With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    Just the thought of being in love is enough to immerse a person in happiness. The genuineness and feelings involved in a loving relationship has the tendency to take over your whole body, but there’s one thing. Is it forever? Like most people Layah never planned to fall in love, but when she did, she couldn’t stop it. Falling head first into this passionate relationship with Nassir Jordan, is anything but promising. Being from two totally different worlds brings about more complications than either of them are prepared for. Nassir is everything Layah could have ever dreamed of plus more. Being with him is the highlight of her young life, and she plans to do everything in her power to make it last. Unlike Layah, Nassir is no stranger to uncertainty and hardships. Those two things are a part of his everyday life. That is until he gives in to the feelings he’s grown for this upper-class beauty from the suburbs. Having grown up in the hood, Nassir believes in anything but happy endings. He’s learned the hard way that you must work for the things you want. This is a lesson well learned when the raw emotions he feels for Layah begins to emerge. Trying the best friend thing worked for a while until his budding fascination got the best of him. Finally welcoming contentment into his life Nassir refuses to let it go. Together, they’re determined to make their undying love last forever.

    When Lucy married Len on a golden July day, Martha tried hard to make the best of things. Len was a good man who would make Lucy happy. They wouldn't be living far away. And the arrival of grandchildren was something she anticipated eagerly. Unexpectedly, Len's job took the newly married couple overseas, where their first child was born. But sorrow, not joy, came with Dominic's birth. On their return, Lucy's best friend, Jennifer, as flighty as Lucy was conventional, was anxious to provide her own kind of consolation... Martha, who was experiencing unlooked-for and at first unwelcome changes in her own life, clung fast to the maternal bond that meant so much to herself and Lucy. Everything she had come to depend on was overturned, however, before Martha was able to find her own kind of happiness in a very different existence. One of Susan Sallis's most poignant and involving novels, The Keys to the Garden explores the mother-daughter relationship with a rare insight.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Being granted only a few months to live, he constructs an idea on how to care for his four children in the event of his death. He comes up with an idea he calls, "The Arrangement". The only problem is convincing his wife and the two mothers’ of his children of his idea. "The Arrangement", is all three women must agree to move into one house for six months with their kids in order to receive any money from his will. When Terrance’s wife, Tanya learns the details of "The Arrangement" she is disgusted. She has basically put her life on hold after becoming pregnant to take care of her husband. She finds herself emotionally drawn to her husband’s best friend for comfort, as her husband’s illness takes a toll on her. Eventually,she finds herself facing her own demise and loses everything she has come to love Portia Jackson is the mother of two of Terrance’s children. She owns her own hair salon, drinks like a fish, and stays in brand name clothing. She is a rude, no nonsense, type of woman who makes it her business to let everyone know what she feels, or thinks, no matter whose feelings get hurt in the process. After a secret she has held on to for years threatens her inclusion in "The Arrangement", her world begins to crumble around her. Afraid of losing the glamorous life she is accustomed to having, she will stop at nothing to keep it.Amber Sykowski is the mother of Terrance’s oldest son. She comes from a long line of money and has always been ridiculed by her racist mother for having a bi-racial child. She feels the only way to escape her mother's disapproval is to go against everything she was taught, and make her own rules. When it almost costs her life, Amber has to make a hard decision that could turn her entire world upside down.In several unexpected events all three women eventually come to depend on each other forming a unique and unexpected bond. Will "The Arrangement' help them all to learn the value of forgiveness, love, and friendship?

    It combines a poet's translation with a scholar's introduction and notes." "Among surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his." The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience. Furthermore, the seductions of power and the dangers both of its exercise and of resistance to it as portrayed in Trojan Women are not simply philosophical or rhetorical gambits but part of the lived experience of Euripides' day.

    HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

    No Fear Shakespeare gives you the complete text of The Tempest on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    Tutor to the emperor Nero, Seneca lived through uncertain, oppressive, and violent times, and his dramas depict the extremes of human behavior. Rape, suicide, child-murder, incestuous love, madness, and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgment, and about how a person can be good, calm, or happy in a corrupt society and under constant threat of death. In addition to her superb translation, Emily Wilson provides an invaluable introduction which offers a succinct account of Seneca's life and times, his philosophical beliefs, the literary form of the plays, and their immense influence on European literature. The book also includes an up-to-date bibliography and explanatory notes which identify mythological allusions.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    The second volume of the fifth part in the series 'Ponniyin Selvan', deals with the sacrifice that Ponniyin Selvan makes in giving up the great kingdom which was his, and crowing another person as its king.

    An evil seed takes root in the mind of Macbeth, a general in the king’s army, when three witches tell him he will one day be king. At the urging of his wife, he resolves to take the throne by the most direct path: a dagger in the heart of King Duncan. But "blood will have blood," and when others grow suspicious of his sudden rise to power, is Macbeth prepared to commit more murders to keep the crown?