A car ahead of her careens down a hill and slams into a tree. Stopping to help, she discovers the driver dead--and a satchel stuffed with a half a million dollars.That money could prevent her family's ruin and keep her special needs son in school. In an instant, this honest, achieving woman who has always done the responsible thing makes a decision that puts her in the center of maelstrom of dark consequences and life-threatening recriminations--a terrifying scheme involving a twenty-year-old murder, an old woman who's life has been washed out to sea, and a powerful figure bent to keep the secret that can destroy him hidden.With everything to lose, everything she loves, Hilary connects to a determined cop from Staten Island, reeling from the disaster of Sandy, to bring down an enemy who will stop at nothing to keep what that money was meant to silence, still buried.

    I can't ever say good-bye to you."ADRENALINESam Capra is living the life of his dreams. He's a brilliant young CIA agent, stationed in London. His wife Lucy is seven months pregnant with their first child. They have a wonderful home, and are deeply in love. They have everything they could hope for...until they lose it all in one horrifying moment.On a bright, sunny day, Sam receives a call from Lucy while he's at work. She tells him to leave the building immediately. He does...just before it explodes, killing everyone inside. Lucy vanishes, and Sam wakes up in a prison cell. As the lone survivor of the attack, he is branded by the CIA as a murderer and a traitor. Escaping from the agency, Sam launches into a desperate hunt to save his kidnapped wife and child, and to reveal the unknown enemy who has set him up and stolen his family. But the destruction of Sam's life was only step on in an extraordinary plot-and now Sam must become a new kind of hero.

    It's your daughter. She's been dead for four months.So begins East Texas police dispatcher Ian Hunt's fight to get his daughter back. The call is cut off by the man who snatched her from her bedroom seven years ago, and a basic description of the kidnapper is all Ian has to go on. What follows is a bullet-strewn cross-country chase from Texas to California along Interstate 10- a wild ride in a 1965 Mustang that passes through the outlaw territory of No Country for Old Men and is shot through with moments of macabre violence that call to mind the novels of Thomas Harris.

    I know where she buys her groceries, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will.One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn't show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family's world to shatter.

    That's when the U.S. government calls on Will Robie, a stone cold hitman who never questions orders and always nails his target. But Will Robie may have just made the first - and last - mistake of his career... It begins with a hit gone wrong. Robie is dispatched to eliminate a target unusually close to home in Washington, D.C. But something about this mission doesn't seem right to Robie, and he does the unthinkable. He refuses to kill. Now, Robie becomes a target himself and must escape from his own people.Fleeing the scene, Robie crosses paths with a wayward teenage girl, a fourteen-year-old runaway from a foster home. But she isn't an ordinary runaway -- her parents were murdered, and her own life is in danger. Against all of his professional habits, Robie rescues her and finds he can't walk away. He needs to help her.Even worse, the more Robie learns about the girl, the more he's convinced she is at the center of a vast cover-up, one that may explain her parents' deaths and stretch to unimaginable levels of power.Now, Robie may have to step out of the shadows in order to save this girl's life... and perhaps his own.

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    Falling into a downward spiral of prostitution, drugs and drink, she is picked up by a journalist who has discovered that it was a bomb that caused the crash. And it is his murder that pulls her out of herself.The Rhythm Section is not a thriller about the hunt for a terrorist, although that is the path Stephanie takes, and it’s not a story about revenge, although justice for her family is her initial motivation. Rather, The Rhythm Section is the story of Stephanie’s attempt to reclaim herself. She has to rediscover who she is through a series of roles that she is forced to play; she is never herself. As a prostitute, she is Lisa, the chemical blonde. Later, she is Petra Reuter, German anarchist turned mercenary terrorist. Sometimes, she is Marina Gaudenzi, a Swiss businesswoman, or she’s Susan Branch, an American student, or Elizabeth Shepherd, an English management consultant.But whoever she is, she’s never herself because her life depends on her being someone else. This is the way she is trained by the intelligence service that recruits her, but it’s also the way she’s taught herself to be; being someone else has always worked for her and so it does now, until she begins to fall in love for the first time with Frank White. This undermines her completely and poses new questions: which of the many people she has become is the one to have fallen in love? Stephanie? Petra? Or one of the others? With whom has Frank fallen in love? Marina? Or the real Stephanie? More than anything, The Rhythm Section is about a catastrophic crisis of identity.

    A former CIA operative, he is now an agent for hire by foreign powers on the hunt for dangerous fugitives. It’s a lethal world at the best of times, and Dan knows his number is almost up. His next job could be his last—and his next job is his biggest yet.The target sounds trackable enough: Jacques Fillon, who gave up his life trying to save a fellow passenger following a bus crash in northern Sweden. But the man was something of an enigma in this rural community, and his death exposes his greatest secret: Jacques Fillon never existed at all.Dan is tasked with uncovering Fillon’s true identity—but can he do so before his own past catches up with him?

    Her job exposes Kristy to the worst of humanity and it's one that's beginning to take its toll.So when Kristy meets Lance Dobson, her son's martial arts instructor, she believes she finally found her happy ending. She was wrong.Kristy soon discovers that Lance is a monster. Forced to endure his verbal and physical abuse, Kristy is serving her own life sentence . . . unless she's willing to take matters into her hands. Perfectly poised to exploit the criminal justice system she knows so well, Kristy sets out to get rid of Lance - permanently.The Walls explores domestic violence, the morality of murder and how far one woman will go to protect her family.

    . .The community along Oregon's Deschutes River is one of successful careers and perfect families. For years, up-and-comers Liz and Owen have admired their good friends and neighbors, Carole and David. They appear to have it all--security, happiness, and a beautiful young son, Charlie.Then Charlie vanishes without a trace, and all that seemed safe is shattered by a tragedy that is incomprehensible--except to Liz.It took one fleeting moment for her to change the lives of everyone she loves--a heartrending accident that can't be undone. Neither can the second-worst mistake of her life: concealing it. As two marriages crack and buckle in grief and fear, Liz retreats into her own dark place of guilt, escalating paranoia--and betrayals even she can't imagine. Because there's another good neighbor who has his own secrets, his own pain, and his own reasons for watching Liz's every move.And only he knows that the mystery of the missing boy on the Deschutes River is far from over.

    Watson and Ruth Ware.I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

    But no one expects to find the mysterious child-sized handprint in the childless home. Public prosecutor Jana Berzelius steps in to lead the investigation. Young and brilliant but emotionally cold, Berzelius, like her famous prosecutor father, won't be swayed by the hysterical widow or intimidated by the threatening letters the victim had tried to hide. Jana is steely, aloof, impenetrable. That is, until the boy… A few days later on a nearby deserted shoreline, the body of a preteen boy is discovered, and with him, the murder weapon that killed him and the original victim. Berzelius is drawn more deeply into the case for as she attends his autopsy, she recognizes something strangely familiar in his small, scarred, heroin-riddled body. Cut deep into his flesh are initials that scream child trafficking and trigger in her a flash of memory of her own dark, fear-ridden past. Her connection to this boy has been carved with deliberation and malice that penetrate to her very core. Now, to protect her own hidden past, she must find the suspect behind these murders, before the police do. International bestselling author Emelie Schepp introduces us to the enigmatic, unforgettable Jana Berzelius in this first novel of a chilling trilogy.

    Except it is your house. And you didn’t sell it. When Fiona Lawson comes home to find strangers moving into her house, she's sure there's been a mistake. She and her estranged husband, Bram, have a modern co-parenting arrangement: bird's nest custody, where each parent spends a few nights a week with their two sons at the prized family home to maintain stability for their children. But the system built to protect their family ends up putting them in terrible jeopardy. In a domino effect of crimes and misdemeanors, the nest comes tumbling down.Now Bram has disappeared and so have Fiona's children. As events spiral well beyond her control, Fiona will discover just how many lies her husband was weaving and how little they truly knew each other. But Bram's not the only one with things to hide, and some secrets are best kept to oneself, safe as houses.

    When a cop investigates, he finds two killers and a startling legacy of honor ... In a prestigious London art gallery an impoverished actor is swindled out of a fortune-until an eccentric appraiser hatches a delicious scheme for revenge... On an airplane high over war-torn Afghanistan, a passenger sends a note to the plane's captain, warning of suspicious behavior. But no one can guess who is really conspiring aboard the 747, or why... From the war-torn Italy to the Little Big Horn, from soldiers of fortune to victims of fate,The Veteran is a riveting experience in crime, heroism, and the kind of mano-a-mano duels-and surprising twists of fate-that are the hallmark of Frederick Forsyth at his very best.

    Katie’s life fell apart almost a decade earlier, during an idyllic summer at her family’s cabin on Eagle Lake when her best friend accused her father of sexual assault. Throughout his trial and imprisonment, Katie insisted on his innocence, dodging reporters and clinging to memories of the man she adores.Now he’s getting out. Yet when Katie returns to the shuttered lakeside cabin, details of that fateful night resurface: the chill of the lake, the heat of first love, the terrible sting of jealousy. And as old memories collide with new realities, they call into question everything she thinks she knows about family, friends, and, ultimately, herself. Now, Katie’s choices will be put to the test with life-altering consequences.