At least that's what the girl said anyway, and that's why the guys in town got together and introduced Garrett to their fists. They told him in no uncertain terms to leave and stay gone. Garrett's back in town. And Ramona finds herself drawn to the social pariah, especially after he tells her that he didn't rape anyone. Instead, he saw the girl get killed. Of course, that's clearly crazy. The girl isn't dead. But Ramona's been feeling a little crazy herself lately. She had a conversation with her neighbor, only to find out later that while they were chatting, her neighbor's dead body was washing up from a shallow grave....

     There is something for every horror fan in this four book set, from a psychological terror featuring a repairman from hell, to a bloody tale of betrayal and vampires to a tale of a man hiding himself away for his own safety and a child pushed too far by the school bullies. One novel, one novella, two short stories. From the bestselling author of horror and suspense, Michael Bray, this three book set is a perfect introduction to his work and will appeal to fans of Stephen King, Dean Koontz, Bentley Little, Shaun Hutson and James Herbert. Praise for included tiles: Digs into the depth of the readers fear and plays on it.' 'Wild, weird, and wonderfully imaginative!' 'In the spirit of Stephen King, Michael Bray has created a page turning gem. If you love horror, you need to read this story.' 'The story itself was dark and shocking' 'This is one of the best horror stories I have read in ages! It is absolutely grisly, gruesome and nasty' 'A great moral tale with a sting, and a bite, a chop, the odd missing foot and various other nasties.' KEYWORD SEARCH TERMS: Horror Horror box set Horror collection

    They don't know each other and they don't know how they got there. Their only refuge from the heat and sun is the ghost town shimmering on the horizon.Once inside the ghost town they become pawns in a twisted game. They must figure out the clues, the connection they all have to each other, and the rules of this game if they have any hope of surviving.

    How do you put such terror into words when the words I choose need to be real, not just a fabrication of a well educated imagination. I know that you may have your doubts and conclude with your own presumptions; and with no hard-evidence to offer, I am asking for you to explore and consider your deepest beliefs. I am unable to refer to this as a story, it goes much deeper than that of a progressive tale with happy ever afters. What you are about to read is real; the feelings and emotions described have actually been lived. The fear felt. This is a narrative of the events which took place across almost a century, 1903 to 1983, in a house which stood closely among others and for many years shared the usual comforts of home. This house was once safe, it was a comfortable place to spend time but over time, it evolved into a dark emptiness which the house of Poultney Roads’ residents would never forget. It was hidden away from what it once was and over time had emerged as a building of strong, solid bricks which concealed more secrets than some members of my family wish to remember. I am not writing this in an attempt to scare you but yet to inform you of what exists, whether you choose to believe it or not. This is not a fictional novel, created to shock and leave you in suspense but is instead a retelling of what happened to several generations of a family who had lived their lives as any other but who were, quite literally, introduced to another world. I guess you could consider this a warning, that perhaps you should believe your instincts instead of living your life creating explanations and judgements. Seeing is believing some might say but learning about the house on Poultney Road could prepare you for something you may one day come face to face with and perhaps prevent you from the pain that that this house bought to so many. Safe in your own home; sit back in a comfortable chair and turn on the side light. The beam will comfort you through this roller-coaster of memories which have left their mark on everyone who entered The House on Poultney Road. 'This book awakens those lost or hidden fears that its predecessors seemed to smother.' Horror Honey (http://www.horrorhoney.net) 'I felt a fear I've never felt before from a book, I had shivers and my hairs standing up on my arms.' Amazon review. 'What a Fantastic novel, Stephanie Boddy pulled me in by the end of the first chapter, I had read it by the end of the day.' Beverley Aspinall, Horror Inside the Box Amazon no.1 Bestseller : Ghosts / Unexplained Mysteries / Supernatural

    Including: Feature film, Mondo film, Death film, and a comprehensive filmography and index. Illustrated by rare and stunning photographs from cinema, documentary and real life, Killing for Culture is a necessary book which examines and questions the human obsession with images of violence, dismemberment and death, and the way our society is coping with an increased profusion of these disturbing yet compelling images from all quarters.

    Created by Oscar-winning writer Julian Fellowes, the first season delighted viewers and critics alike with stellar performances, ravishing costumes, and a gripping plot. Set in a grand country house during the late Edwardian era, season one of Downton Abbey follows the lives of the Crawley family upstairs and their servants downstairs as they approach the announcement of the First World War. Fellowes succeeds in not only entertaining his audience with a combination of sustained storylines and sharp one-liners but also in delivering a social commentary of British life. The scripts from season one give readers the opportunity to read the work in more detail and to study the characters, pace, and themes in depth. With extended commentary from Fellowes, highlighting key historical or dramatic details, this book gives invaluable insight, particularly for would-be screenwriters, into how Fellowes researched and crafted the world of Downton Abbey.Featuring full-color photographs

    How did early humans view life after death? Is the concept of mind over matter a real possibility? Have UFOs visited our planet? In the Almanac of the Uncanny more than 500 illustrated stories take you back in time to be entertained and intrigued by mysteries from the earliest recorded time to the present. Thoroughly researched by experts, and including the latest findings, this unique volume gives a compelling account of realms as yet not fully explained.

    But he's also insane. When he uses his power to brutally kill the woman next door, night after night, no one will believe her impossible story, so it's up to her to find a way to end the living nightmare.

    Seven days ago, I was struggling to survive without my magic. Now I’m on the run with a family of werewolf super-soldiers. Not gonna lie. I’m in trouble—a lot of trouble: a cult of dragon-worshipping fanatics wants to cut my heart out, vampire assassins hunt me, and even my own countrymen want to hang me for treason.Oh, and a dark empire plots to conquer the entire West Coast. It may be led by a pair of dragons, honest-to-god dragons.Did I mention I’m possessed by an ancient entity of unimaginable power?Last week was hell on Earth, literally. I think this week is gonna be worse.At least my magic’s back—wow, is it ever back!Warning: Contains scenes of sexual situations, realistic violence, and soldiers talking like soldiers.If you like Myke Cole, Michael Anderle, K.F. Breene, and Shayne Silvers, you’ll love this exciting new series.

    An expert in all things extraordinary, she’s approached to lead the formation of a new team into the West Virginia wilderness to evaluate reports of a giant spider, but her quest for answers leads her to the discovery of an eight-legged monstrosity no one could have prepared for. Existing for eons beneath our earth, these aren’t your garden variety spiders. They’re bloodthirsty monsters that will rip apart anything—and anyone—in their path, and while a town fights to survive Emily and her team will have to do everything they can to beat back the terror before there’s a new species at the top of the food chain!

    Braunbeck109 • The Pig Man • (1993) • short story by Augustine Funnell125 • Mobius • (1987) • short story by Richard Christian Matheson129 • The Rendering Man • (1994) • short story by Douglas Clegg147 • Weight • (1994) • short story by Dominick Cancilla159 • Layover • (1991) • short story by Ed Gorman169 • Johnny Halloween • (1992) • short story by Norman Partridge181 • Hope • (1993) • short story by Steve Bevan187 • The Mailman • (1988) • short story by Bentley Little197 • Silhouette • (1996) • short story by Stephen Mark Rainey215 • Roadkill • (1991) • short story by Tom Elliott221 • The Rifle • (1995) • short story by Jack Ketchum233 • Pieces • (1992) • short story by Ray Garton237 • Rustle • (1993) • short story by Peter Crowther255 • When the Silence Gets Too Loud • (1995) • short story by Brian Hodge269 • The Rabbit • (1990) • short story by Jack Pavey281 • The Flood • (1986) • short story by John Maclay287 • The Right Thing • (1994) • short story by Gary L. Raisor [as by Gary Raisor]305 • Pig's Dinner • (1991) • short story by Graham Masterton317 • Crash Cart • (1993) • short story by Nancy Holder329 • Wall of Words • (1994) • short story by Lucy Taylor337 • Metastasis • (1990) • short story by David B. Silva349 • Wrapped Up • (1981) • short story by Ramsey Campbell357 • Depth of Reflection • (1990) • short story by David L. Duggins369 • The Mole • (1990) • short story by David Niall Wilson375 • Saviour • (1991) • short story by Gary A. Braunbeck391 • Great Expectations • (1990) • short story by Kim Antieau397 • Shell • (1992) • short story by Adam Corbin Fusco

    Based by Noel Coward upon his 1936 short play 'Still Life', the screenplay conjures up the drab, emotionally restrained world of post-war Britain better than almost any other literary text. It was nominated for an Oscar at the 1947 Academy Awards. Brief Encounter is perhaps the most moving and fully realized of all David Lean's films. This volume contains a specially commissioned introduction by Coward's biographer, Sheridan Morley.

    The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality, both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone', the story builds to an affectingly grues

    and they've decided it's time they start sharing their knowledge again. But when their first batch of students start poking around the firehouse and accidentally set in motion the merging of two universes (it's easier than you'd think) Venkman, Stantz, Zeddemore, and Spengler will need all the help they can get to put things right! And who do you think will Answer The Call? (If you guessed Holtzmann, Yates, Tolan, and Gilbert... you get a gold star!) It's a brand new inter-dimensional meeting of the minds.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)