A madman, with the audacity to call himself Angel, toys with police. This stealer of children, delusional and misunderstood, reaches out to his own “personal” reporter. He has story to tell.Christopher Lance is a young and ambitious beat writer for a second rate newspaper. A chronic insomniac, Christopher is always available when the stealer calls. Though prone to taking reckless chances, soon it's clear that the young reporter with something to prove is the only one who can save the taken.

    Why did she get acquitted? Why did the jurors see George as a suspect? Why did they think she was a good mother? And how on God's green earth did they miss the suffocation search? There are surprisingly good answers for all of these questions. I argue in this book that not only did the prosecution hide evidence from the jury, but that the evidence points to Casey being factually innocent as well. Regardless of whether you agree with my viewpoint, I guarantee you'll learn something you didn't know before about this infamous case.

    They knew they had struggles of a practical nature ahead of them - trying to build the bankrupt mill into a new and thriving business - but Madeleine felt that, providing everything was right between her and Leon, they could face whatever lay ahead. But trouble and disruption were still to be part of her future - for Leon's family in France bitterly resented the Yorkshire girl who had taken their son away from them. And Hortense Murer, who had thought she would be Leon's wife, resented her even more. And over all hung the shadow of a foolish curse made by her old enemy, Sophia Parkinson - that Madeleine would never bear a son - a curse that, against all the tenets of common sense, seemed to be coming true.

    Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way, and throws Carys out of the house to fend for herself. Befriended by Alice, a young woman in domestic service, Carys herself takes a job as a housemaid and is lucky enough to find in the mistress of the house a friend and patron. Maria continues with her vicious scheme until Fate intervenes to punish her wicked ways; but for Carys, the reward of virtue is lasting love.Carys Beddows cannot understand why her mother hates her so much. Certainly jealousy plays a part: Maria believes that young Ryder Tempal would be hers with her pretty daughter out of the way and throws Carys out to fend for herself.Good fortune leads the girl to Ridge House, and a position as housemaid. The mistress there takes a shine to the gentle girl with the tragic past, and recognises her talent for drawing when she sees Carys's sketches of a young man on the heath. This young man is Reuben Fereday, and he is destined to meet Carys again .

    Kane's first play Blasted caused major controversy, furore and acclaim amongst critics and throughout the theatre world

    Moments that make us who we are. But what if they don't unfold the way they're supposed to...?What if you get on the wrong bus, or don't speak to the right person at a party, or stay in a job that isn't for you? Will you miss your one chance at happiness? Or will happiness find you eventually, when the moment is right?Meet Matthew and Myrtle. They have never really felt like they fitted - in life or with anyone else. But they are meant to be together - if only they can find each other.A powerful and emotional story about missed chances, interwoven lives and the moments that define us.

    Through the young eyes of Scout and Jem Finch, Harper Lee explores with exuberant humour the irrationality of adult attitudes to race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina of one man's struggle for justice. But the weight of history will only tolerate so much. To Kill a Mockingbird is a coming-of-age story, an anti-racist novel, a historical drama of the Great Depression and a sublime example of the Southern writing tradition.

    That hasn't made him a friend of law enforcement. His record of successful heists has put him at the top of relic recovery agent Susara Eaves' target deck. But when Lane seeks to steal the key to unlocking an ancient civilization's legendary vitality and beauty for his cancer-stricken daughter, Susara finds herself compelled into a strange partnership with him. Together, they undertake a journey through heavily guarded museum vaults and ruins of ancient Minoan palaces to unearth a paragon civilization's most precious secret. Only, they aren't the only ones hunting the answer to this archaeological enigma. Their adventure into the dark recesses of ancient worlds grows perilous as Lane's lifelong rival, the bloodthirsty assassin son of a Corsican mafia consigliere, strives to beat them to the prize.

    It is private. Both parties have an unspoken agreement never to repeat what is said. Not even to their spouses.The Audience breaks this contract of silence. It imagines a series of pivotal meetings between the Downing Street incumbents and their Queen. From Churchill to Cameron, each prime minister has used these private conversations as a sounding board and a confessional - sometimes intimate, sometimes explosive.From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age. Politicians come and go through the revolving door of electoral politics, while she remains constant, waiting to welcome her next prime minister.The Audience by Peter Morgan premiered at the Gielgud Theatre, London, in March 2013.

    In The Happy Journey to Trenton and Camden, four kitchen chairs represent an automobile and a family travels seventy miles in twenty minutes. And in Pullman Car Hiawatha, we board an imaginary railroad car and hear the thoughts of passengers, the populace speeding by -- even the planets above.Here are five one-act plays encompassing the full range of Thornton Wilder's theatrical vision: from the experimental to the humorous to the fantastic. As The New York Times has written, "Wilder's plays are now more than ever in rhythm with our changing habit of theatergoing....He relates the moment to eternity, seeks the infinite in the immediate, finds the universal in each grain of wheat."

    Her clothing suggests she comes from a wealthy family, but Lottie's back bears the scars of a severe beating, and how she came to be on a cargo ship in the first place remains a mystery . . . Arnie and his wife already have two young children, Matt and Tom, but are desperate to keep Lottie. They decide to foster her, despite outcries from the local community, and though Matt appears hesitant to get close to Lottie, Tom quickly warms to the new sister in his life. But when tragedy strikes the very heart of the Lanroska family, the repercussions could change the lives of everyone close to them . . .A nostalgic and heart-warming family saga, perfect for fans of Katie Flynn and Margaret Dickinson

    R. Gurney has wittily captured the manners of upper-middle-class WASP America, but never as gracefully or with such dazzling economy as in Love Letters. Tracing the lifelong correspondence of the staid, dutiful lawyer Andrew Makepeace Ladd III and the lively, unstable artist Melissa Gardner, the story of their bittersweet relationship gradually unfolds from what is written--and what is left unsaid--in their letters. A smash hit both off and on Broadway, Love Letters captures Andy and Melissa with a precision of detail and depth of feeling that only Gurney can command. Two other, thematically related plays by Gurney, The Golden Age and What I Did Last Summer, are included, providing a trio of wry and affectionate paeans to love lost, found, and fleetingly glimpsed.

    She thought she was about to lose her job but instead the business's new owner, Mr Wyndham, wants to keep her on. Lorna's mother, though, is horrified by the news and finally confesses that Lorna was the result of an affair with Oliver Wyndham, whose family cast her out when Oliver died and the pregnancy was revealed. Shocked to the core to learn that the man she has always thought to be her beloved father simply adopted her at birth, Lorna resolves to find out everything she can about the past and especially about the tragic death of Oliver Wyndham. Working with the Wyndhams, she soon begins to stir up old secrets and the truth starts to emerge. But Lorna hasn't reckoned with falling in love with a member of the family she should hate...

    Perfect for fans of Dilly Court and Nadine Dorries.In 1940s Hampshire the war is settling into its stride bringing dark days for many.Connie Baxter has just moved in with her Aunt Gertie after the death of her mother. Gertie works as a cleaner at the Criterion Picture House in Gosport and she helps Connie to get a job there as an usherette. For Connie, it's the perfect place to work because she adores the movies with their glamorous, romantic stars.The only fly in the ointment is the Criterion's creepy manager with his wandering hands. But soon Connie is firm friends with Queenie, who sells ice creams and soon tells her how to warn him off.Charming Tommo Smith is a 'taxi-dancer'. For a fee he steers ladies of a certain age around the dance floor - and sometimes more besides which pays for his smart clothes. Connie's friend Queenie says he's a chancer, but his gorgeous blue eyes tell Connie something different. When suddenly he disappears, Connie accepts that Queenie may be right - he was too good to be true.As the war rages on and Connie struggles with the harsh realities of life and the turbulence of romance, she comes to realize that life isn't always like it is in the pictures.

    Newly wed Rosabelle Maltman loses her husband, and her mother-in-law Effie lost her husband and three sons. For these women and their neighbours in the close-knit community life will never be the same again. Yet as the months pass, the women of Eyemouth must learn to look to the future, to live and to love again.