His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

    Except for Max, Peterson, and Markham, sneaking out at midnight for an assignment that is very definitely off the books. It's ten years ago tonight that Senior Historians Bashford and Grey went missing in twelfth-century Jerusalem. So how did they end up in AD60 Roman Colchester? Max has a theory. Peterson has a plan. Markham has bacon sandwiches. Colchester has Boudicca and her bloodthirsty Iceni hordes. And then there's the giant pig ... the enraged giant pig ...

    She's never even been on a romantic weekend away--to anywhere--before. Traveling abroad isn't really her thing. But when Nell's boyfriend fails to show up for their mini-vacation, she has the opportunity to prove everyone--including herself--wrong. Alone in Paris, Nell finds a version of herself she never knew existed: independent and intrepid. Could this turn out to be the most adventurous weekend of her life? Funny, charming, and irresistible, Paris for One is quintessential Jojo Moyes--as are the other stories that round out the collection.

    The busy physician has a pediatrics practice in Dallas, and meeting Tom Peterson, and falling in love, is adding a rich layer to her life. She’s sorting out how to introduce him to her family–she’s the youngest of seven–and thinking about marriage.She’s falling in love with Jesus too, and knows God is good. But that faith is about to be tested in a way she didn’t expect, and the results will soon transform her entire family.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

     Alice has always looked young for her age, even with her graying hair and her dowdy New Jersey housewife style. Make that ex-housewife: Now that her husband’s gone and her daughter is grown, Alice is in desperate need of a whole new life. So she lets her best friend Maggie, a hip New York City artist, transform her on New Year’s Eve. Soon, thanks to the wonders of hair dye and tight jeans, Alice looks really young, as one night in a Manhattan bar confirms. At midnight, she kisses a boy who was in diapers when she was in high school. She’s having too much fun to care. The white lie Alice tells Josh gets her thinking that if no one asks her age, she doesn’t have to tell. So she applies for a job she had briefly before becoming a full-time mom—and gets it. Meanwhile, Josh is falling head over heels for Alice, who’s just way cooler than girls his age. He figures she’s about twenty-nine—and for the first time since she was twenty-nine, or possibly ever, Alice feels that life is ripe with possibility. Unfortunately one possibility is that she’s gonna get caught. Challenging the adage that the truth will set you free, Younger is a hilarious and insightful story that proves that you’re only as young as you feel.

    Houbolt, an unsung hero of Apollo 11 and the man who showed NASA how to put America on the moon. Without John C. Houbolt, a junior engineer at NASA, Apollo 11 would never have made it to the moon. Top NASA engineers on the project, including Werner Von Braun, strongly advocated for a single, huge spacecraft to travel to the moon, land, and return to Earth. It's the scenario used in 1950s cartoons and horror movies about traveling to outer space. Houbolt had another idea: Lunar Orbit Rendezvous. LOR would link two spacecraft in orbit while the crafts were travelling at 17,000 miles per hour. His plan was ridiculed and considered unthinkable. But this junior engineer was irrepressible. He stood by his concept, fired off memos to executives, and argued that LOR was the only way to success. For the 50th anniversary of Apollo 11, hear the untold story of the man who helped fulfill Kennedy’s challenge to reach the moon and begin exploring the final frontier.

    To her surprise, she returns to find that her mother is dating the man next door, who also happens to be the father of her ex-boyfriend Tom. Tom, who broke Lily’s heart all those years ago. Tom, the real reason Lily fled to the other side of the world and stayed there. Tom, who is also home for Christmas and right there, next door.In what is shaping up to be the worst Christmas ever, somehow Lily and Tom have to try to get along and play happy families, but living with the man who she is clearly not over is proving to be difficult, and tensions are high. Add in some drunken caroling, a reindeer bite, a potent Christmas pudding and some meddling parents and Lily’s trip home will turn her entire life upside down.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    More recently, her husband made a fortune selling his tech business, and their adored son has been accepted to Princeton. Yet sometimes the middle-class small-town girl in Nina wonders if she’s strayed from the person she once was.Tom Volpe is a single dad working multiple jobs while struggling to raise his headstrong daughter, Lyla. His road has been lonely, long, and hard, but he finally starts to relax after Lyla earns a scholarship to Windsor Academy, Nashville’s most prestigious private school.Amid so much wealth and privilege, Lyla doesn’t always fit in—and her overprotective father doesn’t help—but in most ways, she’s a typical teenage girl, happy and thriving.Then, one photograph, snapped in a drunken moment at a party, changes everything. As the image spreads like wildfire, the Windsor community is instantly polarized, buzzing with controversy and assigning blame.At the heart of the lies and scandal, Tom, Nina, and Lyla are forced together—all questioning their closest relationships, asking themselves who they really are, and searching for the courage to live a life of true meaning.

    That's the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence. Written by Isaac Gomez (Steppenwolf's La Ruta) and based on his intimate interviews, the way she spoke is a raw and riveting exploration of responsibility and follows one playwright's journey to give voice to a city of women silenced by violence, fear, and a world that has turned a deaf ear to their stories. This poignant and unforgettable play is directed by Obie and Lucille Lortel-winner Jo Bonney.

    A man was convicted. Case closed?Body of Proof, a true crime podcast, examines the many unanswered questions surrounding the disappearance and death of Suzanne Pilley in Edinburgh in 2010 and the subsequent conviction of David Gilroy. Journalists and TV producers Darrell Brown and Sophie Ellis spent two years investigating the case and spoke exclusively to David Gilroy, who was convicted of murdering Suzanne Pilley and disposing of her body. Sentenced to life in a Scottish prison, Gilroy maintains his innocence. Although police believe they have the right man, key components of the prosecution’s case are missing: there is no body of the victim, no witnesses to the crime, and no physical evidence (no DNA, CCTV video, or murder weapon).In this gripping, step-by-step investigation, Darrell Brown and Sophie Ellis uncover startling information not heard in court that might have changed the minds of the jurors. And they shine a light on aspects of the Scottish criminal justice system that might be keeping an innocent man behind bars.A What’s the Story Films production for Audible.

    A thief, a candlemaker, an ex-mercenary, and a pig farmer walk into a trap…and what happens to them is no joke. When Riyria is hired to retrieve a jester’s treasure, Royce and Hadrian must match wits with a dwarf who proves to be anything but a fool. Difficult choices will need to be made, and in the end those who laugh last do so because they are the only ones to survive.This is a standalone short story of 7,200 words, originally published in the Unfettered anthology. No prior knowledge of The Riyria Revelations or The Riyria Chronicles is required to enjoy it to its fullest, making this a perfect introduction for new readers or a chance for Riyria veterans to spend a little more time with old friends. The Jester is a story of adventure, bonds of friendship, and a recognition that the choices we make dictates the future we find.

    With memories locked away, the sisters take divergent paths. Callie disappears, Mimi keeps so busy she has no time to think, and Ginger develops a lifelong aversion to risk that threatens the relationships she holds most dear.When a whispered comment overheard by her rebellious teenage daughter forces Ginger to reveal a long-held family secret, the Tangles’ carefully constructed web of lies begins to unravel. Upon the death of Glory, the family’s colorful matriarch, and the return of long-estranged Callie, Ginger resolves to return to Martha’s Vineyard and piece together what really happened on that calamitous day when a shadow fell over four sun-kissed siblings playing at the shore. Along with Ginger’s newfound understanding come the keys to reconciliation: with her mother, with her sisters, and with her daughter.At turns heartbreaking, humorous, and hopeful, Sisters One, Two, Three explores not only the consequences of secrets—even secrets kept out of love—but also the courage it takes to speak the truth, to forgive, and to let go.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.