In the north woods of Wisconsin following a forest fire that destroys their town in 1871, 17-year-old Mary James forms a new respect for her older sister.

    What happens next in this brilliantly crafted novel of literary suspense will change Emma Smith’s life forever—and ignite a dark, erotic drama of suspicion, loss, and awakening.In the year 1898, Emma makes a New Year’s resolution: to become a better person. So, under the tutelage of her novelist husband, she begins an innocent correspondence with Chance Wood, a man serving his sentence for the murder of his wife. But from the beginning, in words that shock and intrigue her, Chance dares Emma to unveil her unspoken thoughts and desires. And when Chance receives a pardon, Emma is set dangerously free. She will use her freedom—and Chance’s—to pursue the fantasies that have been swirling dizzily around her. Slowly, recklessly, Emma exchanges all that was familiar and safe for her new, dangerous double life. As the risks mount and a friend turns blackmailer, Emma cannot stop her fall. For once she has given in to her truest, basest desires, she cannot avoid the ones that come next.…

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    When he disappears without a trace, Lizzy realizes that the way she sees things is not always the way they are. Inspired by the legend of the "miraculous" staircase in the Chapel of Loretto in Santa Fe, Ann Rinaldi skillfully blends the mystery surrounding the staircase's builder with the daily trials of a spunky thirteen-year-old girl growing up in the 1870s.

    Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Every member of the family will enjoy this tale of wagon trains, cowboys, settlers, love, romance, and did I mention wagons?

    Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true.

    It’s the perfect bedtime story for the entire family to enjoy. Teen author, Rachel Yu, is residing happily ever after, in her own Castle of Brilliance. Another quality children picture book from the father and daughter team of Michael and Rachel Yu.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.

    A life altering event led Catrina Davies to hide from her family and society. Alone in The Highlands she exists in a lonely world cared for only by her savior, a kind old gentleman. When she receives a surprise visitor, Travis Millard, the man she used to love, her head and heart are thrown into turmoil. Travis is determined to save her from this poor life and return her to her family where she belongs. No one is more surprised than he when she agrees to marry him. When Catrina arrives back at her family estate, Davmoor Court in Yorkshire, she is stunned to see the changes. While her father clings to life, Davmoor is nearly ruined by her brother's gambling obsession, and there is something strange about his new wife. As Catrina adjusts to her regained position in society and being with Travis, her marriage comes under attack from Travis's grandmother, who has her own secrets and reason for loathing the Davies family. When one of her brother's adversaries comes to stake his claim on the estate, the resulting chaos threatens not only Catrina's home, but the very lives of those she loves the most. Can she find the strength to fight once more for the right to be happy?​