. . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men.Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

    Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on narratives of Gaelic Ireland, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    But as he digs deeper into Falkland's past and finally unearths the guilty truth, the results of his curiosity prove calamitous when - even though Caleb has loyally sworn never to disclose what he has discovered - the Squire enacts a cruel revenge. A tale of gripping suspense and psychological power, William Godwin's novel creates a searing depiction of the intolerable persecution meted out to a good man in pursuit of justice and equality. Written to expose the political oppression and corrupt hierarchies its author saw in the world around him, Caleb Williams (1794) makes a radical call to end the tyrannical misuses of power.

    Nicolai Gogol was a master of the spoof. The American students of today are not the only readers who have been confused by him. Russian literary history records more divergent interpretations of Gogol than perhaps of any other classic.In a new translation of the comic classic of Russian literature, Chichikov, an enigmatic stranger and conniving schemer, buys deceased serfs' names from their landlords' poll tax lists hoping to mortgage them for profit and to reinvent himself as a likeable gentleman.

    The work develops a theme that persistently inspired Bernanos: the existence of evil as a spiritual force and its dramatic role in human destiny. This haunting novel follows the fortunes of a young, gauche, and fervent Catholic priest who is a misfit in the world and in his church, creating scandal and disharmony wherever he turns. His insight into the inner lives of others and his perception of the workings of Satan in the everyday are gifts that fatefully come into play in the priest's chance encounter with a young murderess, whose life and emotions he can see with a dreadful clarity, and whose destiny inexorably becomes entangled with his own.

    When her locked door is finally broken down by her father and a servant, they find the woman on the floor, badly hurt and bleeding. No one else is in the room. There is no other exit except through a barred window. How did the attacker escape?First published in 1907, this intriguing and baffling tale is a classic of early 20th-century detective fiction. At the heart of the novel is a perplexing mystery: How could a crime take place in a locked room which shows no sign of being entered? Nearly a century after its initial publication, Leroux's landmark tale of foul play, deception, and unbridled ambition remains a blueprint for the detective novel genre. Written by the immortal author of The Phantom of the Opera, this atmospheric thriller is still a favorite of whodunit fans everywhere."The finest locked room tale ever written." — John Dickson Carr, author of The Hollow Man.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    But a man like Monsieur?" -- from THE DIARY OF A CHAMBERMAIDThe famous anarchist and art critic Octave Mirbeau (1848-1917) inspired three film versions (Jean Renoir, Bunuel and Benoit Jacquot) with his often forgotten classic THE DIARY OF A CHAMBERMAID. Telling the story of Celestine R., an amoral fisherman's daughter whose motto is live and let live (if you can survive), Mirbeau reveals that "when one tears away the veils and shows them naked, people's souls give off such a pungent smell of decay."Badly subtitled by the publisher as part of "The Naughty French Novel Series," it is not erotic fiction at all, but rather a literary accomplishment. Series editor John Baxter, the author of WE'LL ALWAYS HAVE PARIS, contributed a thoughtful introduction.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    It’s a perfect fit, and as he leaves the restaurant Daniel begins to feel somehow … different.

    She barely eats, works at night as a cleaner and lives in a tiny attic room. Downstairs in a beautiful, ornate apartment, lives Philibert Marquet de la Durbellière, a shy, erudite, upper-class man with an unlikely flatmate in the shape of the foul-mouthed but talented chef, Franck. One freezing evening Philibert overcomes his excruciating reticence to rescue Camille, unconscious, from her garret and bring her into his home.As she recovers Camille learns more about Philibert; about Franck and his guilt for his beloved but fragile grandmother Paulette, who is all he has left in the world; and about herself. And slowly, this curious quartet of misfits all discover the importance of food, friendship and love.

    Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain.

    Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the building's tenants, who for their part are barely aware of her existence. Then there's Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma's trust and to see through Renée's timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.

    It created an international sensation upon first publication and led to the author's 1920 Nobel Prize in Literature. Rich in symbolism, it continues to resonate with modern readers today.