. . . A tragic and hilarious vision of life in an English country community. Butterworth’s new work was the most talked about new work of the season."—The London Paper

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.

    Mitchell died in 1998, he was described as "Canada's best-loved writer." Every commentator agreed that his best—and his best-loved—book was Who Has Seen the Wind. Since it was first published in 1947, this book has sold almost a million copies in Canada.As we enter the world of four-year-old Brian O'Connal, his father the druggist, his Uncle Sean, his mother, and his formidable Scotch grandmother ("she belshes … a lot"), it soon becomes clear that this is no ordinary book. As we watch Brian grow up, the prairie and its surprising inhabitants like the Ben and Saint Sammy—and the rich variety of small-town characters—become unforgettable. This book will be a delightful surprise for all those who are aware of it, but have never quite got around to reading it, till now.

    He shares a book-laden Victorian house with his loving wife, Zipper. He owns two suits, one of which he was married in. He is a courageous eater, save brussels sprouts. His knowledge of wine is vague and best defined as Napa, good; Australian, better; French, better still. Kir royale is his drink of occasion. For an Englishman he makes a poor cup of tea. He believes women are quantifiably wiser than men, and would never give Zipper the slightest reason to mistrust him or question his love. Zipper simply describes Ambrose as the only man she has ever loved. Without adjustment.Then, just as he is turning fifty, Ambrose is told by his doctor that he has one month to live. Reeling from the news, he and Zipper embark on a whirlwind expedition to the places he has most loved or has always longed to visit, from A to Z, Amsterdam to Zanzibar. As they travel to Italian piazzas, Turkish baths, and other romantic destinations, all beautifully evoked by the author, Zipper struggles to deal with the grand unfairness of their circumstances as she buoys Ambrose with her gentle affection and humor. Meanwhile, Ambrose reflects on his life, one well lived, and comes to understand that death, like life, will be made bearable by the strength and grace of their devotion. Richardson’s lovely prose comes alive with an honesty and intensity that will leave you breathless and inspired by the simple beauty and power of love. The End of the Alphabet is a timeless, resonant exploration of the nature of love, loss, and life.

    The feature film was released in the U.S. by Quentin Tarantino.

    He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine.'Willy Loman has been a salesman for 34 years. At 60, he is cast aside, his usefulness now exhausted. With no future to dream about he must face the crushing disappointments of his past. He takes one final brave action, but is he heroic at last?, or a self-deluding fool?

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

    Surrounded by the strip clubs, bars and body rub parlors of Yonge Street, Emanuel was lured away from his friends by a man who promised some easy money. Four days later the boy's body was discovered. He had been brutally raped and murdered, and Toronto the Good would never be the same. The murder of the Shoeshine Boy had particularly tragic resonance for the city's Portuguese community. The loss of one of their own symbolized for many how far they were from realizing their immigrant dreams. Kicking the Sky is told from the perspective of one of these children, Antonio Rebelo, a character first introduced in Barnacle Love. Twelve-year-old Antonio prizes his life of freedom and adventure. He and his best friends, Manny and Ricky, spend their days on their bikes exploring the labyrinth of laneways that link their Portuguese neighborhood to the rest of the city. But as the details of Emanuel's death expose Toronto's seedier underbelly, the boys are pulled into an adult world of danger and cruelty, secrets and lies much closer to home. Kicking the Sky is a novel driven by dramatic events, taking hold of readers from its opening pages, intensifying its force towards an ending of huge emotional impact.

    Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

    Three decades later, Janie has relocated to Montreal, although the scars of her past remain visible. After abandoning her husband and son and taking refuge in the home of her friend, the scientist Hiroji Matsui, Janie and Hiroji find solace in their shared grief and pain—until Hiroji’s disappearance opens old wounds and Janie finds that she must struggle to find grace in a world overshadowed by the sorrows of her past.Beautifully realized, deeply affecting, Dogs at the Perimeter evokes the injustice of tyranny through the eyes of a young girl and draws a remarkable map of the mind’s battle with memory, loss, and the horrors of war. It confirms Madeleine Thien as one of the most gifted and powerful novelists writing today.

    As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

     For Liza Peterson and her family, the gold rush is a chance for them to make a fortune by moving their general store business from Vancouver to Dawson City, the only established town in the Yukon. For Constable Ben Turner, a recent recruit of the North-West Mounted Police, upholding the law in a place overrun with guns, liquor, prostitutes, and thieves is an opportunity to escape a dark past and become the man of integrity he has always wanted to be. But the long, difficult journey over icy mountain passes and whitewater rapids is much more treacherous than Liza or Ben imagined, and neither is completely prepared for the forbidding north. As Liza’s family nears the mountain’s peak, a catastrophe strikes with fatal consequences, and not even the NWMP can help. Alone and desperate, Liza finally reaches Dawson City, only to find herself in a different kind of peril. Meanwhile, Ben, wracked with guilt over the accident on the trail, sees the chance to make things right. But just as love begins to grow, new dangers arise, threatening to separate the couple forever. Inspired by history as rich as the Klondike’s gold, At the Mountain’s Edge is an epic tale of romance and adventure about two people who must let go of the past not only to be together, but also to survive.