Even more entertaining for its plausibility, this prequel has the same dry wit and humor that makes The Mouse that Roaredso endearing.

    He was born with a gift for knowing what people are thinking and an uncanny ability to throw his voice, and he has been using those skills while working for a rather foolish magician. That work will soon end, however, and on the night of the magician's final performance, Yann's life will truly begin. That's the night he meets shy Sido, an heiress with a cold-hearted father, a young girl who has only known loneliness until now. Though they have the shortest of conversations, an attachment is born that will influence both their paths. And what paths those will be! While Revolution is afoot in France, Sido is being used as the pawn of a fearful villain who goes by the name Count Kalliovski. Some have instead called him the devil, and only Yann, for Sido's sake, will dare to oppose him.

     On the battlefields of the American Revolution, Matthew de Clermont meets Marcus MacNeil, a young surgeon from Massachusetts, during a moment of political awakening when it seems that the world is on the brink of a brighter future. When Matthew offers him a chance at immortality and a new life free from the restraints of his puritanical upbringing, Marcus seizes the opportunity to become a vampire. But his transformation is not an easy one and the ancient traditions and responsibilities of the de Clermont family clash with Marcus's deeply held beliefs in liberty, equality, and brotherhood.Fast-forward to contemporary Paris, where Phoebe Taylor--the young employee at Sotheby's whom Marcus has fallen for--is about to embark on her own journey to immortality. Though the modernized version of the process at first seems uncomplicated, the couple discovers that the challenges facing a human who wishes to be a vampire are no less formidable than they were in the eighteenth century. The shadows that Marcus believed he'd escaped centuries ago may return to haunt them both--forever.A passionate love story and a fascinating exploration of the power of tradition and the possibilities not just for change but for revolution, Time's Convert channels the supernatural world-building and slow-burning romance that made the All Souls Trilogy instant bestsellers to illuminate a new and vital moment in history, and a love affair that will bridge centuries.

    The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in betweenRaybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.When the Nazis start running missions with people who have unnatural abilities--a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present--Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, the tale of a twentieth century like ours and also profoundly different.

    As if it isn’t bad enough that her uncle keeps her locked in the attic, forcing her to paint for his rich clients, she’s becoming rather well known in the art world… since all her customers seem to go missing.When her newest painting escapes the canvas and rampages through the streets of London, Bryony digs into her family history, discovering some rather scandalous secrets her uncle has been keeping, including a deadly curse she’s inherited from her missing father. It turns out, Bryony has accidentally unleashed the Gray family curse, and it’s spreading fast.With a little help from the strange-but-beautiful girl next door and her paranoid brother, Bryony sets out to break the curse, dodging bloodthirsty paintings, angry mobs and her wicked uncle along the way.

    In 'Corrag', Susan Fletcher tells us the story of an epic historic event, of the difference a single heart can make - and how deep and lasting relationships can come from the most unlikely places.Other titles:The Highland WitchWitch Light

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    When detectives arrive, they find not only the broken body of the victim, but a child who remembers nothing of who she is or how she came to be at the scene. Because the little girl has no known home, a gentle-hearted detective inspector named Charles St. Clair takes her to his home, and from that point on, his life will never be the same. Over the course of the next ten years, he’ll learn not only all about the girl but also about himself. And St. Clair will learn the truth about a supernatural battle that has been raging across England for four hundred years. The Redwing Saga presents an alternative telling of history, pulling back the veil of secrecy put into place by those who would deceive and destroy. Geopolitics, criminal investigation, and science merge with secret societies, angelic warfare, and human free will. Book One of the series, Blood Lies , introduces the characters—both human and non-human—as well as their backstories, and it starts us on a journey that will eventually lead from Whitechapel to World War.

    Maybe it was because of the welcoming villagers. Or perhaps it was the presence of the others whom she sensed nearby; the ones she saw in her dreams, with their strange glowing eyes. Fate is not always kind. It gives with one hand and takes with the other. There is a reason she didn’t grow up with her own kind. A rich tale of witchcraft, fae, sorcery, elinefae and dragons; this is a story for all who dare to believe.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Except his agency is a front for the CIA. It’s 1959 and the cold war is going strong. But Will doesn’t think he’s a warrior—he’s just a good-hearted Detroit ad guy who can’t seem to figure out Parisian girls.Zoya is a beautiful young woman wandering les boulevards, sad-eyed, coming off a bad breakup. In fact, she impaled her ex on a spike. Zoya, it turns out, has been a beautiful young woman for hundreds of years; she and her far more traditionally witchy-looking companion, Elga, have been thriving unnoticed in the bloody froth of Europe’s wars.Inspector Vidot is a hardworking Paris police detective who cherishes quiet nights at home. But when he follows a lead from a grisly murder to the abode of an ugly old woman, he finds himself turned into a flea.Oliver is a patrician, fun-loving American who has come to Paris to start a literary journal with the help of friends in D.C. who ask a few favors in return. He’s in well over his head, but it’s nothing that a cocktail can’t fix. Right?Add a few chance encounters, a chorus of some more angry witches, a strung-out jazzman or two, a weaponized LSD program, and a cache of rifles buried in the Bois de Bologne—and that’s a novel! But while Toby Barlow’s Babayaga may start as just a joyful romp through the City of Light, it quickly grows into a daring, moving exploration of love, mortality, and responsibility.

    Lewis, J.R.R. Tolkien... and Anna Francis, a young Greek refugee looking to escape the grim reality of her new life. The night they cross paths, none suspect the fantastic world at work around them.Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War and the chaos that trailed in its wake. Once upon a time, she had a mother and a brother, and they all lived together in the most beautiful city in the world, by the shores of Homer's wine-dark sea.But that is all gone now, and only to her doll does she ever speak of it, because her father cannot bear to hear. She sits in the shadows of the tall house and watches the rain on the windows, creating worlds for herself to fill out the loneliness. The house becomes her own little kingdom, an island full of dreams and half-forgotten memories. And then one winter day, she finds an interloper in the topmost, dustiest attic of the house. A boy named Luca with yellow eyes, who is as alone in the world as she is.That day, she’ll lose everything in her life, and find the only real friend she may ever know.

    But now a new evil walks among the living. . . . When nineteen-year-old John Shaw returns from the trenches of World War I, he is haunted by nightmares—not only of the battlefield, but of the strange, cruel and impossible feats of his regiment's commander, Quincey Harker. Harker's ferocity knows no limits, and his strength is superhuman. At first John blames his bloody nightmares on trench fever. But when Harker appears in England and begins wooing John's sister, John must confront the truth—and stop Harker from continuing Dracula's bloodline.

    He takes refuge with his Merrie Men in the vast Sherwood Forest, emerging time and again to outwit his enemies with daring and panache. This book presents the story of social justice and cunning.

    Jekyll's dutiful and intelligent housemaid.Faithfully weaving in details from Robert Louis Stevenson's classic, Martin introduces an original and captivating character: Mary is a survivor-scarred but still strong-familiar with evil, yet brimming with devotion and love. As a bond grows between Mary and her tortured employer, she is sent on errands to unsavory districts of London and entrusted with secrets she would rather not know. Unable to confront her hideous suspicions about Dr. Jekyll, Mary ultimately proves the lengths to which she'll go to protect him. Through her astute reflections, we hear the rest of the classic Jekyll and Hyde story, and this familiar tale is made more terrifying than we remember it, more complex than we imagined possible.