Moving through streets where people line up at soup kitchens, Maggie draws information from sources others overlook: The waitress at the dime store lunch counter where she has breakfast; a ragged newsboy; the other career girls at her rooming house. Her digging gets her chloroformed and left in a ditch behind the wheel of her DeSoto. She makes her way to an upscale bordello and gets tea – and information – from the madam herself. A gunman puts a bullet through Maggie’s hat. Her shutterbug pal on the evening paper warns her off. A new cop whose presence unsettles her thinks she’s crooked. Before she finds all the answers she needs, she faces a half-crazed man with a gun, and a far more lethal point-blank killer. If you like Robert B. Parker's hard boiled Spencer series and strong women sleuths, don't miss this one-of-a-kind Ohio detective from a time in United States history when dames wore hats -- but seldom a Smith & Wesson.

    So get ready for another deliciously dark sampling of some of the most fascinating true murder cases of the first half of the 20th Century. These stories, the SECOND of three short collections, are unified by a single theme: they all involve physicians. And not for the autopsy, but as perpetrators or accused perpetrators. You may never see your family care giver again in the same light. Told in the characteristic wry, anecdotal reportorial style that made Alan Hynd famous in his day (two wartime best sellers in 1943, contributions to The Reader's Digest, Colliers, Coronet, The Saturday Evening Post, True, Liberty, The American Mercury and almost every true detective magazine in print) these tales will have you cringing one minute, laughing the next, and gasping in shock a moment later. Truly, no one could make up classics like these. Take for example, the case of the man who used rattlesnakes to speed the demise of a fading relationship, a case where non-barking dogs pointed out a killer, and the Great Swope poison case, where a man's in-laws just couldn't wait for their inheritance. As a bonus, consider "Pretty: Louie Amberg, the Brooklyn, N.Y., psychopath of the 1920s and '30s, as well as an unusual couple in Southern California kept the neighbors up at night --- and gossiping. Pulp non-fiction? Maybe. True crime is always more macabre than any novelist could imagine. So sit back and enjoy these forays into some of the darkest aspects of human nature. (With illustrations)

    Everything changes when she’s recruited into the Office of Strategic Services by family friend and legendary WWI hero Major General William Donovan.Donovan has faith in her—and in all his “glorious amateurs” who are becoming Anna’s fast friends: Maggie, Anna’s down-to-earth mentor; Irene, who’s struggling to find support from her husband for her clandestine life; and Julia, a cheerful OSS liaison. But the more Anna learns about the organization’s secret missions, the more she longs to be stationed abroad. Then comes the opportunity: go undercover as a spy in the French Resistance to help steal critical intelligence that could ultimately turn the tide of the war.Dispatched behind enemy lines and in constant danger, Anna is filled with adrenaline, passion, and fear. She’s driven to make a difference—for her country and for herself. Whatever the risk, she’s willing to take it to help liberate France from the shadows of occupation and to free herself from the shadows of her former life.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    Colorado is blessed with all three! From the Frozen Dead Guy Days festival in tiny Nederland, to Fruitas annual commemoration of Mike (the rooster that lost its head but not its will to live), theres no shortage of bizarre happenings in this Rocky Mountain locale.

    Looking for a better life, Nora Simms sails from the East Coast to gold rush San Francisco with a plan for success: to strike it rich by trading on her good looks. But when a string of murders claims several of her fellow "women of ill fame," Nora grows uneasy with how closely linked all of the victims are to her. Even her rise to the top of her profession and a move to the fashionable part of town don't shelter her from the danger, and she must distinguish friend from foe in a race to discover the identity of the killer. "One of the best books I've read in a long time. Nora Simms is hilarious, heart-breaking, tough, perceptive... " -Diana Gabaldon, author of Outlander. Nominated for a Pushcart Press Editor's Book Award

    But now he is on the run, and in need of a plane. Bill Saeton has risen from the flames of war with the dream of an air freight fleet.Fraser needs a plane. Saeton needs Fraser. One would murder his best friend to get what he wants, but this is where the other draws the line."Authentic and excellent...his plot, characters and suspense live up to the setting." (San Francisco Chronicle)

    New friends introduce him to legends and rumors that have swirled around the inn since time-immemorial, and he finds plenty of proof to believe them as strange noises and twisted shadows stalk the halls.Worst of all, his estranged grandfather has invited himself to join them at the inn. Creepy doesn't begin to describe that black-cloaked gentleman with the pale skin and weird, ever-constant glasses. Old secrets, mysterious sealed-up rooms and creeping shadows abound as Jack tries to manage his new life at Hawthorn Inn.

    Although happily ensconced in a loving second marriage, and a new family of quadruplets, Sheila never truly escaped the vicious enslavement of her ex-husband, multi-millionaire Allen Blackthorne, a handsome charmer— and a violent, controlling sociopath who subjected Sheila to unthinkable abuse in their marriage, and terrorized her for a decade after their divorce. When Sheila was slain in her home, in the presence of her four toddlers, authorities raced to link the crime to Blackthorne, the man who vowed to monitor Sheila's every move in his obsessive quest for power and revenge.

    (Sign Here Please) is a madcap comedy of truly ludicrous proportions. After Nathan Haynes dies, he discovers that the afterlife is run by straight-laced bureaucrats, but when he refuses to sign his 21B he is punted back to life in his insane home city of Dead Donkey. He can't rest easy, though - the bureaucrats are out to get him and they will put his papers in order, no matter the cost. Will our hero die (again)? Will the bureaucrats trick him into filling the proper forms in? Will Nathan ever get to do his laundry? Find out in You Are Dead. (Sign Here Please)!

    Karl, a former soldier and successful businessman, dutifully answers the call to defend his country, while contemplative academic Gerhard is coerced into informing for the Gestapo. Soon the brothers are serving in the SS, and as Hitler’s hateful agenda brings about unspeakable atrocities, they find themselves with innocent blood on their hands.Following Germany’s eventual defeat, Karl and Gerhard are haunted by their insurmountable guilt, and each seeks a way to escape from wounds that will never heal. They survived the war and its revelation of systematic horrors, but can they survive the unshakable knowledge of their own culpability?