You can find this story in FOUNTAIN OF AGE by Nancy Kress.

    This story was originally published in Asimov's Science Fiction magazine in March 2007. It is available in The Best of Elizabeth Bear.

    Cover artist: Dominique RamseyProse:GUARDIAN OF THE GODS // TOBI OGUNDIRAN - 5765 WORDSUNIFORM // ERRICK NUNNALLY - 5549 WORDSA TERMINAL KIND OF LOVE // VERONICA HENRY - 3041 WORDSYOUR ROVER IS HERE // LP KINDRED - 3415 WORDSPoetry:"Zombie of Palmares" by Woody Dismukes"Autolysis After Mentor Pursues Me While in a Relationship" by Jacqui Swift

    This story appears in the anthology Make Shift: Dispatches from the Post-Pandemic Future, edited by Gideon Lichfield and available for pre-order from The MIT Press.Content advisory: Discussion of pandemics, near-drowning

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

    Content advisory: violence

    Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

    Quarterly 4 contains Issues 34 (Monsters), 35 (Dark Comedy) and 36 (Different), plus exclusive new content!TABLE OF CONTENTSIssue 34: Monsters“The Fire” by Timothy T. Murphy“Inhuman Resources” by William Gerke“Waiting in the Light in the Hungry Months” by Megan Engelhardt“Skin and Scales” by Rachel Bender“Monsters, Monsters Everywhere” by Carrie Cuinn“Raw Materials” by Bernie Mojzes (Exclusive New Fiction)Issue 35: Dark Comedy“Jezebel’s Blouse” by Timothy T. Murphy“Jason’s Shoes” by Richard Bist“The Execution of Zacharius Grubb” by Bethan Claire Price“Chasing Persephone” by Natalie Stachowski“Worse Than a Devil” by Sarina DorieIssue 36: Different“Black Betty” by Nisi Shawl“Portrait of a Courtesan” by Megan Arkenberg“The Last Recall” by Mason Ian Bundschuh“Second Place” by Sarah A. Drew“Zeppelin Follies” by Cat Rambo“The Remote-Controlled Doggirl” by Lara Ek“Beaumains” by Jo ThomasPoem: “Stuck On a Boat With a Soccer Mom” by Helen Estrada“Young Lions” by Zachary Jernigan“My Other Half” by Maria Stanislav“There Was a Little Girl” by Tom Howard (Exclusive New Fiction)ArtCover Art – “The Very Ugly Duckling” by Minna Sundberg

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

     Featuring new fiction by Ursula Vernon, John Chu, Chinelo Onwualu, Naomi Kritzer, Hiromi Goto, and K.M. Szpara, reprinted fiction by Carlos Hernandez, essays by Javier Grillo-Marxuach, Sarah Gailey, Sam J. Miller, Sarah Pinsker, Mimi Mondal, David J. Schwartz, Kelly McCullough, LaShawn M. Wanak, Yamile Saied Méndez, and DongWon Song, poetry by Roshani Chokshi, Sonya Taaffe, Betsy Aoki, and Theodora Goss, interviews with John Chu and Hiromi Goto by Julia Rios, a cover by Galen Dara, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    

    Judith had neither. Her father had been a friend to Balthazar’s father. She was now an orphan, though she was no trembling waif-child. At twenty-two she was too old for such a designation. Nevertheless, the loss of her father and the subsequent funeral and the settling of his accounts had depleted their already meager purse. Judith’s father had gifted his only daughter fine frocks and hair combs, but that was years ago, before his luck turned, and the vast majority of such gifts had been sold.Judith found herself with a terribly small inheritance and no way to supplement this dismal income. That is, until she was summoned by Balthazar’s mother.

    Originally published in Clarkesworld Magazine, Issue 61, the story is now also available online at tor.com as an excerpt of Liu's story collection The Hidden Girl and Other Stories.

    This was published as a Clarkesworld audiobook podcast in 2020.