if indeed there were crimes.The youngest of forty - a child with no name and no past - she survives for some purpose long forgotten in a world ravaged and wasted. In this reality where intimacy is forbidden - in the unrelenting sameness of the artificial days and nights - she knows nothing of books and time, of needs and feelings.Then everything changes... and nothing changes.A young woman who has never known men - a child who knows of no history before the bars and restraints - must now reinvent herself, piece by piece, in a place she has never been... and in the face of the most challenging and terrifying of unknowns: freedom.

    The Circle, run out of a sprawling California campus, links users' personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company's modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can't believe her luck, her great fortune to work for the most influential company in the world--even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman's ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.(front flap)

    After her death is ruled ‘natural causes,’ Jack digs in to unravel the reasons she came to him desperately asking for his help and to investigate her mysterious death. To complicate matters further, her husband is a prominent, highly respected local business man. As Jack begins to unravel the pieces to the unsolved puzzle, the more heinous the crimes of the dead woman’s husband become and Jack finds his own life is in danger.

    After attempts at careers in medicine, law, drawing, English and piano, he became one of the first Romantic writers, with his first collection of poems, Contes d'Espagne et d'Italie (Tales of Spain and Italy) (1829). He was the librarian of the French Ministry of the Interior under the July Monarchy. The tale of his celebrated love affair with George Sand, which lasted from 1833 to 1835, is told from his point of view in his autobiographical novel, La Confession d'un Enfant du Siècle (The Confession of a Child of the Century) made into a film, Children of the Century. Musset's Nuits (Nights) (1835-1837) trace his emotional upheaval of his love for George Sand, from early despair to final resignation. He was dismissed from his post as librarian after the revolution of 1848, but he was appointed librarian of the Ministry of Public Instruction during the Second Empire. He received the Légion d'honneur in 1845, at the same time as Balzac, and was elected to the Académie française in 1852.

    This is the third book in the Living in Harmony with the Real World series.Coping with loss and grief is a very personal process.Each culture, religion, group, family and person has to find their own path when confronted to these very important challenges.This book will help guide you along your own personal journey towards self-healing and supporting those suffering around you.We will look at how others confront these steps and standard approaches.However, the strength and difference of this book is that we look at who you are, who or what you have lost.Of your honest relationship with that which is gone, and finally, the ways and means that would be best suited to you to deal with this.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    As Pleasant struggles with her mother's distance, her father's infidelity and the death of her best friend, she draws closer to Clarissa, an older woman with an uncanny, almost psychic, ability to 'read people.'As Clarissa uncovers the stories behind the murders, both Pleasant and Clarissa's worlds are transformed by the truths they’re forced to accept, and both find solace and strength in the shared histories that have shaped them.

    He was also a French translator of American hard-boiled crime novels. One of his discoveries was an African-American writer by the name of Vernon Sullivan. Vian translated Sullivan's I Spit on Your Graves. The book is about a 'white Negro' who acts out an act of revenge against a small Southern town, in repayment for the death of his brother, who was lynched by an all white mob. Upon its release, I Spit on Your Graves became a bestseller in France, as well as a instruction manual for a copycat killer whose copy of I Spit on Your Graves was found by the murdered body of a prostitute with certain violent passages underlined. A censorship trail also came up where Sullivan as the author was held responsible for the material. It was later disclosed that Vian himself wrote the book and made up the identity of Vernon Sullivan! This edition is a translation by Vian, that was never published in America. I Spit on Your Graves is an extremely violent sexy hard-boiled novel about racial and class prejudice, revenge, justice, and is itself a literary oddity due to the fact that it was written by a jazz-loving white Frenchman, who had never been to America.

    There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s.Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

    Although she's had her ups and downs, life is good now: she lives with her twin brother, Onyx, and another friend in an artsy community in Cincinnati and is pursuing a master's degree in psychology. An avid reader, Ophelia likes everything to be orderly, including her job at a nearby bookstore. But when a good-looking stranger ends up in her apartment-invited to crash on their couch by her brother-her life begins to change forever.Brax Smith arrives to Cincinnati with nothing other than his van, having left Florida to start a new life, escaping the memories of losing his mother to cancer and dealing with his drunk father. A recovering alcoholic himself, Brax meets two guys at a group session in an eclectic area of Cincinnati when he gets to town. He feels grateful to have a place to stay but also comes face-to-face with the sister of one of his new friends, who is less than excited to have an additional roommate. Can he win her over, despite the fact that she has no interest in being his friend?In this novel, the lives of two struggling people collide and take them on a roller-coaster journey of good times and bad, ultimately leading to true love, devotion, and tragedy.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    To the incredulity of the passers-by, he refuses their offers to play in concert halls, or at prestigious gatherings. He is waiting for someone, he tells them.Joseph was just sixteen when he was sent to a religious boarding school in the Pyrenees: les Confins, a dumping ground for waifs, strays, and other abandoned souls. His days were filled with routine and drudgery, and he thought longingly of the solace he found through music in his former life.Joe dreams constantly of escape, but it seems impossible. That is, until a chance encounter with the orphanage's benefactor leads him to Rose, and a plan begins to form...Humorous even in its darkest moments, Devils and Saints tells a daring tale of camaraderie, love, and good triumphing over evil.

    He is a successful Hollywood script doctor, a fixer of flawed films. He is fifty, overweight, a heavy drinker and chain smoker. He is at an age when things break down, but he has no health insurance. His separation from his wife, Dinah, has become another form of marriage. His relationship with his son, Billy, a college student, is one of pure avoidance. He cannot free himself from the grip of the powerful producer Jay Cromwell, who wants him to recut the last great film of the legendary director Arthur Houseman and make it more commercial. After seeing the film, Karoo considers refusing the job. But he soon becomes obsessed with Leila Miller, an unknown actress whom he has spotted in a small scene. In fact Karoo becomes convinced that she is the mother of his adopted son, Billy, and he becomes determined to track her down.Karoo finds Leila in Venice Beach (where she's one of thousands of Hollywood hopefuls), working as a waitress and haunted by the memory of the baby she gave up for adoption. Karoo falls in love with her, and in the grip of his newfound devotion uses every cheap screenwriter's trick to change Houseman's poignant masterpiece into an outrageous comedy that will make Leila a star. And, he plans to unite the long-lost mother and child at the film's premiere. But Billy, not knowing that Leila is his mother, also falls for her and she for him. The triangle ends in an auto accident, with Karoo driving, in which Billy and Leila are killed and the recut film, becomes a huge success. Devastated by the personal disaster he has helped to create, Karoo winds up being hired by Cromwell to transform a journalistic expose of his own tragic machinations into a screenplay.Steve Tesich has grounded his story in the highly recognizable world of New York in the late-eighties, a milieu of unscrupulous West Coast producers, dry cleaning, divorce and fantasies of escape. Karoo is a haunting, highly human, deliciously realistic novel of decline, fall, and rejuvenation.

    Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken.Charrière's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who simply would not be defeated.

    Our rocket ship gets shot out of a cannon? To the moon? Goodness! But in other ways it's full of eerie bits of business that turned out to be very near reality: he had the cost, when you adjust for inflation, almost exactly right. There are other similarities, too. Verne's cannon was named the Columbiad; the Apollo 11 command module was named Columbia. Apollo 11 had a three-person crew, just as Verne's did; and both blasted off from the American state of Florida. Even the return to earth happened in more-or-less the same place. Coincidence -- or fact!? We say you'll have to read this story yourself to judge.