I was fairly normal until the night I found Violet. Then everything changed. The Missing: Dad. He disappeared five years ago. Nobody knows what happened to him, and nobody cares except me. It's enough to drive you crazy. The Dead: That's Violet . . . in the urn. Speaking of crazy, I know she's trying to tell me something, and I think it's about my father. . . . A dead lady may not be much to go on, but my dad's out there somewhere, and it's up to me to find out where.

    Virtually overnight, almost against their will, the two befriended the lonely old man; it wasn't long before they were more comfortable in his house than their own. But now Mr. Pignati is dead. And for John and Lorraine, the only way to find peace is to write down their friend's story - the story of the Pigman.

    It continues to do so today. This special twenty-fifth anniversary edition contains the original Scorpions novel, plus an extra Q&A with New York Times bestselling author Walter Dean Myers—including questions about juvenile detention facilities, gang life today, and friendship.Also included are a sneak peek at Kick, by Walter Dean Myers and Ross Workman, and an excerpt from Myers's New York Times bestselling novel Monster!

    Schmidt offers an unforgettable antihero. The Wednesday Wars is a wonderfully witty and compelling story about a teenage boy’s mishaps and adventures over the course of the 1967–68 school year in Long Island, New York. Meet Holling Hoodhood, a seventh-grader at Camillo Junior High, who must spend Wednesday afternoons with his teacher, Mrs. Baker, while the rest of the class has religious instruction. Mrs. Baker doesn’t like Holling—he’s sure of it. Why else would she make him read the plays of William Shakespeare outside class? But everyone has bigger things to worry about, like Vietnam. His father wants Holling and his sister to be on their best behavior: the success of his business depends on it. But how can Holling stay out of trouble when he has so much to contend with? A bully demanding cream puffs; angry rats; and a baseball hero signing autographs the very same night Holling has to appear in a play in yellow tights! As fate sneaks up on him again and again, Holling finds Motivation—the Big M—in the most unexpected places and musters up the courage to embrace his destiny, in spite of himself.

    Mary and her younger brother Peter set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an Aboriginal boy on walkabout, who teaches them to find food and water in the wilderness, but whom Mary can’t bring herself to trust. Though on the surface Walkabout is an adventure story, darker themes lie just beneath. Peter’s innocent friendship with the Aboriginal throws into relief Mary’s no longer childish anxiety, and together raise questions about how Aboriginal and Western culture can meet. And in the vivid descriptions of the natural world, we realize that this story—a deep fairy tale in the spirit of Adalbert Stifter’s Rock Crystal—must also be a story about the closeness of death and the power of nature.

    Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    Without warning, Nyle's modest world fills with protective masks, evacuations, contaminated food, disruptions, and mistrust.Nyle adjusts to the changes. As long as the fallout continues blowing to the East, Nyle, Gran, and the farm can go on. But into this uncertain haven stumble Ezra Trent and his mother, "refugees" from the heart of the accident, who take temporary shelter in the back bedroom of Nyle's house.The back bedroom is the dying room: It took her mother when Nyle was six; it stole away her grandfather just two years ago. Now Ezra is back there and Nyle doesn't want to open her heart to him. Too many times she's let people in, only to have them desert her.Karen Hesse's voice and vision are grounded in truth; she takes on a nearly unharnessable subject, contains it, and makes it resonate with honesty. Part love story, part coming of age, this is a tour de force by a gifted writer.

    But now her parents, whom she had always loved and trusted, are behaving like strangers to each other and vying for her allegiance. Camilla is torn between her love for them and her disapproval of their actions.Then she meets Frank, her best friend's brother, who helps her to feel that she is not alone. Can Camilla learn to accept her parents for what they are and step toward her own independence?

    He and his best friend Walt (aka Swing) have been cut from the high school baseball team for the third year in a row, and it looks like Noah’s love interest since third grade, Sam, will never take it past the “best friend” zone. Noah would love to retire his bat and accept the status quo, but Walt has big plans for them both, which include making the best baseball comeback ever, getting the girl, and finally finding cool.To go from lovelorn to ladies’ men, Walt introduces Noah to a relationship guru—his Dairy Queen-employed cousin, Floyd—and the always informative Woohoo Woman Podcast. Noah is reluctant, but decides fate may be intervening when he discovers more than just his mom’s birthday gift at the thrift shop. Inside the vintage Keepall is a gold mine of love letters from the 1960s. Walt is sure these letters and the podcasts are just what Noah needs to communicate his true feelings to Sam. To Noah, the letters are more: an initiation to the curious rhythms of love and jazz, as well as a way for him and Walt to embrace their own kind of cool. While Walt is hitting balls out of the park and catching the eye of the baseball coach, Noah composes anonymous love letters to Sam in an attempt to write his way into her heart. But as things are looking up for Noah and Walt, a chain of events alters everything Noah knows to be true about love, friendship, sacrifice, and fate. In Swing, bestselling authors Kwame Alexander and Mary Rand Hess (Solo) present a free-verse poetic story that will speak to anyone who’s struggled to find their voice and take a swing at life.

    The neglected attendees of the Box Canyon Boys Camp find their lives turned around by Cotton, who, in a hot-wired pickup, challenges them to join efforts to save a herd of buffalo and rediscover themselves in the process.Turned into a motion picture by director Stanley Kramer in 1972 with a well-known music soundtrack (theme for The Young and the Restless soap opera on CBS) and the Carpenters' Oscar nominated theme song.

    Nothing much until this summer that’s full of big changes. It’s tough for Toby when his mother leaves home to be a country singer. Toby takes it hard when his best friend Cal’s older brother goes off to fight in Vietnam. Now their sleepy town is about to get a jolt with the arrival of Zachary Beaver, billed as the fattest boy in the world. Toby is in for a summer unlike any other, a summer sure to change his life.

    Soldiers pour into the room. They're shouting and waving rifles. I shield my head with my arms. It was a lie! I think, my mind racing.Girls and boys alike are screaming. The soldiers prod and herd some of us together and push the rest apart as if we're cows or goats. Their leader is a middle—aged man. He's moving slowly, intently, not dashing around like the others." Take the boys only, Win Min," I overhear him telling a tall, gangly soldier. "Make them obey."

    Things are good or bad. Anything in between is confusing. That’s the stuff Caitlin’s older brother, Devon, has always explained. But now Devon’s dead and Dad is no help at all. Caitlin wants to get over it, but as an eleven-year-old girl with Asperger’s, she doesn’t know how. When she reads the definition of closure, she realizes that is what she needs. In her search for it, Caitlin discovers that not everything is black and white—the world is full of colors—messy and beautiful.Kathryn Erskine has written a must-read gem, one of the most moving novels of the year.

    The Evening Standard described Bilgewater as "one of the funniest, most entertaining, most unusual stories about young love."Motherless and 16, Marigold is the headmaster's daughter at a private backwater all-boys school. To make matters worse, Marigold pines for head boy Jack Rose, reckons with the beautiful and domineering Grace, and yanks herself headlong out of her interior world and into the seething cauldron of adolescence. With everything happening all at once, Marigold faces the greatest of teenage crucibles. A smart and painterly romp in the rich tradition of The Hollow Land and A Long Way From Verona, Gardam's elegant, evocative prose, possessed of sharp irony and easy surrealism makes Bilgewater a book for readers of all ages.

    Every day that she spends huddled in the slave trader’s wagon travelling south or working on the brutal new plantation, she thinks about the land where it is possible to be free, a land she and her friend Liza may reach someday. So when workers from the Underground Railroad offer to help the two girls escape, they are ready. But the slave catchers and their dogs will soon be after them…