He silently shares the family home with his sister Daze, who is nearly blinded by bitterness, obsessed with her mother's reputation as a loose, lustful woman. Since his angry teenage years as a scholarship student at a posh, segregated school, Ned's life has been marred by a violence that erupts loudly and quickly disappears, leaving him filled with secrets and regret. When one last hope for deliverance emerges, however, both brother and sister are forced to come to terms with their heritage.

    Her mama, though, says: "Lucky in life means unlucky in love." Her mama must be right, because Abby's been getting her heart broken since sixth grade. Then one day she waltzes into the tiny town of Bliss, Mississippi. Abby's used to making up quirky, charming characters in her books, but here in Bliss it almost seems like those characters have sprung to life-and Abby is fantasizing about moving right in. The townspeople have set their matchmaking minds in motion-and they aren't about to let Abby leave without a little love in her heart.

    Noel, who prefers The Exorcist to Ecclesiastes, must navigate a world of Bible-thumpers, born-again Christians, and a stepfather who bears an uncanny resemblance to Billy Graham. Darkly comic and lyrically moving, Rides of the Midway introduces a formidable talent in contemporary fiction.

    A widow�s riveting yet poignant memoir of her marriage to a prolific creator, the extremely inspired Gulf Coast artist Walter Anderson, whose splendid art was heightened and enriched by his madness

    What will happen when she finally gets it?My name is Josslyn and I'm a psychopath. Actually, that's not technically true ... let me explain.My name is Alicia and I am a psychopath.There are two people in my body, but Alicia is dangerous and I can't control her anymore ... but who (or what) is she? Also, why do I feel like I'm being watched ... and why don't cats like me?My Dark Self is the first novel in the My ... Self series, a new gripping thriller series with a massive twist ... the two main characters are one person! If you like fast-paced psychological thrillers with plenty of twists and turns and witty banter then you’ll love this dramatic series from Jessica Huntley.TRIGGER WARNINGS: Murder, violence, swearing, animal cruelty.

    Those left behind include Aggie, a snake-handling preacher with a questionable past; Bub and Ava, who live in a FEMA trailer held down by cinderblocks; and Cohen, who refuses to evacuate and leave behind the graves of his late wife and child. As all four struggle to survive below The Line, their stories intersect with violent and unexpected consequences.

    When a major gas line breaks, leaving them with no heat, no hot water, and no way to cook for Christmas, Jace Applewhite invites Tara and her sibs out to his family's Christmas tree farm. Will a good old fashioned farmhouse Christmas be enough to get Tara to give him a second glance?See You Again (Book 8)Mayor Sandra Crawford has survived divorce and cancer, but she's not at all sure she'll survive the discovery that her town's benefactor is actually the man she nearly left her husband for almost 30 years ago. Gerald Peyton, III didn't fight for Sandy back in college--a decision he's regretted ever since. Now Trey's older, wiser, and determined to win the heart of the woman he's never forgotten.The Christmas Fountain (Book 9)After finding out her Mr. Right was actually Mr. Wrong, Mary Alice is taking a break from love to chair her favorite holiday charity. Chad thinks volunteering is the perfect way to get to know his Christmas crush. Will he manage to overcome her once bitten, twice shy caution?

    When I'm there, sitting with those folks, listening and talking, he said to Coles, I'm part of that life, and I'm near it in my head, too.... Back here, sitting near this typewriter--its different. I'm a writer. I'm a doctor living in Rutherford who is describing 'a world elsewhere.' Williams captured the great difficulty in documentary writing--the gulf that separates the reality of the subject from the point of view of the observer . Now, in this thought-provoking volume, the renowned child psychiatrist Robert Coles, author of the Pulitzer Prize-winning Children in Crisis series, offers a penetrating look into the nature of documentary work. Utilizing the documentaries of writers, photographers, and others, Coles shows how their prose and pictures are influenced by the observer's frame of reference: their social and educational background, personal morals, and political beliefs. He discusses literary documentaries: James Agee's searching portrait of Depression-era tenant farmers, Let Us Now Praise Famous Men, and George Orwell's passionate description of England's coal-miners, The Road to Wigan Pier. Like many documentarians, Coles argues, Agee and Orwell did not try to be objective, but instead showered unadulterated praise on the noble poor and vituperative contempt on the more privileged classes (including themselves) for exploiting these workers. Documentary photographs could be equally revealing about the observer. Coles analyzes how famous photographers such as Walker Evans and Dorthea Lange edited and cropped their pictures to produce a desired effect. Even the shield of the camera could not hide the presence of the photographer. Coles also illuminates his points through his personal portraits of William Carlos Williams; Robert Moses, one of the leaders of the Student Non-Violent Coordinating Committee during the 1960s; Erik H. Erikson, biographer of Mahatma Gandhi and Martin Luther; and others. Documentary work, Coles concludes, is more a narrative constructed by the observer than a true slice of reality. With the growth in popularity of films such as Ken Burns's The Civil War and the controversial basketball documentary Hoop Dreams, the question of what is real in documentary work is more pressing than ever. Through revealing discussions with documentarians and insightful analysis of their work, complemented by dramatic black-and-white photographs from Lange and Evans, Doing Documentary Work will provoke the reader into reconsidering how fine the line is between truth and fiction. It is an invaluable resource for students of the documentary and anyone interested in this important genre.

    In I, Rhoda Manning, Go Hunting with My Daddy, Gilchrist writes again of one of her most beloved characters, with the hilarity, wisdom, and poignancy that marks all of her fiction. Here, a clutch of stories are told in the voice of Rhoda -- as a child, as a divorced mother of three sons, and as an old woman, recalling the curse and blessing of being the only daughter of Big Dudley. In The Abortion, a young girl whose father is dying and the boy who loves her struggle with clashing notions of what makes life meaningful. In Remorse, a small town hairdresser revisits the last days of his best friend's life and what he might have done to save her. There is a rich vein of sorrow here, but Gilchrist lightens the burden with a grasp of how both folly and grace are born of love. As her characters, both new and familiar, spin out their unlikely fates, Gilchrist proves once again that there is no other Southern writer quite like her.

    Roger Wing is pledging his martial skills to the service of the Lord, but it isn't helping him win over the prettiest girl in the Youth for Christ Mission.

    The story of Elizabeth and her mother Jenny is remarkable for its fullness of details: the pieces of family silver the grandmother mails to Jenny, piece by piece, over the years; Jenny's vivid memories of her uncle's viola d'amore lessons; the smell of the wood floors in the family's Vienna home. It's an emotional story of what is inherited from one generation to the next.

    . . to have your life change forever.Joplin Missouri, 1933, Kathryn Nash believes that her life has finally changed for the better. Her abusive husband of eighteen years, Clayton, has passed away suddenly and she has met an intriguing handsome stranger, John Stevens. Will a dark secret from Kathryn’s distant past surface and place Kathryn at odds with everyone in her world and set her life on a collision course with destiny that threatens her very life and the lives of those she loves the most? The Great Depression, The Great Midwestern Crime Spree, and the early incarnations of the Ku Klux Klan all converge on the small town and shape not only history, but the very course of Kathryn’s life. One Mississippi is a fast paced work of historical fiction that will keep you wondering what could possibly happen next and eager to find out just what can really happen in the time it takes to say the word “Mississippi.”

    His death is ruled an accident, but Paul's widow, Jenny, discovers that the sniper's bullet was meant for the man standing next to Paul, a cop named Kenny Beeman. To penetrate the Mississippi smokescreen, Jenny enlists the aid of her former lover, news photographer John Rane. Appealing to be covering a story, Rane pokes into the Tennessee-Mississippi border country and teams up with Beeman. With demons nipping at his heels, Rane picks a Sharps rifle and live ammunition and heads off to the Shiloh Battlefield—and a showdown with a killer.South of Shiloh is a pulse-pounding thriller from a master of the genre—a story that uses a popular national pastime as the springboard for a page-turning read.

    So why aren't we laughing along the spiritual path today? What would happen if we did?In this personal and funny look at humor as a spiritual practice, Rev. Susan Sparks--an ex-lawyer turned comedian and Baptist minister--presents a convincing case that the power of humor radiates far beyond punch lines. Laughter can help you:Remove the fearful mask of a God who doesn't laughDebunk the myths that you don't deserve joyFind perspective when faced with adversityExercise forgiveness for yourself and othersReclaim play as a spiritual practiceHeal--emotionally, physically, and spirituallyKeep your faith when God is silentLive with elegance, beauty, and generosity of spiritWhatever your faith tradition--or if you have none at all--join this veteran of the punch line and the pulpit in reclaiming the forgotten humor legacy found in thousands of years of human spiritual history.

    Into this world comes Boubacar, a fifteen-year-old African boy joining friends from Mauritania already living in the area. They are new African blacks not especially noteworthy in a town filled with Chinese emigrants, African Americans within memory of slavery, and straggling members of the original white families of the area. Presiding over Madagascar is Angus, the second-generation Delta Chinese proprietor of the Celestial Grocery, and his vintage jukebox with its treasure of Slim Harpo, Sam Cooke, and Wanda Jackson songs.The ties that bind the lives in this community together are American roots music and the desire to make a home in the rural South. The purity and beauty of Cynthia Shearer's writing--like the purity of music that exists within this story, an imagined soundtrack of more than thirty songs--marks The Celestial Jukebox as that most rare book, a novel as historically expansive as it is intimate, filled with music, wisdom, and spontaneous joy.