It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos, resulting in a novel where range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    His return to the Laguna Pueblo reservation only increases his feeling of estrangement and alienation. While other returning soldiers find easy refuge in alcohol and senseless violence, Tayo searches for another kind of comfort and resolution. Tayo's quest leads him back to the Indian past and its traditions, to beliefs about witchcraft and evil, and to the ancient stories of his people. The search itself becomes a ritual, a curative ceremony that defeats the most virulent of afflictions—despair.

    They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

    Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

    The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness, and marriage combine to leave Oedipa in isolation on the threshold of revelation, awaiting the Crying of Lot 49.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    Her life story is told in the documentary film And Still I Rise, as seen on PBS’s American Masters.Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.

    An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.

    Sugar moves next door to Pearl, who is still grieving for the daughter who was murdered fifteen years before. Over sweet-potato pie, an unlikely friendship begins, transforming both women's lives--and the life of an entire town.Sugar brings a Southern African-American town vividly to life, with its flowering magnolia trees, lingering scents of jasmine and honeysuckle, and white picket fences that keep strangers out--but ignorance and superstition in. To read this novel is to take a journey through loss and suffering to a place of forgiveness, understanding, and grace.  McFadden is the author of the novels Gathering of Waters, Glorious, and This Bitter Earth.

    As the book unfolds, moving seamlessly between Haiti in the 1960s and New York City today, we enter the lives of those around him, and learn that he has also kept a vital, dangerous secret. Edwidge Danticat's brilliant exploration of the "dew breaker"—or torturer—is an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America's most essential writers.

    The town is important because it is a port that serves a large coal mine. Colonel Lanser, the head of the invading battalion, along with his staff establishes his HQ in the house of the democratically elected and popular Mayor Orden.As the reality of occupation sinks in and the weather turns bleak, with the snows beginning earlier than usual, the "simple, peaceful people" of the town are angry and confused. Colonel Lanser, a veteran of many wars, tries to operate under a veil of civility and law, but in his heart he knows that "there are no peaceful people" amongst those whose freedom has been taken away by force. The veil is soon torn apart when Alexander Morden, an erstwhile alderman and "a free man," is ordered to work in the mine. He strikes out at Captain Loft with a pick axe, but Captain Bentick steps into its path and dies of it. After a summary trial, Morden is executed by a firing squad. This incident catalyzes the people of the town and they settle into "a slow, silent, waiting revenge." Sections of the railroad linking the port with the mine get damaged regularly, the machinery breaks down often, and the dynamo of the electricity generators gets short circuited. Whenever a soldier relaxes his guard, drinks or goes out with a woman, he is killed. Mayor Orden stands by his people, and tries to explain to Col. Lanser that his goal – "to break man’s spirit permanently" – is impossible.The cold weather and the constant fear weighs heavy on the occupying force, many of whom wish the war to end so that they can return home. They realize the futility of the war and that "the flies have conquered the flypaper." Some members of the resistance escape to England and ask the English for explosives so that the townspeople can intensify their efforts. English planes parachute-drop small packages containing dynamite sticks and chocolates all around the town. In a state of panic, the army takes the Mayor and his friend Dr. Winter, the town doctor and historian, hostage and lets it be known that any action from resistance will lead to their execution. Mayor Orden knows that nothing can stop his people and that his death is imminent. He tells his wife that while he can be killed, the idea of Mayor (and freedom and democracy) is beyond the reach of any army. Before his execution, Mayor Orden reminds Dr. Winter of the dialogues of Socrates in the Apology, a part he played in the high school play, and tells him to make sure that the debt is repaid to the army, i.e., that the resistance is continued.

    The invasion of white society threatens to change their traditional way of life, and they must choose to fight or assimilate. The story is a powerful portrait of a fading way of life. The story culminates with the historic Marias Massacre of 1870, in which the U.S. Cavalry mistakenly killed a friendly band of Blackfeet, consisting mostly of non-combatants."A major contribution to Native American literature." -- Wallace Stegner.