Sometimes, rather than making you laugh or cry out in surprise, a story will instead leave you wondering about human fragility... In the telling of his own tale, children's author and screenwriter Paul Jennings demonstrates how seemingly small events can combine into a compelling drama. As if assembling the pieces of a jigsaw puzzle, he puts together fragments, memories and anecdotes to reveal the portrait of a complex and weathered soul. 'Untwisted' is revealing, moving and very funny. It will appeal to all students of creative writing and all those who wonder about the origins and outcomes of success – and, of course, to Paul's many fans around the world.

    The other big event of that year was the outbreak of the Second World War, but for the moment, that did not affect me.' In the first instalment of Clive James's memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney.

    Since her mother’s death when Neve was seven, she’s learned to look after herself and to keep her cards close. But now her deliberately constructed world has collapsed: her partner’s left her when she was eight months pregnant. And so, alone with her newborn son, she’s retreated to her cliff-top holiday house in coastal Flinders.There, another child comes into her life. The first time Neve sees Jessie, the small girl is playing on an empty stretch of beach. On the cold autumn day, she is bare-legged and alone, while her mother is distracted by her own troubles. At once, almost despite herself, Neve is intrigued and concerned, and Jessie is drawn to Neve’s kindness – and to her home. To Neve’s surprise, Jessie becomes an unlikely source of much needed care for her and her baby. Having been lost in the sleepless haze of new motherhood, Neve is touched, and finds herself grappling with how to best help the forgotten girl. She has the spacious house, the full pantry, the resources . . . But how much can you – should you – do for a stranger’s child?

    Starting at the age of five, he recalls being sexually curious and began placing items in his anus at the age of eight. He'd sexually assault hundreds of little girls before committing his first murder. Sadly, as law enforcement stumbled along with no leads or evidence, Robert Black would strike repeatedly destroying families and preying on innocent little girls in the United Kingdom.

    In the aftermath of the Battle of Britain, airmen filled a small Sussex town where pioneering plastic surgeon Archibald McIndoe established revolutionary surgical and therapeutic treatments.For the child Liz Byrski, growing up in a small Sussex town, the burnt faces of these airmen filled her nightmares.In her late sixties, Liz returned to make peace with her memories and to speak not only with the survivors – known as the Guinea Pig Club – but with the nurses who played a vital and unorthodox role in their treatment, sometimes at a significant personal cost.

    Now, using his years of experience as a police reporter for the Adelaide Advertiser and Network Ten, Pudney pieces together the complete story of the Snowtown murders.Not only does he investigate the lives of the convicted men but he digs deeper, telling the stories of their twelve victims and exploring the complicated social web that enabled them to not only prey on their victims, but to get away with their crimes for so long.The Snowtown murders were Australia's most horrific and sustained serial killings; details of the case appalled the nation - not to mention South Australia, which already has a reputation for producing the country's highest number of serial killers. But not every detail of this case has been made available to the public, and Snowtown contains exclusive information revealed for the first time.Part police reporting, criminology text, biography and social history, Snowtown is a compelling book without peer, and will take its place among the classics of the true crime genre.

    What he lacked in experience and expertise, he made up for in enthusiasm. Or so he hoped.When the family arrived on a lonely hill in northern New South Wales, they had no electricity, no running water, no telephone and no choice but to make that tangle of bush their home. From Angela Wales, eldest of the five kids, comes this extraordinarily vivid and evocative account of the next ten years as they tried to tame six thousand acres and navigate the challenges of country life.Filled with drama and hilarity, joy and back-breaking toil, Barefoot in the Bindis portrays a childhood spent in the bush, and is a sensational picture of Australia past.

    A memoir of trauma, evil and resilience that will break your heart and then show you how to rebuild it, from one of Australia’s brightest young comedians.

    The Devil is coming to get you. Gangster Stephen French invented the perfect crime: robbing drug barons of their huge fortunes. In SAS-style swoops, French raided their fortified mansions and tortured them with horrifying violence until they paid up. Through 'taxing' the richest and most powerful crimelords in the UK, he netted over £20 million. French was no ordinary criminal. He was a world-champion fighter, he studied psychology at university to master mind-control techniques, and he used the teachings of Machiavelli and samurai warriors to outwit his enemies. The Devil also reveals French's complex relationship with Curtis Warren, the wealthiest criminal in British history. The two were childhood pals, then partners and finally bitter enemies. Now a legitimate businessman, French built up a multimillion-pound empire. Having eventually turned his back on his former life, he is now seeking to set the record straight.

    Or am I allowing that uncontrollable imagination of mine too much slack? This is the story of an unlikely friendship.When priest and Sydneysider Tony Doherty emailed Melbourne-based writer and performer Ailsa Piper to say how much he had enjoyed her latest book, he was met with a swift reply from a similarly enquiring mind. Soon emails were flying back and forth and back again. They exchanged stories of their experiences as sweaty pilgrims and dissected dinner party menus. They shared their delight in Mary Oliver's poetry and wrestled with what it means to love and to grieve. This energetic exchange of words, questions and ideas grew into an unexpected but treasured friendship.Collected here is that correspondence, brimming with empathy, humour and a fierce curiosity about each other and the worlds, shoes and histories that they inhabit. Described by one reader as 'a demonstration of how to have a conversation and a friendship', The Attachment is an intriguing, entertaining and moving celebration of family, faith, connection-even the correct time of day to enjoy rhubarb.Dear Tony, Funny how our ears tune in to things. How our priorities shift based on who and what we know. How we come to care about such abstract or remote things through the experience of another. Lovely, somehow, but so serendipitous. All the other things we might care about. All that we might have missed had we not stopped to care for this person. I'm glad we stopped for each other. 'To read this book is to be present at the unfurling of a tender friendship between two thoughtful, compassionate humans, and like all the best collections of letters it's also a discursive wander through life's big questions. It will make you grateful for what you have, while urging you to seize the day with the people you love... It will make you want to write letters:goodones. I will read this book again and again.'Charlotte Wood, Stella Prize-winning author ofThe Natural Way of Things'... captures the intoxication of being swept into a new and deeply nourishing friendship. It fizzes with joy and humour, wrestles with agonising questions, always anchored in compassion and wisdom.' Debra Oswald, author ofUseful'The Attachmentmade me want to notice my world, love my world,shape it into words. It is a book about friendship but more than that, these two letter-writers - these unlikely friends - are mature enough to know the value of the moment, the value of friendship, how precious and fleeting life is... I was moved, and surprised, and completed the book in a veil of tears... The book enriched me, and inspired me.'Sofie Laguna, Miles Franklin award-winning author ofThe Eye of the Sheep'From the first seed of recognition, the feverish exchange of ideas and confidences to a deep and abiding appreciation,The Attachmentis a candid, illuminating journey into the heart of a profound and unexpected friendship, and a testament to the art of correspondence.'Kat Stewart, actor'... the chronicle of an unlikely but beautiful friendship thatwill inspire you to value your own friendships more highly, and to nurture them more carefully.'Hugh Mackay, author ofBeyond Belief

    Anjette Lyle's restaurant was a popular gathering place. It was the place to go for lunch to hear the latest news. Then, one day, Anjette Lyles was charged with the murders of two husbands, her mother-in-law, and her nine-year-old daughter, all committed over the course of seven years. The case was the most sensational Macon had ever seen. The newspaper accounts spiced up the allegations of murder with references to voodoo ceremonies and black magic. The trial attracted record crowds and received worldwide coverage. Anjette Lyles was a glamorous figure and spectators stood in line for hours, hoping for just a glimpse of the defendant. Both lucidly written and emotionally engaging, this is the story of a woman who was called both "cold-blooded" and the "sweetest woman I ever knew," and despite overwhelming evidence and her conviction, many still believe that she was innocent.

    In Bowraville, all three of the victims were Aboriginal. All three were killed within five months, between 1990 and 1991. The same white man was linked to each, but nobody was convicted.More than two decades later, homicide detective Gary Jubelin contacted Dan Box, asking him to pursue this serial killing. At that time, few others in the justice system seemed to know – or care – about the murders in Bowraville. Dan spoke to the families of the victims, Colleen Walker-Craig, Evelyn Greenup and Clinton Speedy-Duroux, as well as the lawyers, police officers and even the suspect involved in what had happened. His investigation, as well as the families’ own determined campaigning, forced the authorities to reconsider the killings. This account asks painful questions about what ‘justice’ means and how it is delivered, as well as describing Dan’s own shifting, uncomfortable realisation that he was a reporter who crossed the line.Praise for the Bowraville podcast:'It is a gripping true crime tale and an essay on racism; a challenge to the lies Australia tells itself about its treatment of Aboriginal and Torres Strait Islander people told through the voices of three Aboriginal families who have been indisputably let down … The podcast has galvanised the public in a way that two decades of print and television reporting on the Bowraville murders have not.’ The Guardian 'A masterful example of crime reporting which forensically details the worst of human nature, inexplicably compounded by the gross negligence of the only people who could provide justice. It’s stirred thousands, including the prime suspect, to re-engage with the case after trusting the journalist to take them to dark places.’ Walkley judges’ comments ‘Outstanding.’ Leigh Sales‘Moving, brilliant.’ Annabel Crabb'If you haven't listened to Bowraville by Dan Box, then you should.’ David Campbell

    But now in "Shadow of My Father," the real story of the King of the Volcano is revealed for the first time. John A. Gotti, who survived four trials and a parole violation hearing, in four years, without a guilty verdict, now takes up his pen to tell the story of his father’s unwavering dedication to the street, and how, as his son, he entered that life, and then, with his father’s permission, left the life of crime, and put the “Family” behind him to live a legitimate life with his real family. It is a saga of betrayal and redemption, and an insider’s view of how, at times, those who are tasked with upholding the law readily broke it to further their careers.

    What it contained - and why - would prove to be explosive.The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis.Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.