture was collected into one work, and how it became accepted as Christianity’s sacred text. She explores how scripture came to be read for information, and how, in the nineteenth century, historical criticism of the Bible caused greater fear than Darwinism. This is a brilliant, captivating book, crucial in an age of declining faith and rising fundamentalism.

    Anne Olivier Bell edited the five-volume original, and she has now abridged the Diary in this splendidly readable single volume edition.

    

    Beckwith's narrative describing island life is filled with humor, surprise, affection, and keen observance. Originally published in 1959.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    Dennis Orphen, the writer from Dawn Powell’s Turn, Magic Wheel, makes an appearance here, as does Andy Callingham, Powell’s thinly disguised Ernest Hemingway. The climax of this mercilessly funny novel comes with a party which, remarked Gore Vidal, “resembles Proust’s last roundup,” and where one of the partygoers observes, “There are some people here who have been dead twenty years.”"For decades Dawn Powell was always just on the verge of ceasing to be a cult and becoming a major religion." -- Gore Vidal

    Great literature increases knowledge of and desire for the good life by showing readers what virtue looks like and where vice leads. It is not just what one reads but how one reads that cultivates virtue. Reading good literature well requires one to practice numerous virtues, such as patience, diligence, and prudence. And learning to judge wisely a character in a book, in turn, forms the reader's own character.Acclaimed author Karen Swallow Prior takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. In reintroducing ancient virtues that are as relevant and essential today as ever, Prior draws on the best classical and Christian thinkers, including Aristotle, Aquinas, and Augustine. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounter with great writing.In examining works by these authors and more, Prior shows why virtues such as prudence, temperance, humility, and patience are still necessary for human flourishing and civil society. The book includes end-of-chapter reflection questions geared toward book club discussions, features original artwork throughout, and includes a foreword from Leland Ryken.

    Victor's Didascalicon, composed in the late 1130's.

    He returned to Argentina in 1984. Founder of two Argentine weekly news magazines in the 1960s and a commentator on radio and television, he was best-known as the publisher and editor of the newspaper La Opinión from 1971 until his arrest in 1977. An outspoken champion of human rights and freedom of the press, he criticized all repressive governments and organizations, regardless of their political ideologies. His other books include The Longest War: Israel in Lebanon, Cuba: A Journey, and Chile: A Death in the South.The Americas, Ilan Stavans, Series EditorWinner of a 1982 Los Angeles Times Book Prize Selected by the New York Times for "Books of the Century" With a new introduction by Ilan Stavans and a new foreword by Arthur Miller.

    Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, "Michael Schmidt does full justice to its complexity.Like his hero Ford Madox Ford in The March of Literature," Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English.Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliche--some irreducible quality that keeps readers coming back to its pages."

    He has bequeathed to us a unique day by day documentary of life as a village clergyman. Only a small fraction of what he recorded has survived. This is a selection edited and introduced by William Plomer.

    . .'So, modestly, begins this firsthand account of the adventures of three women and one man in the hellish aftermath of the war in Europe. Awakened from the nightmare of prison camp, freed from the fear of the Þring squad which had haunted each of them since capture, the four compatriots Þnd that they must still navigate horror itself without food, without papers, without funds. Virtues are all that remain in their possession, and it is these - nobility, friendship, honor, strength, pride in their bloody but unbowed humanity - that guide them home. A tale of bravery that will make you care deeply about its protagonists, and weep tears of wonder at their heroism.

    Infused with a love of learning, compelling in its arguments for a unifying written culture, it argues brilliantly against the politicization of literature and presents a guide to the great works of the western literary tradition and essential writers of the ages. The Western Canon was nominated for the National Book Critics Circle Award.