Robert Lawson introduces us to his forefathers and with them we brave Caribbean storms, travel to the wharf markets of New York, and fight in the Civil War. Amidst these adventures Lawson's grandparents meet, marry, and raise a family, and later his parents follow the same cycle of life. But this book is more than just the story of one family, it's a social history of our country. It reminds us to be proud of our ancestors--who they were, what they did, and the effect that they had on the nation we live in today.None of them were great or famous, but they were strong and good. They worked hard and had many children. They all helped to make the United States the great nation that it now is. Let us be proud of them and guard well the heritage they have left us.

    These pages come alive with the details of the trip and the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean.

    The most generous friend. The most miraculous inventor. Our connection with nature is not so easily obscured by lives spent indoors.

    What do you say when:- you bump into a crocodile on a crowded city street?- a nice gentleman introduces you to a baby elephant?- the Queen feeds you so much spaghetti that you don't fit in your chair anymore?This is the funniest book of manners you'll ever read!

    When Strega Nona leaves him alone with her magic pasta pot, Big Anthony is determined to show the townspeople how it works.

    "Absolutely splendid." -- Kirkuse Reviews. "An extraordinary and powerful book." -- Publisher's Weekly.

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    Nobody keeps records of slaves' birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday -- his first day of freedom.

    In the song, a fox forages for food in the village to bring to his family back in the den. The music is also included so everyone can sing along.

    He chewed with his mouth open (and full of food), he jumped on the furniture, and he broke his mother's vase! As a result, all David ever heard his mother say was "No, David!" Here is his story.

    Ceci's first Christmas posada party and pinata have made her Mexican town come alive for generations of readers. "The youngest child will be completely transported by this lovely story".--The Atlantic. Three-color illustrations.

    Emily Elizabeth describes the activities she enjoys with her very big red dog and how they take care of each other.

    As Stephen T. Johnson demonstrates in a series of strikingly realistic pastels and watercolors, a simple sawhorse can contain the letter "A" — while lampposts alongside a highway can form a row of elegant, soaring Ys. A 1996 Caldecott Honor book, this sophisticated, wordless alphabet book is sure to appeal to young and old alike.

    George is updated with current facts and new illustrations to include our forty-second president, George W. Bush. There are now three Georges in the catalog of presidential names, a Bush alongside the presidential family tree, and a new face on the endpaper portraiture. Hilariously illustrated by Small, this celebration by St. George shows us the foibles, quirks and humanity of forty-two men who have risen to one of the most powerful positions in the world. Perfect for this election year--and every year!

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.