The teening and varied life of the Indian Railway station and its environs have fascinated writers from Jules Verne in the 1870s to more recently Satyajit Ray, R.K. Laxman and more modern writers. In this anthology, one of India's best-known writers makes a selection of greattest railway stories the subcontinent has produced. Julese Verne Rudyard Kipling Flora Annie Steel Hon. J.W. Best Jim Corbett Khushwant Singh Ruskin Bond Manoj Das Intizar Husain Satyajit Ray Bill Aitkin R.K. Laxman Victor Banerjee Manojit Mitra.

    the only hurdle in its path is Guru Dronacharya’s son, the mighty but accursed warrior Ashwatthama, who lost all his powers following Lord Krishna’s curse and who unwittingly finds himself drawn into the quest of the lost bow of Lord Rama, the Kodanda. As ghosts of the distant past return to haunt him and the line between friends and enemies blurs, Ashwatthama must fight his inner demons to emerge victorious. He undertakes a perilous journey—across the vast plains of the Ganges, to the snow-capped peaks of the Himavant where the price of failure is a fate worse than death and death is a privilege not granted to Ashwatthama. Is this all part of Lord Krishna’s great plan? Will Ashwatthama be able to regain his lost glory?

    As the suffering of the people intensifies so does the resentment against the ruling elite. As Raavan, the king of Lanka, grows increasingly powerful, the citizens of the Sapt Sindhu cry out for a leader to lead them out of this morass.The Malayaputras and the Vayuputras — two powerful tribes and the protectors of the divine land of India — decide that enough is enough. A saviour is needed. They begin their search.Who will fulfil the destiny of the Vishnu? Will a leader, who can restore the past glory of the Sapt Sindhu, emerge? Will Ram, the law abiding prince of Ayodhya rise above the taint that others heap on him? Will Sita, the warrior princess of Mithila, be able to prove her worth?Start on an epic journey with Amish’s Ram Chandra Series.

    K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style."Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

    Told from the perspective of the queen, Sita, it explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price that war exacts from women, children, animals and the natural world.After Sita, Rama and his brother are banished from their kingdom, Sita is captured by the arrogant King Ravana and imprisoned in a garden across the ocean. Ravana tries to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually, Rama comes to her rescue with the help of the monkey Hanuman and his army, magic animals and gods. But Rama is unable to trust Sita and forces her to undergo an ordeal by fire to prove herself to be true and pure . . .The Ramayana was first written in Sanskrit by the poet Valmiki around 300 B.C. It contains important Hindu teachings and has had great influence on Indian life and culture over the centuries.

    In a few moons, the Goddess will claim me, and I do not have a fresh young virgin by my side to absorb my knowledge and take my place once I am gone. The Mysteries of Ganga and her Sight will vanish with me, and the Great River will become nothing more than a body of lifeless water … It is my intention, therefore, to tell you the story as it happened, as I saw it happen.’The Mahabharata is the story of women, even though men have focused far too much on the Great Battle. It is women who have set events in motion, guided the action and measured the men. The Winds of Hastinapur begins at the point that Ganga was cursed and sent to Earth. She lives among the mortals and bears Shantanu, the King of Hastinapur, seven children, all of whom she kills. With the eighth, she leaves. That boy, who returns to Earth, will prove to be the key to the future of Hastinapur.The story, as told through the lives of his mother Ganga and stepmother Satyavati, is violent, fraught with conflict and touched with magic.A lady of the river who has no virgin daughter to carry on her legacy, Celestials who partake of a mysterious lake they guard with their very lives, sages overcome by lust, a randy fisher-princess – these and other characters lend a startling new dimension to a familiar tale. SharathKomarraju does not so much retell the epic as rewrite it

    No less than a god to his own people, he is the sheer embodiment of evil to his enemies. This arrogant demon brooks no hindrance to snatching his heart's desire, and his terror seems unstoppable to gods and humans alike. But he makes a mistake when he abducts the wife of Lord Rama, the exiled divine ruler of Ayodhya.Ravana is a story of a demon, who dared to challenge the gods, and almost got away with it. Ravana's tale is one that will incite awe and fear simultaneously. Whose side was this enigma on, good or evil? The obvious answer seems to be but one: his own. Or was he really? This graphic novel seeks to explore that question, and others.

    What is not so well known, however, is that the gentle, lovelorn Shakuntala immortalized by Kalidasa is very different from the original Shakuntala of the Mahabharata—a strong, fiery woman who stood up for her rights when she was spurned by her beloved.In this thoughtful retelling of the story of Shakuntala, Utkarsh Patel brings to the fore the original heroine, the bold and beautiful daughter of Menaka and Vishwamitra who fights to get herself and her son the recognition they deserve. She does not surrender to anyone, not even the king of Hastinapur. Retold to suit the modern-day context, Shakuntala: The Woman Wronged is a must-read to understand one of the most powerful yet underrated female characters of the Mahabharata.

    But not in the way he thinks.Though he is just thirteen, Squirrel is the PetPost slave—the last slave in the animal town of Bimmau. Every morning,he puts on his PetPost uniform and delivers the mail for hislazy mongoose boss. But when Squirrel swigs someforbidden wine at a wedding, his mother's voice speaks tohim. 'Start your journey that leads to long-lost Brittle’s Key,' she urges. 'Go find, my son, your destiny.'Brittle's Key—with the power to set him free and turnanyone in the land into a slave—can be Squirrel's. But, tofind the key, he must find and sip three mysterious liquids.With his friend Des and a crow, Azulfa, he sets off on adangerous quest. He travels from the walled city of beesto the fireless mice tea-estate to the treacherous desert,while fleeing the savage Kowa army and outsmarting thevicious Colonel who wants the key for himself.Will Squirrel succeed? For not only his fate, but alsothe fate of the land hangs in the balance . . .

    Trapped between these two mighty enemies are the peaceful Namekians and Earth's heroes Kuririn, Gohan and Bulma! As Freeza's henchmen Dodoria and Zarbon trade blows with the ever-stronger Vegeta, the Earthlings put their own lives at risk to protect the Namekians until Son Goku's spaceship arrives. But can even Goku's new training regimen--under 20 times Earth's gravity--prepare him for what awaits on this alien world?

    He has been creating trouble and evoking laughter since January 1983, issue Tinkle 27. He’s a total goof and will make you laugh with his silly antics. Suppandi has had multiple jobs however none of them have lasted very long. He takes instructions from his employers, applies his own literal logic to them and causes total mayhem. The character of Suppandi is based on a Tamil folklore character, Chappandi. Ram Waeerkar, the legendary Tinkle artist gave form to Suppandi. Currently, his daughter, Archana Amberkar, illustrates the strip.Meet the Cool CastMaddy: Suppandi’s best friend who often gives him advice and nearly always regrets it, but he is the only one who will stick with Suppandi and bears his gaffes.Soupy: Suppandi’s admirer, who usually has Suppandi fleeing her attentions.Frooty: Suppandi’s crush, she is the only one who understands the intent behind Suppandi’s actions and so always has a smile for SuppandiAbout TinkleContinuously published since 1980, Tinkle is one of the oldest and most cherished children’s comics magazines in India. It boasts of a large fan following and beloved characters that include such household names as Suppandi, Shikari Shambu and Tantri the Mantri.

    Only the love of Silvia, his girlfriend, can save him. To help him, she goes to a strange doctor, who will guide her on a journey between reality and myth... This is an early work of the internationally acclaimed cartoonist, rendered in a striking red and black two-color palette.

    With text, translation, and Sri Aurobindo's commentary, this is probably the finest translation and commentary on the Bhagavad Gita that we have seen.

    But what was often missed was the intense sorrow he felt when one of these magnificent creatures had to be shot down.Jim Corbett understood the tiger and respected it. He recognised its irreplaceable place in the circle of life and described it as the 'large-hearted gentleman with boundless courage'.This Amar Chitra Katha tells the story of Jim Corbett, tracing his life and his love for one of India's most valuable and endangered animals.

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.