each person will hurt the only way they know how. will love... the only way they've been taught to love. not everyone will see things the way you do. feel things the way you do. and you can't force your beliefs on people either because that's not love. that's not having compassion for other people. we all have our own right to see the world with our own eyes, therefore, understanding is key. and I don't mean saying it, saying you understand someone without putting yourself in their shoes. without respecting their views. you have to really know yourself and your environment to understand why people are the way they are. you have to go through enough pain to keep your heart open. to be compassionate towards other people. understanding is key and not everyone will understand you and that's okay. but the point is, to remember how all of us are different and try to understand that not all of us are meant to be the same. and you should never believe you understand it all because believe me, there will always be something to learn. there will always be something that will take your breath away. something that will make you question everything--your own beliefs and your own way of thinking. people, things and places, like life, are always evolving and you must evolve with them... if you ever want a fair shot in accepting your flaws and the flaws of other people. and before I finish, I just want you to know... that the beauty of it all is this, the more you understand people the better you will understand yourself. from the known and to the depths of your soul... people will always shape you. all that you are is all you've experienced with them. and dont ever forget... that the people you love will always have a piece of your heart. they will always be with you... no matter what.

    Meeting-place of fever and the cold eye, in a passion which could hold together with his own arms the flying apart of his own time. He claimed it, its past and the moment that held it with its own arms, the present.They were lyrics he brought to me, cut as if with an adze; and I began to translate. In his early lyrics, with their speed, their transparencies, their couples lying together, all couples, all opposites, there was a chance for the reader to see what was flashing out of Mexico in this young poet. He glittered in his airs and silences, his sudden strokes:Our bones are lightningin the night of the flesh.0 world, all is night,life is the lightning.-from a foreword

    Missing her mother, she clings to Mamma Habblesham, a woman with enviable reserves of love and hope. Their affection for each other seems boundless –– until Abeba's mother returns to take her to Brooklyn.As Abeba grows up, her exceptional musical talent promises to be an avenue of escape. But a handsome singer distracts her, and opportunities that once seemed so close begin to fall away. Now married with children of her own, she fights to maintain the dignity of her family. Let the Lion Eat Straw is a revelation of the glory in apparently ordinary lives.

    Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.

    At the foot of Mount Fuji, behind screen walls and amidst curls of incense smoke Iwajiro chants the Tenjin Sutra, an act of devotion learned from his beloved mother. On the side of the same mountain, twenty years on, he will sit in perfect stillness as the summit erupts, spitting fire and molten rock onto the land around him. This is not the first time he has seen hell. This man will become Hakuin, one of the greatest teachers in the history of Zen. His quest for truth will call on him to defy his father, to face death, to find love and to lose it. He will ask, what is the sound of one hand clapping? And he will master his greatest fear. Night Boat is the story of his tremendous life.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    The poems range in tone from the spiritual longing of an isolated monk to the erotic ecstasy of a court princess—but share the extraordinary simplicity and luminosity of language that marks Kenneth Rexroth's verse style. An introduction by the poet and translator Sam Hamill, the editor of this collection, and short biographies of the poets are included. The Shambhala Library is a series of exquisitely designed and produced cloth editions of the world's spiritual and literary classics, both ancient and modern. Perfect for collecting or as gifts, each volume features a sewn binding, decorative endsheets, and a ribbon marker—a delightful-to-hold 4 ¼ x 6 ¾ trim size.

    Each activist, artist, architect, etc. is interviewed against the backdrop of his or her bookcase, putting front and centre a life of ideas and imagination.This is a book club for curious minds."We need more naysayers... We need to create new formulas, which you can't until you attack and challenge every sacred cow."–Kishore Mahbubani, former dean of the Lee Kuan Yew School of Public PolicyFeatured: Tan Tarn How, Constance Singam, Tay Kheng Soon, Yeoh Lam Keong, Cherian George, Claire Leow, Remy Choo Zheng Xi, Teo Soh Lung, Thirunalan Sasitharan, Jennifer Teo, Dan Wong, Chua Beng Huat, Kirsten Han, Filzah Sumartono, Alex Au, Martyn See, June Chua, William SW Lim, M. Ravi, Loo Zihan, Vanessa Ho, Mohamed Imran Mohamed Taib, Seelan Palay, Sonny Liew, Margaret Thomas and Thum Ping Tjin.More at http://naysayers.sg/Buy the book at: https://shop.epigrambooks.sg/products...Advance praise: "Right book, right time; read and be inspired by the naysayers in our midst as they battle against the odds."—Ismail Kassim, political journalist and author of No Hard Feelings“The 26 essays are inspiring accounts of the subjects: who they are, what they are, what they do, their exemplary efforts to speak up and their brushes with the law and the authorities in a society constrained by a matrix of repressive laws. Edifying and a must-read, especially for civil society activists.”—Peter Low, human rights lawyer and founder of Peter Low & Choo LLC"In Singapore there is a fine line between co-option by the establishment and ostracism by society. These delightful vignettes are about the brave men and women who tread it—often at great personal cost—expanding our collective imagination in ways the elite never can. Instead of calling for more naysayers, Singapore would do well to listen to those it already has."—Sudhir Thomas Vadaketh, author of Floating on a Malayan Breeze“An inspiring collection of interviews with respected Singapore civil society activists. Not only do we hear how they came to be, why they do what they do, we take a peak into their bookshelves to understand the ideas that galvanised them. A book lover’s book!”—Tan Pin Pin, director of In Time to Come and To Singapore, with Love“Simon captures the other ways of thinking in Singapore with these rich and colourful profiles, revealing to us a Singapore that could have been, or perhaps a Singapore that might someday be. Naysayer's is a book about those who swim against the flow, but it isn’t about tiredness; it’s about hope.”—Daniel Yap, publisher of The Middle Ground"I was not disappointed in the depth and authenticity of the interviews… The chapters on Sonny Liew, the award-winning comic book maestro, and Thum Ping Tjin, the controversial historian who startles with his honest interpretation of history, will be among those I will turn to first."—Clement Mesenas, journalist and author of Dissident Voices and The Last Great Strike

    This captivating book, masterfully illustrated by Lulu Delacre, is dedicated with tenderness to the young readers for whom José Martí wrote this beautiful poem.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    It's real, relatable, and totally raw.

    A Zen Buddhist monk explains the value of haiku, a three-line, seventeen-syllable poem, as a writing meditation and spiritual guide and provides exercises to help readers compose their own haiku.

    When war is declared, twins Shirley and Tom are evacuated to the coastal town of Worthing. Almost fourteen, they are very close to their mother, but leaving London is the only way to keep them safe. Shirley is the bright one of the pair, whereas Tom is sometimes slow to understand the world around him. But Shirley helps him get by and is his best friend and ally.The twins are taken in by a local farmer, but their new home quickly proves to be far from a rural dream. Tom is forced to do back-breaking work and sleep under the stairs each night. The farmer's wife is heavily pregnant, and seems to live in fear of him. She's refusing all midwives, so it will be up to Shirley, with no experience in the matter, to help her deliver her baby. Their new teacher at the local school notices that something is not right with the children, but the farmer keeps the twins from seeing anyone, even their own mother. As the cold weather sets in and Tom falls ill, will Shirley be able to find a way out for them both?

    He’s a good-looking, smooth-talking former pro-basketball player, but he has a problem: He has never been satisfied with just one woman. Then he meets Terri and everything changes. Sort of.Genesis knows that Terri is perfect for him, and they become engaged. But Genesis just can’t seem to stop cheating on Terri nearly every chance he gets. Genesis’s best friend, Prodigy, constantly warns him that he’s going to mess up the best thing ever to happen to him, but Genesis is not ready to listen.After dealing with a family crisis, Genesis realizes the importance of his relationship with Terri, and he begins to change his cheating ways. He knows that once he says, “I do,” everything will fall into place. But it may be too late, because one of his past indiscretions comes back to haunt him, and Terri has a few surprises of her own for Genesis.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."