They have delighted in the romance of Jane Austen, thrilled at the adventures of Jules Verne, and pondered the lessons of Aesop. Introduce young readers to these familiar volumes with Great Illustrated Classics. In this series, literary masterworks have been adapted for young scholars. Large, easy-to-read type and charming pen-and-ink drawings enhance the text. Students are sure to enjoy becoming acquainted with traditional literature through these well-loved classics.

    Having rescued her father many years earlier she feels safe. But the long, bloody hand of the mob reaches out for her and her family, thrusting them into ever-increasing danger.Love, loyalty, friendship and even life itself are threatened in Charles Dickens' unforgetaable, most dramatic book.(back cover)

    The world's best-loved children's stories set in large type for easy reading.-- Over 100 illustrations in each book

    It can also be filled with meanness and cruelty. Black Beauty learns both sides of life in this classic tale by Anna Sewel. Told from the horse's point of view, Black Beauty's own story takes you into the mind and heart of a sensitive animal searching for love and understanding. From happy times as a young foal romping with his mother, Duchess, to harsh years as a cab horse in the city and finally to a peaceful old age, Black Beauty's life shows that horses have feelings too, and sometimes they even know things people don't.

    Recounts the legend of Robin Hood, who plundered the king's purse and poached his deer and whose generosity endeared him to the poor.

    

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    The world's best-loved children's stories set in large type for easy reading.-- Over 100 illustrations in each book

    Bennet is anxious to dispose of in marriage, is the most intelligent and delightful of all Jane Austen's heroines. Her vitality, vivacity and wit, her hasty dismissal of superior Mr. Darcy-- the most disagreeable man in the world'--how he improves his manners and she changes her mind, are the central ingredients of "Pride and Prejudice. It is Jane Austen's best-loved novel and through the depth and sparkle of its comedy we are encouraged to consider what balance of energy and order, playfulness and regulation constitutes real strength of character.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    They have delighted in the romance of Jane Austen, thrilled at the adventures of Jules Verne, and pondered the lessons of Aesop. Introduce young readers to these familiar volumes with Great Illustrated Classics. In this series, literary masterworks have been adapted for young scholars. Large, easy-to-read type and charming pen-and-ink drawings enhance the text. Students are sure to enjoy becoming acquainted with traditional literature through these well-loved classics.

    

    But through a twist of fate, he lands on the secret island of Krakatoa where he discovers a world of unimaginable wealth, eccentric inhabitants, and incredible balloon inventions. Winner of the 1948 Newbery Medal, this classic fantasy-adventure is a joy for all ages.

    After a painstaking wait, Nate is even more surprised when it hatches and out pops a baby triceratops that he names Uncle Beazley! But when Nate decides to keep the dino and raise it on his own, he has no idea what he's getting himself into. As Uncle Beazley grows, Nate and his family realize they are not equipped to take care of a full-sized dinosaur, and so with the help of their scientist friend, Nate and Uncle Beazley set off for the NationalMuseum in Washington, D.C., on the hunt for the perfect home for a modern-day dinosaur---then the real trouble begins!The Enormous Egg was originally published in 1956 and has been a classic in children's literature ever since. This brand new edition features amazing new illustrations from Eisner-award winning graphic novelist Mark Crilley (creator of Akiko and Miki Falls).

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'