Splitting time between a ramshackle apartment and a lonely hot dog vendor, the observant thirteen-year-old who stands steadily at the center of Here They Come gives lyrical voice to an unforgettable instant —1970s New York, stifling, violent and full of life. Balanced between her enigmatic siblings, detached parents, and a quiet sense of the surreal, she recounts a year of startling moments with dark humor and deadpan resilience.

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    Not just big stuff like world peace or a date with Brad Pitt, but little, everyday wishes, made without thinking. One day she buys some heather from a gypsy and suddenly her bad hair days stop, and a handsome American answers her ad for a housemate, and she starts seeing James.

    She meets James Stephens: charismatic, elusive, and with a hosiery model ex who casts a long, thin shadow over their burgeoning relationship. He’s clever, funny and shares her greatest pleasure in life – to eat and drink slightly too much and then have a little lie down. Sophie’s instinct tells her James is too good to be true – and he is.An exploration of love, heartbreak, self-image, self-deception and lots of food. Pear-Shaped is in turns smart, laugh-out-loud funny and above all, recognizable to women everywhere.

    This is sci-fi at its best: a contemporary love story as well as an engrossing view of our world in the future.The kinetically gifted, trained in mind/machine gestalt, are the most valued citizens of the Nine Star League. Using mental powers alone, these few Prime Talents transport ships, cargo and people between Earth's Moon, Mars' Demos and Jupiter's Callisto.An orphaned young girl, simply called The Rowan, is discovered to have superior telepathic potential and is trained to become Prime Talent on Callisto. After years of self-sacrificing dedication to her position, The Rowan intercepts an urgent mental call from Jeff Raven, a young Prime Talent on distant Deneb. She convinces the other Primes to merge their powers with hers to help fight off an attack by invading aliens. Her growing relationship with Jeff gives her the courage to break her status-imposed isolation, and choose the more rewarding world of love and family.

    . . but before I go there are some things you should know . . . !!!! Set in a London ad agency desperate to land a coveted big account, e follows the bureaucratic bungling, cutthroat maneuvers, and outrageous sexual antics of a group of Miller-Shanks employees as they scheme, lie, lust, and claw their way up (and down) the company ladder.Written by a former advertising copywriter, this hilarious, dead-on-target novel marks the debut of a hip and exciting new voice in contemporary fiction. With the click of a mouse, Matt Beaumont brings the novel of letters into the twenty-first century, turning his merciless, unerring eye on today's Machiavellian corporate culture-with uproarious results. Rachel Stevenson, Personnel-1/5/00, 3:09 pm to: Chandra Kapoor cc: David Cruttonre: Urgent: Please delete Carla Browne's ID from e-mail with immediate effect. Thank you.

    At twenty-two, Eleanor Bee is sure about three things: she wants to move to London and become a literary superstar; she wants to be able to afford to buy a coffee and croissant every morning; and after seeing what divorce did to her parents—especially her mum—she doesn’t believe in happy endings. Elle moves to London. She gets a job at Bluebird Books, a charmingly old-fashioned publisher. She falls out of bars, wears too-short skirts, makes lots of mistakes, and feels like she’s learning nothing and everything at the same time. And then, out of the blue, she falls in love, and that’s when she realizes just how much growing up she has to do. Ten years on, Elle lives in New York, and you could say she has found success; certainly her life has changed in ways she could never have predicted. But no matter where you go and how much you try to run away, the past has a funny way of catching up with you...

    Yet something is not quite right, and it started with a dream that smelt of luncheon meat.Peter is successful at what he does, even though he is not sure what that is anymore. When Titan Development contracts him to go to Queensland to assess a prime piece of real estate on the Pickersgill Peninsula Showgrounds he jumps at the chance. It will give him time out from having to be with the family he loves. And it will take him back to the home where he grew up; to his parents, who are members of the Show society, his twin sister Pearl, a bingo caller and foster mother, and his brother Gary, the TV weatherman.Over these few days, he will come to realize that sometimes when you go back to where you came from you find out how much you actually have, and how much you could lose.All he has to do is make his mind up, and listen to the advice that he is given by, of all people, the King of Hot Dogs.But will he?

    She doesn't intend to stay. She is just passing through. Yet her stopping here has a reason and it is part of a story that you will never forget. The time is the 1950s, when life was simpler, people still believed in dreams, and family was, very nearly, everything. The place is a small midwestern town with a high school and a downtown, a skating pond and a movie house. And on a tree-lined street in the heartland of America, an extraordinary set of events begins to unfold. And gradually what seems serendipitous is tinged with purpose. A happy home is shattered by a child's senseless death. A loving marriage starts to unravel. And a stranger arrives—a young woman who will touch many lives before she moves on. She and a young man will meet and fall in love. Their love, so innocent and full of hope, helps to restore a family's dreams. And all of their lives will be changed forever by the precious gift she leaves them.The Gift, Danielle Steel's thirty-third best-selling work, is a magical story told with stunning simplicity and power. It reveals a relationship so moving it will take your breath away. And it tells a haunting and beautiful truth about the unpredictability—and the wonder—of life.

    But his mother sees a boy with a heart as open and wide as the ocean.Laurel Lockwood lost her son once through neglect. She's spent the rest of her life determined to make up for her mistakes, and she's succeeded in becoming a committed, protective parent—maybe even overprotective. Still, she loosens her grip just enough to let Andy attend a local church social—a decision that terrifies her when the church is consumed by fire. But Andy survives…and remarkably, saves other children from the flames. Laurel watches as Andy basks in the role of unlikely hero and the world finally sees her Andy, the sweet boy she knows as well as her own heart. But when the suspicion of arson is cast upon Andy, Laurel must ask herself how well she really knows her son…and how far she'll go to keep her promise to protect him forever.

    The stalawart foreman of the Tumbling K had come to the high country to take possession of the Firebox range. But the sight that greeted him when he arrived was an ugly one: the battle-scarred cabin and bullet-ridden body of its former owner. It was clear that young Jimmy McCracken had gone out fighting: his killers left behind a trail of blood. Now McQueen has followed that trail–straight into Pelona, a town so full of double-dealing and trickery that the truth can only be uncovered from behind the barrel of a gun . . .

    But events don't go as planned. And when a girl is in possession of a crumpled bridesmaid dress - and can't go home - New York (for the very first time) seems like an excellent idea. Angela's new friend Jenny Lopez gives Angela a whirlwind tour of the city that never sleeps, and a makeover. Who hasn't dreamed of starting afresh with a sassy New York wardrobe, a new haircut and a trip to the make-up counter? Before she knows it, the new Angela is getting over her broken heart by having dinner with two different boys. And, best of all, she gets to write about it in her fabulous new blog. But it's one thing telling readers all about your romantic dilemmas. It's another trying to figure them out for yourself! Warm, funny and unputdownable, I Heart New York is an unforgettable debut.

    Was this a clamouring for entry into houses or lives? Looking on then, looking back now, I wish I could have been more definite. It might have made me a different, better person, a player not a spectator." Ophelia Street, 1970. A street like any other, a community that lives and breathes together as people struggle with their commitments and pursue their dreams. It is a world we recognise, a world where class and gender divide, where set roles are acknowledged. But what happens when individuals step outside those roles, when they secretly covet, express desire, pursue ambitions even harm and destroy? An observer in the midst of Ophelia Street watches, writes, imagines, remembers, charting the lives and loves of his neighbours over the course of four seasons. And we see the flimsily disguised underbelly of urban life revealed in all its challenging glory. As the leaves turn from vibrant green to vivid gold, so lives turn and change too, laying bare the truth of the community. Perhaps, ultimately, we all exist on Ophelia Street.

    But when she returns, it's only the beginning of her family's journey.

    But what happens when the camp you love is about to close? Can you ever really say goodbye to the place that made you who you are? These are the questions that plagues Ethel, the seventy-year-old former camp director who is nursing a broken heart after losing the love of her life as she now faces the impending closure of the camp on Lake Wenatchee that she called home. It's also a question that inspires change in forty-year-old Shannon, who spent the summers of her youth as a vibrant, capable camp counselor and is now directionless after watching her career implode. And there's Laura, who has lost all intimacy with her husband and doesn't know if she can save what seems to be gone forever. Finally, Ruby, who betrayed Ethel years ago and hasn't spoken to her since, hopes this will be her chance to make amends. When the four women learn that a homeless teen has been hiding at camp, they realize camp is something much more immediate for all: survival.And so the three generations of women search for a way to save the place that saved them all, finding in the process a way back to themselves and each other in The Firelight Girls, Kaya McLaren's novel of love and loss, heartbreak and healing.