But her quiet, isolated life takes an unexpected turn when her sister's husband, Wim, appears, a man she has not seen for ten years, since their urgent love affair ended in tragedy. Wim, now dying of cancer, feels the need to see Leandra one last time.In alternating, distinctly American voices -- one the twang of a New England Yankee, the other a gentle Southern drawl -- these two characters tell a wistful, wonderfully evoked story, from their first meeting, when Leandra was summoned to Boston to care for her pregnant, depressed sister, to the growing passion that led them beyond common sense and caution. As the narrative alternates between past and present, Leandra and Wim lay claim to the love they've denied themselves and each other.With a sure sense of language and the kind of detail that rings with truth, Susan Dodd creates characters who will resonate in the reader's mind long after their tale reaches its inevitable end. Soft-spoken, sensitive, and deeply moving, The Mourners' Bench is literary fiction at its best, a powerfully eloquent novel of love, loss, regret, and rediscovery.

    What began as a mutual interest in sneak-reading comic books in class evolved into a friendship which has outlasted a great many Presidents and a whole lot more, besides.Teddy and Ray, along with two other boys, formed the core of a group of kids who did everything together. As teenagers, they discovered that restaurants gave free coffee refills even if you didn't order anything else, leading to a lifetime's worth of bottomless cups and frustrated restaurant owners. Now in advanced age, Teddy and Ray still meet regularly to drink too much coffee and talk about the things old guys usually tend to talk about. In between, they flash back to various times and events which helped shape their lives.One of their once-close group, who has enjoyed a modestly successful career in Hollywood, comes up with the idea of making a movie about their youthful experiences together and what came after for each of them. This would, of course, include starring the surviving originals as the present-day versions of their cinematic selves. For some, however, facing their past, present and inevitable future all in one sitting proves considerably more difficult than it looks on the silver screen.

    Includes new photos and illustrations, as well as a special interview by Greg’s twelve-year-old daughter, Amira, who has traveled with her father as an advocate for the Pennies for Peace program for children.

    Rome, 1953: Hal, an itinerant journalist flailing in the post-war darkness, has come to the Eternal City to lose himself and to seek absolution for the thing that haunts him. One evening he finds himself on the steps of a palazzo, walking into a world of privilege and light. Here, on a rooftop above the city, he meets the mysterious Stella. Hal and Stella are from different worlds, but their connection is magnetic. Together, they escape the crowded party and imagine a different life, even if it's just for a night. Yet Stella vanishes all too quickly, and Hal is certain their paths won't cross again. But a year later they are unexpectedly thrown together, after Hal receives an invitation he cannot resist. An Italian Contessa asks him to assist on a trip of a lifetime -- acting as a reporter on a tremendous yacht, skimming its way along the Italian coast toward Cannes film festival, the most famous artists and movie stars of the day gathered to promote a new film. Of all the luminaries aboard -- an Italian ingénue, an American star, a reclusive director -- only one holds Hal in thrall: Stella. And while each has a past that belies the gilded surface, Stella has the most to hide. As Hal's obsession with Stella grows, he becomes determined to bring back the girl she once was, the girl who's been confined to history. An irresistibly entertaining and atmospheric novel set in some of the world's most glamorous locales, The Invitation is a sultry love story about the ways in which the secrets of the past stay with us -- no matter how much we try to escape them.

    In classic Russo fashion, however, he packs along their foibles and frailties. His latest foray into the messy beauty of the human heart, "Nate in Venice" is written with the same wry humor and ready generosity for which he’s been so richly praised.After a tragic incident with a student, Nate, a professor at a small New England college, retires from teaching and from life. He ends his self-imposed exile with a tour-group trip to Venice in the company of his overbearing, mostly estranged brother. Nate is unsure he’s equipped for the challenges of human contact, especially the fraternal kind. He tries to play along, keep up, mixing his antidepressants with expensive Chianti, but while navigating the labyrinthine streets of the ancient, sinking city, the past greets him around every corner, even in his dreams: There’s the stricken face of the young woman whose life he may have ruined, and there’s Julian, the older brother who has always derided and discounted him. Is Nate sunk? Is the trip, the chance to fall in love—in fact, his whole existence—merely water under the ponte? Maybe or maybe not. In Russo’s world, the distance between disaster and salvation is razor thin, and a mensch can be a fool (and vice versa). Nate’s Venetian high-wire act proves as surprising as a potboiler and as full of reversals as a romantic comedy. It’s an emphatic tribute to all the pleasures and possibilities of the novella.

    The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.

    Mariamar’s father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it’s no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the ancient witchcraft of the women themselves.Both a riveting mystery and a poignant examination of women’s oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.

    Determined to make the most of this unexpected free time, she heads to Montreal to visit her sister. On the way, she spots a tumbledown upstate farmhouse---one she’s seen in her dreams for years---and impulsively buys it on a hefty credit card advance. Over her husband’s protests, Ellen decides to drop out of the rat race and spend the summer living out her woman-who-runs-with-the wolves fantasy, communing with nature---her own included---in an effort to confront middle age and figure out how on earth she got there. Rather than peacefully tend her garden and puzzle things out, however, Ellen soon becomes embroiled in the exceedingly unique problems of two redneck, social misfit neighbors---an ex-biker and an aging chainsaw sculptor---while taking care of a narcoleptic dog and a child who doesn’t speak English.With Ellen’s quest for meaning and her concern for the welfare of others driving the plot, Anybody Any Minute is deeply layered, heartbreaking . . . and hilarious.

    This colourful story focuses on the relationship between the girls as they grow into women and their attempt to escape their impoverished background.The story is alternatively narrated by the eloquent Fag and the sensitive Ginnie, as well sections told by an historian and industrial psychologist.

    As an American graduate student studying literature in Australia, Thompson traveled on vacation to New Zealand, where she met a Maori known as "Seven." Their relationship was one of opposites: he was a tradesman, she an intellectual; he came from a background of rural poverty, she from one of middle-class privilege; he was a "native," she descended directly from "colonizers." Nevertheless, they shared a similar sense of adventure and a willingness to depart from the customs of their families and forge a life together on their own.In this extraordinary book, which grows out of decades of research, Thompson explores the meaning of cross-cultural contact and the fascinating history of Europeans in the South Pacific, beginning with Abel Tasman's discovery of New Zealand in 1642 and James Cook's famous circumnavigations of 1769-79. Transporting us back and forth in time and around the world, from Australia to Hawaii to tribal New Zealand and finally to a house in New England that has ghosts of its own, Come on Shore and We Will Kill and Eat You All brings to life a lush variety of characters and settings. Yet at its core, it is the story of twopeople who, in making a life and a family together, bridge the gap between two worlds.

    The potato factory, Tommo & Hawk, Solomon's song.

    You get used to it. It’s not so bad.’ So I thought I might as well come here." —Adam Longman, Class of 2011Tripoli College is a humble New England institution. Originally founded as a free school for Native Americans, it is now beset by financial problems and so has entered into an increasingly troubling financial relationship with a snack food corporation. Big Anna® deposes the college president, uses the campus as a testing ground for their latest “dietary and mood additive,” and creates a field studies program in the Caribbean, where students in the (literal) field soon learn the true price of their Human Power Technology practices.Set amidst this madness is a quasi love story, between Bill Brees, a dean going undercover as a student, utterly bemused by how things have changed since his undergrad days, and Maggie, an African American student startled into the realization that maybe nothing changes at all.The Ghost Apple is told through a wealth of documents: tourism pamphlets, course catalogs, blog posts, historical letters, and slave narratives. Slowly, they reveal the extent of Tripoli's current crisis, and highlight those larger crises—of genocide, slavery, ignorance and indifference —on which the college and the nation were founded . . . and on which we continue to subsist.

    Here she falls under the spell of her troubled but charming aunt Birdie, who thrills her with stories of exotic Norse goddesses, moody Viking bards, and the life of her late grandfather, the most famous poet of "New Iceland." But when Birdie tricks Freya into a terrifying scandal, Freya turns her back on everything Icelandic and anything that reminds her of the past. She is living an anonymous, bleak existence in Manhattan when she finally returns to Gimli for the first time in two decades – and stumbles upon a long concealed family secret. As Freya becomes increasingly obsessed with unraveling her family’s tangled story, she finds herself delving into the very memories she has worked so hard to forget. When the clues dry up in Gimli, Freya journeys to Iceland itself. On this rugged island of vast lava fields and immense glaciers, Freya’s quest comes to its unsettling conclusion. A beautifully-written debut novel that deftly weaves together Iceland’s distinctive history, ancient mythology, reverence for language, and passion for genealogy, The Tricking of Freya is a powerful exploration of kinship, loss and redemption.

    We learn of a dark chapter in the island’s history: a bush fire destroys the crops, then hundreds perish in a cholera outbreak. Superstition dominates: now the islanders must sacrifice their possessions to the enraged ocean god. What of their lives will they manage to save?Whitmanesque in its lyrical evocation of the island, Ávila Laurel’s writing builds quietly, through the oral rhythms of traditional storytelling, into gripping drama worthy of an Achebe or a García Márquez.

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana