Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    Both are remarkable, both are unmistakably Lispector.

    Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.

    A veritable masterclass in the art of short fiction, The Red Convertible features 31 previously published stories and 5 never-before-published pieces. Presented in one collection for the first time, the stories of The Red Convertible cement Louise Erdich’s position in the pantheon of consummate, innovative writers of the American short story alongside such luminaries as Flannery O’Connor and Charles Baxter.

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    Three cycles. Fists and possums and gunfighters and penises and hookers and short buses and dead babies and fireworks. The stories in this collection originally appeared in: HOBART, FICTION INTERNATIONAL, KITTY SNACKS, TEXAS OBSERVER, NEW BORDER and THE PURITAN.

    ValdemarThe Black CatThe Fall of the House of UsherSilence - A FableThe Masque of the Red DeathThe Cask of AmontilladoThe Imp of the PerverseThe Island of the FayThe AssignationThe Pit and the PendulumThe Premature BurialThe Domain of ArnheimLandor's CottageWilliam WilsonThe Tell-tale HeartBereniceEleonora

    But how can she leave them when they still have so much growing up to do?Take Lisa, in her midthirties but incapable of making a commitment; or Jennifer, trapped in a stale marriage and buttoned up so tight she could burst. Twentysomething Amanda, the traveler, has always distanced herself from the rest of the family; and then there's Hannah, a teenage girl on the verge of womanhood about to be parted from the mother she adores.But by drawing on the wisdom in Barbara's letters, the girls might just find a way to cope with their loss. And in coming to terms with their bereavement, can they also set themselves free to enjoy their lives with all the passion and love each deserves?

    Taken as a whole, their stories form an enlightening, disturbing view of life in the South.

    But even worse, she doesn't care. She blames God for taking her husband and has since lost her way in both her faith, and her community. But life must go on, and to support herself she makes and mends quilts for the Amish and Englishers alike. Living alone in an apartment above her shop, she works only to live and seemingly not much else as she feels the need to almost punish herself, and God, at the same time. But all that changes when Levi, himself a widow, comes into her shop to mend an old quilt as a surprise for his daughter's first child. He's immediately taken with Hannah. And as his job is repair and fixing broken things in his workshop, his trained eye spots a few problems around her home that could use some neighborly help. But his heart spots some problems, too. Yet Hannah doesn't want the help, or the attention. She resists, but Levi won't take no for an answer. He repeatedly shows up to work on things, trying to slowly chip away at her gruff exterior and win a smile, if not a friend. But Hannah is comfortable in her pain. She certainly has no time for friendships, let alone love. Yet God, and Levi, just might have other plans. Can two people find what they need in the other, when they both need it the most? A desire to mend against a desire to harbor old pains. Will love win out, in this sweet Amish Romance? Read this new book by Emma Maas to find out today...

     Nico goes silent, and the group at the table looks at him. “I am,” he says, “but I was planning on sending her into a school that has hidden supers, not on a drug bust. She has a very specific goal in mind, you know.” “Yes, I am aware,” Mastermental says. “And if you really wish to ignore this—” “I didn’t say that,” Nico says, as Morgan jerks in silent protest. “But it’s not what she’s planning on going into.” “Yes, but she is the perfect person to infiltrate a track and field group, as well as see who else is affected. There is a possibility that it goes much higher than that, Lauren has fractured memories of even teachers acting strangely, as well,” Mastermental says. “But as much as I dislike stereotyping—” “I look like a normal, high school jock, right?” Morgan offers.

    When Charlie vanishes without warning, the people who love her are worried sick. Even if the law considers her an adult at nineteen, Charlie's still the baby of her already broken family. Older sister Olivia is determined to figure out what's happened. She finds a lost cell phone, an abandoned car and a shady boyfriend she's never met before. And he's not the only secret Charlie's been keeping.This disappearance feels uncomfortably familiar, reminding Olivia and her father of another loss years before. But this will be different, Olivia swears. Charlie's coming back.

    His story blends harmoniously with the magnificent background. It is always coloured in beautiful shades of blue, giving everything a dreamy touch.

    Published posthumously, this volume rounds out the life of the legendary guitarist and composer, providing more backstory behind his creative ferocity. The stories provide a personal view into decades of his poignant insights into life and music.

    All the works here are avaiable for free at The White Review (At the Clinic), The Dublin Review (Concord 34 and Even if you beat me), New Statesman (Robbie Brady's astonishing late goal takes its place in our personal histories), The Irish Times (Mr. Salary) and The New Yorker (Color and Light).We just wanted to put those stories together to read them better and more confortable. Sally Rooney has all the rights of this work reserved. Even the cover of this e-book is an adaptation of the cover of Two Stories's audiobook, by Sally Rooney and published by Faber & Faber.Thank you for everything, Sally Rooney! Your stories make the world happier <3