Twk-men ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: the evil are charming, the good are dangerous.

    Governments have collapsed. Cities have become graveyards filled with unspeakable horror. People have resorted to scavenging from the dead, or taking from the living. The entire industrialized world has become a wasteland of abandoned cars, decaying bodies, and feral animals. To stay alive, U.S. Deputy Marshal Mason Raines must forage for food, water, and gasoline while outgunning those who seek to take advantage of the apocalyptic anarchy. Together with his giant Irish wolfhound, Bowie, he aligns with survivors of the town of Boone in a life and death struggle against a gang of violent criminals. With each deadly encounter, Mason is forced to accept his place as one of the nation's few remaining lawmen. In a world now populated by escaped convicts, paranoid mutants, and government hit squads, his only hope to save the townspeople is to enforce his own brand of frontier justice.

    Simak's "City" is a series of connected stories, a series of legends, myths, and campfire stories told by Dogs about the end of human civilization, centering on the Webster family, who, among their other accomplishments, designed the ships that took Men to the stars and gave Dogs the gift of speech and robots to be their hands.Contents:· City · May 1944 · Huddling Place · Jul 1944 · Census · Sep 1944 · Desertion · Nov 1944 · Paradise · Jun 1946 · Hobbies · Nov 1946 · Aesop · Dec 1947 · The Simple Way [The Trouble with Ants] · Jan 1951.

    Those who survived contamination were herded into a US Army medically maintained quarantine and cut off from the world. Dosed with powerful drugs to combat the poison, their bodies give off a sickly sweet smell and the containment zone becomes known simply as Flowertown. Seven years later, the infrastructure is crumbling, supplies are dwindling, and nobody is getting clean. Ellie Cauley doesn’t care anymore. Despite her paranoid best friend's insistence that conspiracies abound, she focuses on three things: staying high, hooking up with the Army sergeant she's not supposed to be fraternizing with and, most importantly, trying to ignore her ever-simmering rage. But when a series of deadly events rocks the compound, Ellie suspects her friend is right—something dangerous is going down in Flowertown and all signs point to a twisted plan of greed and abuse. She and the other residents of Flowertown have been betrayed by someone with a deadly agenda and their plan is just getting started. Time is running out. With nobody to trust and nowhere to go, Ellie decides to fight with the last weapon she has—her rage.Flowertown is a high-intensity conspiracy thriller that brings the worst-case scenario vividly to life and will keep readers riveted until the final haunting page.

    Every week five friends get together to play a game-- a game they call the Apocalypse Game. It's a fun time with chips and beer and plotting the end of the world. Except this time, one of them is missing and the stakes are higher than ever before.Word count: ~3,900

    It is a tale of a culture whose family structures are based on the presence of two men for every woman, leading to novel forms of marriage and family. It is the story of the disparate people, a computer technician, a vigorous young female agitator, and an elderly academic who become the movement's leaders, and of Mike, the supercomputer whose sentience is known only to the revolt's inner circle, who for reasons of his own is committed to the revolution's ultimate success.

    Though most of Earth has already been evacuated, it’s Samantha’s job to catalog plant samples for the survivors’ unknowable journey beyond.Preparing to stay behind and watch the world end, she makes a final human connection.As certain doom hurtles nearer, the unexpected and beautiful potential for the future begins to flower.Veronica Roth’s Ark is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Those within the zone live safe, if limited, lives in a society controlled by a common fear. Few have any reason to venture out of zone, except for the adrenaline junkies who pay a fortune to tour what's left of nature. Those among the latest expedition include a popstar and his girlfriend, Edie; the tech giant Wes; and Marta; a seemingly simple housewife. Once out of zone, the group find themselves at the mercy of deadly ticks--and at the center of a murderous plot. They become captives in Ruby City, a community made up of outer-zone survivors determined to protect their hardscrabble existence. As alliances and friendships shift amongst the hostages, Edie, Wes, and Marta must decide how far they are willing to go to get to the right side of the salt line.

    Hannah is a Red; her crime is murder.

    This is the story of a lie that became the most powerful kind of truth. A timeless novel as urgently compelling as War Day or Alas, Babylon, David Brin's The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction.He was a survivor--a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war. Fate touches him one chill winter's day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.

    Author Michael Moorcock, already a major player in science fiction, cemented his position in the fantasy pantheon with the five-book Elric saga, of which Elric of Melniboné is the first installment. The book's namesake, the brooding albino emperor of the dying nation of Melniboné, is a sort of Superman for Goths, truly an archetype of the genre.The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.

    For the small community of San Onofre on the West Coast, life is a matter of survival: living simply on what the sea and land can provide, preserving what knowledge and skills they can in a society without mass communications. Until the men from San Diego arrive, riding the rails on flatbed trucks and bringing news of the new American Resistance. And Hank Fletcher and his friends are drawn into an adventure that marks the end of childhood...

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    . . but he found himself shipped across space to a brutal prison-planet. On Omega, his only chance to advance himself -- and stay alive -- is to commit an endless series of violent crimes. The average inmate's life expectancy from time of arrival is three years. Can Barrett survive, escape, and return to Earth to clear his name?