This revised and expanded edition of Hilberg's classic work extends the scope of his study and includes 80,000 words of new material, particularly from recently opened archives in eastern Europe, added over a lifetime of research.

    He presents the ideological innovations and ethnic cleansings that abetted the spread of modern nationalism but also examines recent statesmanship that has allowed national interests to be channeled toward peace.“A work of profound scholarship and considerable importance.”—Timothy Garton Ash, St. Antony’s College, University of Oxford“Timothy Snyder’s style is a welcome reminder that history writing can be—indeed, ought to be—a literary pursuit.”—Charles King, Times Literary Supplement“A brilliant and fascinating analysis of the subtleties, complexities, and paradoxes of the evolution of nations in Eastern Europe. It has major implications for all of us who want to understand the processes of state collapse and nation-building in the world.”—Samuel P. Huntington, Harvard Academy for International and Area Studies“Snyder’s ultimate query in this fresh and stimulating look at the path to nationhood is how the bitter experiences along the way, including the bitterest—ethnic cleansing—are to be overcome.”—Robert Legvold, Foreign Affairs

    Why have Jews been the object of the most enduring and universal hatred in history? Why did Hitler consider murdering Jews more important than winning World War II? Why has the United Nations devoted more time to tiny Israel than to any other nation on earth? In this seminal study, Dennis Prager and Joseph Telushkin attempt to uncover and understand the roots of antisemitism—from the ancient world to the Holocaust to the current crisis in the Middle East. Why the Jews? offers new insights and unparalleled perspectives on some of the most recent, pressing developments in the contemporary world, including: -The replicating of Nazi antisemitism in the Arab world -The pervasive anti-Zionism/antisemitism on university campuses -The rise of antisemitism in Europe -Why the United States and Israel are linked in the minds of antisemites Clear, persuasive, and thought-provoking, Why the Jews? is must reading for anyone who seeks to understand the unique role of the Jews in human history.

    These refugees from czarist Russia and the Polish shtetls who came to America to escape pogroms and persecution were considered barbaric, uneducated, and too steeped in the traditions of the “old country” to be accepted by the more refined and already well-established German-Jewish community. But the new arrivals were tough, passionate, and determined, and in no time they were moving up from the ghetto tenements of New York’s Lower East Side to make their marks and their fortunes across the country in a variety of fields, from media and popular music to fashion, motion pictures, and even organized crime.   Among the unforgettable personages author Stephen Birmingham profiles are radio pioneer David Sarnoff, makeup mogul Helena Rubinstein, Hollywood tycoons Samuel Goldwyn and Harry Cohn, Broadway composer Irving Berlin, and mobster Meyer Lansky. From the author of “Our Crowd”, comes this treasure trove of fascinating tales and unforgettable “rags-to-riches” success stories that celebrates the indomitable spirit of a unique community.

    There's a villain out to hang Mordechai and murder his countrymen; a king who enjoys drinking; and a beautiful and noble queen. There are assassins, palace intrigue and a climactic battle scene -- and a happy ending, to boot. What more could you ask for in a good child's story?The holiday associated with the book can seem child-like, too. Purim is celebrated with costumes, carnivals, and abundant merriment. Kids dress up as Esther, Mordechai, Haman and Achashveirosh, wearing plastic hats and cellophane scepters. Purim is the great holiday of make-believe.All this make believe, though, can have unintended consequences. Chief among them is the fact that many of us are likely to remain with childlike views of Purim and the Megillah long after we've turned adults. Our perspective upon Mordechai and Esther and their struggle can easily remain as one-dimensional as the face paint we use to impersonate these people in costume.In this book, Rabbi Fohrman invites the reader to look at the Book of Esther with fresh eyes; to join him, as it were, on a guided adventure -- a close reading of the ancient biblical text. In so doing, he reveals another Purim story; a richer, deeper narrative -- more suited perhaps, to the eyes ofan adult than to a child. As layers of meaning are gradually revealed, Esther's hidden story comes alive in a vibrant, unexpected way -- offering the reader a fascinating and stirring encounter with the queen whose costume they wore as children -- the queen they thought they knew.

    Prevailing classifications have sometimes assigned Jews to the white race and at other times have created an off-white racial designation for them. Those changes in racial assignment have shaped the ways American Jews of different eras have constructed their ethnoracial identities. Brodkin illustrates these changes through an analysis of her own family's multi-generational experience. She shows how Jews, in her opinion, experience a kind of double vision that comes from racial middleness: on the one hand, marginality with regard to whiteness; on the other, whiteness and belonging with regard to blackness.

    Created in 1906 to help bewildered Eastern European immigrants learn about their new country, the column also gave them a forum for seeking advice and support in the face of problems ranging from wrenching spiritual dilemmas to petty family squabbles to the sometimes hilarious predicaments that result when Old World meets New. Isaac Metzker's beloved selection of these letters and responses has become for today's readers a remarkable oral record not only of the varied problems of Jewish immigrant life in America but also of the catastrophic events of the first half of our century.

    Following this model, there would have been one religion known as Judaism before the birth of Christ, which then took on a hybrid identity. Even before its subsequent division, certain beliefs and practices of this composite would have been identifiable as Christian or Jewish.In Border Lines, however, Daniel Boyarin makes a striking case for a very different way of thinking about the historical development that is the partition of Judaeo-Christianity.There were no characteristics or features that could be described as uniquely Jewish or Christian in late antiquity, Boyarin argues. Rather, Jesus-following Jews and Jews who did not follow Jesus lived on a cultural map in which beliefs, such as that in a second divine being, and practices, such as keeping kosher or maintaining the Sabbath, were widely and variably distributed. The ultimate distinctions between Judaism and Christianity were imposed from above by border-makers, heresiologists anxious to construct a discrete identity for Christianity. By defining some beliefs and practices as Christian and others as Jewish or heretical, they moved ideas, behaviors, and people to one side or another of an artificial border--and, Boyarin significantly contends, invented the very notion of religion.

    Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence, the Lagnados, too, must make their escape. With all of their belongings packed into twenty-six suitcases, their jewels and gold coins hidden in sealed tins of marmalade, Leon and his family depart for any land that will take them. The poverty and hardships they encounter in their flight from Cairo to Paris to New York are strikingly juxta-posed against the beauty and comforts of the lives they left behind.An inversion of the American dream set against the stunning portraits of three world cities, Lucette Lagnado's memoir offers a grand and sweeping story of faith, tradition, tragedy, and triumph.Winner of the Sami Rohr Prize for Jewish Literature and hailed by the New York Times Book Review as a "brilliant, crushing book" and the New Yorker as a memoir of ruin "told without melodrama by its youngest survivor," The Man in the White Sharkskin Suit recounts the exile of the author's Jewish Egyptian family from Cairo in 1963 and her father's heroic and tragic struggle to survive his "riches to rags" trajectory.

    A thousand years ago it was the center of the first great Slav civilization, Kievan Rus. In 1240, the Mongols invaded from the east, and for the next seven centureies, Ukraine was split between warring neighbors: Lithuanians, Poles, Russians, Austrians, and Tatars. Again and again, borderland turned into battlefield: during the Cossack risings of the seventeenth century, Russia’s wars with Sweden in the eighteenth, the Civil War of 1918–1920, and under Nazi occupation. Ukraine finally won independence in 1991, with the collapse of the Soviet Union. Bigger than France and a populous as Britain, it has the potential to become one of the most powerful states in Europe.In this finely written and penetrating book, Anna Reid combines research and her own experiences to chart Ukraine’s tragic past. Talking to peasants and politicians, rabbis and racketeers, dissidents and paramilitaries, survivors of Stalin’s famine and of Nazi labor camps, she reveals the layers of myth and propaganda that wrap this divided land. From the Polish churches of Lviv to the coal mines of the Russian-speaking Donbass, from the Galician shtetlech to the Tatar shantytowns of Crimea, the book explores Ukraine’s struggle to build itself a national identity, and identity that faces up to a bloody past, and embraces all the peoples within its borders.

    This masterpiece of modern fiction tells the gripping tale of renegade talmudic sage Elisha ben Abuyah's struggle to reconcile his faith with the allure of Hellenistic culture. Set in Roman Palestine, As a Driven Leaf draws readers into the dramatic era of Rabbinic Judaism. Watch the great Talmudic sages at work in the Sanhedrin, eavesdrop on their arguments about theology and Torah, and agonize with them as they contemplate rebellion against an oppressive Roman rule. But Steinberg's classic novel also transcends its historical setting with its depiction of a timeless, perennial feature of the Jewish experience: the inevitable conflict between the call of tradition and the glamour of the surrounding culture. In his illuminating foreword, specially commissioned for this edition, Chaim Potok stresses the contemporary relevance of As a Driven Leaf: This novel of ideas and passions... retains its ability to enter the heart of pious and seeking Jew alike. Synagogues everywhere are adopting As a Driven Leaf for group study.

    Six weeks later he was sent home; ashes in an urn. Soon another letter arrived. "The Gestapo has notified your brothers and me that we are to be deported to the East--whatever that means." Hannelore knew: labor camps, starvation, beatings...How could Mama and her two younger brothers bear that? She made a decision: She would go home and be deported with her family. Despite the horrors she faced in eight labor and concentration camps, Hannelore met and fell in love with a Polish POW named Dick Hillman. Oskar Schindler was their one hope to survive. Schindler had a plan to take eleven hundred Jews to the safety of his new factory in Czechoslovakia. Incredibly both she and Dick were added to his list. But survival was not that simple. Weeks later Hannelore found herself, alone, outside the gates of Auschwitz, pushed toward the smoking crematoria. I Will Plant You a Lilac Tree is the remarkable true story of one young woman's nightmarish coming-of-age. But it is also a story about the surprising possibilities for hope and love in one of history's most brutal times.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    . . . This treasure trove of linguistics, sociology, history and folklore offers a fascinating look at how, through the centuries, a unique and enduring language has reflected an equally unique and enduring culture.”—Publishers Weekly, starred reviewThe main spoken language of the Jews for more than 1,000 years, Yiddish offers a comprehensive picture of the mind-set that enabled them to survive a millennium of unrelenting persecution across Europe. Through the idioms, phrases, metaphors, and fascinating history of this wonderful tongue, Michael Wex gives us a moving and inspiring portrait of a people, and a language, in exile. From tukhes to goy, meshugener to bobe mayse (cok-and-bull story), Born to Kvetch offers a wealth of material, some that has never appeared in English before, on all elements of Yiddish life, including food, nature, divinity, humanity, and even sex.

    The result is a shimmering literary examination of the ghost of communism – no longer Marx’s “specter to come” but a haunting presence of the past.    Marci Shore builds her history around people she came to know over the course of the two decades since communism came to an end in Eastern Europe: her colleagues and friends, once-communists and once-dissidents, the accusers and the accused, the interrogators and the interrogated, Zionists, Bundists, Stalinists and their children and grandchildren.  For them, the post-communist moment has not closed but rather has summoned up the past: revolution in 1968, Stalinism, the Second World War, the Holocaust.  The end of communism had a dark side.  As Shore pulls the reader into her journey of discovery, reading the archival records of people who are themselves confronting the traumas of former lives, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical, touching, and sometimes heartbreaking portrayal of how history moves and what history means.