I try to tell what it was like for me and my brother Marines without fanfare or bravado and give the reader a vivid description of my 13 months.

    Their job was to recruit indigenous people, train and house them, and make them ready for combat.

    His life changes when he meets a stranger one fateful night and is enamoured by her.ANAMIKA is a mystery, who is searching for herself. She tells Kabir her story, but on the condition that they would never meet again. The night ends, but their story has just begun!Their paths cross again, but Anamika disappears. With no clue about where she is, Kabir is lost and disheartened.To what extent will Kabir go to find Anamika? What is Anamika hiding from him? Will they meet again?Read this electrifying tale of destiny, love and courage to know more about The Girl I Met that Night.

    With many job offers in hand, Neera is in a quandary about the choice she has to make. A brilliant scholar who secured his Ph.D. at the young age of twenty-six, Dr. Prakash Rao has had a long-standing relationship with crime and espionage from his college days. In a riveting tale of crime, perseverance, valiance, and quick-wit, The Invisible Protectors is about the resolve of these two agents as they delve into the truth behind the death of three Indian spies. Though they died in accidents, the Agency believes they were murdered.

    The poems range in tone from the spiritual longing of an isolated monk to the erotic ecstasy of a court princess—but share the extraordinary simplicity and luminosity of language that marks Kenneth Rexroth's verse style. An introduction by the poet and translator Sam Hamill, the editor of this collection, and short biographies of the poets are included. The Shambhala Library is a series of exquisitely designed and produced cloth editions of the world's spiritual and literary classics, both ancient and modern. Perfect for collecting or as gifts, each volume features a sewn binding, decorative endsheets, and a ribbon marker—a delightful-to-hold 4 ¼ x 6 ¾ trim size.

    Trade Like Professionals"The purpose of this book is to show you how to make money trading Forex like professionals. The book also features the power of using supply and demand concepts in trading Forex as well as a simplified step-by-step strategy to use with any trading style and on any market.Many people, all over the world, are trading Forex and making a living from it. Why not you? All you need is a computer and an Internet connection. You can do it from anywhere you want and also keep your day job while trading Forex. You don't need large sum of money to start in this business. What makes this book very interesting is that it teaches you how to read charts of any market without using indicators or technical analysis tools. All you need to do is read the chart and use the information that you have to execute your trades and make money.Here are some of the topics you will discover while reading this book: -Advantages of trading Forex, -Power of using Supply and Demand concepts in trading, -How to write your trading plan, -Choose your trading style, -Step-by-step Strategy to Follow, -Effective risk management rules to help you minimize your risk and protect your capital, -How to choose high probability levels for entry and exit signals that work, -Easy-to-follow tips to improve your trading system, -All this and much more...For beginner traders, this book gives you an understanding of where to start, how to start, what to expect from Forex trading, and how to use supply and demand in your strategy. I have kept the book short so you can actually finish reading it and get to the point without getting bored. Table of Contents:1.Getting Started in Forex2.Naked Trading Approach3.Supply and Demand4.Executing the Strategy5.Risk Management6.Some Final ThoughtsTags: Foreign currency trading, Forex for dummies, Forex trading system, Forex trading for beginners, Currency trading for dummies, Forex trading strategies, supply and demand forex, supply and demand trading strategy, supply and demand zones, identify supply and demand in forex, draw supply and demand zones.

    The fully updated guide includes unique cutaways, floor plans, and reconstructions of the must-see sights, from Humayun's Tomb and Rajput Fort-Palace to the world-famous Taj Mahal. Street-by-street maps of cities and towns help you navigate, whether you're in the bustling center of Delhi or the dusty, provincial town of Alwar. DK's insider travel tips and essential local information provides information on the great pantheon of Hindu gods, local wildlife, temples, bazaars, museums, and attractions. Detailed listings will guide you to hotels, restaurants, entertainment, and shops for all budgets.With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that brighten every page, "DK Eyewitness Travel Guide: Delhi, Agra, and Jaipur" truly shows you this destination as no one else can.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    From his humble village beginnings in the great island kingdom of Lanka, he has risen to the prestigious position of court poet and now delights in his life of ease: composing romantic verses for love-struck courtiers, enjoying the confidence of his king and covertly teaching Sarasi, a beautiful and beguiling palace maid, the secrets of his art.But when Kalinga Magha, a ruthless prince with a formidable army, arrives upon Lanka's shores, Asanka's world is changed beyond imagining. Violent, hubristic and unpredictable, Magha usurps the throne, laying waste to all who stand in his way. Under his terrifying rule, nothing in the city is left untouched and, like many of his fellow citizens, Asanka retreats into the shadows, hoping to pass unnoticed by the tyrant. But it seems his new master is a lover of poetry...To Asanka's horror, Magha tasks him with the translation of an epic Sanskrit poem, a tale of Gods and nobles, love and revenge, which the king believes will have a civilising effect on his subjects, soothing their discontent and snuffing out the fires of rebellion he suspects are igniting across the island.Asanka has always believed that poetry makes nothing happen, but as each new chapter he writes is disseminated through the land and lines on the page become cries in the street, his belief and his loyalties are challenged. And, as Magha circles ever closer to the things Asanka treasures most, the poet will discover that true power lies not at the point of a sword, but in the tip of a pen.

    This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.

    Thus he created a boy with a long hair covering his eyes and named him BILLOO. This lanky was liked by the readers so much that the editor of the magazine asked the cartoonist to increase the episodes from one page to two. Billoo is seen roaming the streets with his pet pup - Moti. When he is at home, he is stuck to the TV.Billoo and his gang which includes Gabdu, Jozi, Mono, Bishamber etc; are at loggerheads with Bajarangi, the wrestler and his aide Dhakkan. They are always in search of some excuse to showdown each other. Jozi is friendly to Billoo, but her dad Colonel Three - not - Three doesnot like the boy and always points his gun at him. Billoo and his friends are often seen playing cricket in lanes of the block, and their score is few smashed windows.

    The book is an attempt to express what it’s like trying to explore, mile by mile, village by village, valley by valley, a place that’s beautiful, complex, and fascinating, but most of all, unique.

    Twenty-one Sikh soldiers. One epic battle. On 12 September 1897, 21 soldiers of 36th Sikh Regiment stood undeterred as they guarded the post of Saragarhi against the onslaught of almost 10,000 Afghan tribesmen a battle for the ages that ended in them laying down their lives in a final hand-to-hand confrontation. The unparalleled heroics of these 21 men have, however, been long forgotten by history. What led to the Battle of Saragarhi? What was the socio-political scenario at the time? Who were these tribesmen and why did they attack an outpost in such great numbers? Who were the 21 soldiers and how were they able to keep the enemy at bay against all odds? Based on colonial era records and information provided by the 4th Sikh Battalion, the legatee unit of 36th Sikhs, 21 Kesaris attempts to answer these questions while paying homage to the brave soldiers who defended the Kesari flag depicting their Khalsa heritage with their last breaths.

    

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.