She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.

    The story is set on Crete just after the War, as an odd assortment of English travellers come ashore from a cruise ship to explore the island and in particular to examine a dangerous local labyrinth. They include an extrovert painter, a spiritualist, a Protestant spinster with a fox terrier, an antiquarian peer and minor poet, a soldier with guilty memories of the Cretan resistance, a pretty convalescent and an eccentric married couple. To some extent the book is a roman à clef and Durrell's characters talk with great reality about their experiences, themselves and a certain psychological unease that has led most of them to embark on their journey. The climax is a disastrous visit to the labyrinth, with its reported minotaur. The novel is a gripping piece of story-telling, full of atmosphere and the vivid first-hand writing about Mediterranean landscape and people of which Durrell was a master.[ Cefalu (1947; republished as The Dark Labyrinth in 1958) ]

    E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.