But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart. In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend. The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.

    She’s transformed her rundown outback property, The Springs, into a successful artists’ retreat; she’s won a distinguished art prize, and she’s living with her soulmate, trail-blazing grazier Heath Blackett.But the chance discovery of a portrait of her father, renowned artist Jim Larkin, makes her question everything. How could it have been drawn just weeks ago when Jim has been dead for years . . . Or so she thought.Could her father still be alive? Can she track down the man in the picture? And is this connected to the missing gold buried by her ancestor over a century ago?Her search for answers will draw Nina into a maze of family secrets – just as the man who stepped out of a portrait arrives at her door . . .Alice Campion is the pseudonym for four members of a Sydney book club. Their first novel, The Painted Sky, also features Nina, Heath and the captivating landscape of outback Wangalla.

    A no-nonsense magazine editor, Jenna doesn’t believe in leaving love to chance, which is why she’s developed Marriage Material – a fool-proof framework for husband hunting. Shearers and farmhands need not apply.Sheep grazier Luke Tanner has met women like Jenna before, and knows not to waste his time. With the drought dragging on and bushfire season around the corner, the last thing he needs is a spoiled city girl like Jenna adding to his problems. He'll help out with the ball because it's good for the community, but he won't dance, he won't flirt, and he definitely won't be matched. It's been a long dry season, but everyone knows when it rains, it pours.

    Madeleine and her mother have run away from their former life, under mysterious circumstances, and settled in a rainy corner of Cambridge (in our world).Elliot, on the other hand, is in search of his father, who disappeared on the night his uncle was found dead. The talk in the town of Bonfire (in the Kingdom of Cello) is that Elliot's dad may have killed his brother and run away with the Physics teacher. But Elliot refuses to believe it. And he is determined to find both his dad and the truth.As Madeleine and Elliot move closer to unraveling their mysteries, they begin to exchange messages across worlds -- through an accidental gap that hasn't appeared in centuries. But even greater mysteries are unfolding on both sides of the gap: dangerous weather phenomena called "color storms;" a strange fascination with Isaac Newton; the myth of the "Butterfly Child," whose appearance could end the droughts of Cello; and some unexpected kisses...

    Daesh has a thoroughfare to the sea and China is Australia's newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane. Until Astrid discovers how far the government is willing to go.Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    To escape her guilt and her parents' bitter disapproval, Cate leaves Perth for her aunt Ida's isolated farm in country Western Australia.Henry is a drifter, a young swagman-like character who wanders onto the Christie family property and takes up residence in a disused shed. With secrets of his own, the last thing he wants is to get tangled up in Cate and Ida's lives.Against their own better judgement, the fates of Cate and Henry and Ida inexorably intertwine and they learn to face the realities of life, death and letting go.A witty, charming and moving debut rural romance about what makes a good death and, more importantly, what makes a good life.

    Lily Barton, now 53, is beautiful, adventurous and looking for a life change. Sami, her daughter, is driving alone through the outback to finally, reluctantly confront her family roots. Together they are swept into a world where legends, myths and reality converge. They find that everyone they meet has a story to tell, from Farouz, the son of an Afghan camel driver, to Bobby, the Chinese-Aboriginal man who is tangled up in the murder of a German tourist. And who is the mysterious artist hiding in the desert? All have a secret and a story to share as each finds their place under the Kimberley Sun.

    But darkness is found both in the iconic setting as well as in the disturbing behaviour of one of the family.As he tilted the blinds she saw her mother in her tennis whites, standing at the kitchen bench, staring out into the dark bushland that bordered their houses. That was what Tricia did these days, looked into the bush as though it would attack one of them.On a sweltering day in a cliff-top beach shack, Jack and Lou Bright grow suspicious about the behaviour of their charismatic, unpredictable father, Charlie. A girl they know has disappeared, and as the day unfolds, Jack's eruptions of panic, Lou's sultry rebellions and their little sister Phoebe's attention-seeking push the family towards revelation.Twenty years later, the Bright children have remained close to the cliff edges, russet sand and moody ocean of their childhood. Behind the beautiful surfaces of their daily lives lies the difficult landscape of their past, always threatening to break through. And then, one night in late summer, they return to the house on the cliff...Gripping and evocative, Bluebottle is a story of a family bound by an inescapable past, from the award-winning author of The River Baptists and Hannah and Emil.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    . .Greer O'Reilly needs to start over. Her professional success belies private sadness and domestic overload. She's torn between her career and motherhood. Her partner of twelve years has left her. And up ahead is her new home - a beautiful though neglected blueberry orchard in the hills of north-east Victoria. But when she and her six-year-old daughter Sophie arrive at the property to take possession, there's an unforeseen complication - the former owner, 81-year-old artist and jazz lover Charlie Chandler, refuses to move out. Charlie is dying and desperate to spend his last days in his old home. With Greer at the beginning of her new life, and Charlie at the end of his, the unlikely pair soon form a close bond. One that will offer the strength and inspiration Greer needs - because the next twelve months will either make or break her . . .

    Dr Jennifer Kelly has reached the pinnacle of her career as a successful Manhattan obstetrician, complete with ambitious, blue-blooded fianc�. After a desolate childhood with a distant grandmother, life seems everything she's ever wanted.When a grandfather she's never heard of leaves her a dairy farm on an isolated Australian island - plus one depressed dog, thirty geriatric cows and a bunch of ancient surfboards - she plans a quick trip to put the farm up for sale. Her aloof, socialite grandmother Muriel is appalled, yet insists on accompanying her.Once there, Jenny finds herself caught, by cows, by turtles - and by Jack McLachlan, the overworked island doctor who desperately needs her help. Muriel's caught too, with ghosts of her wartime past threatening to crack the shell she's built with such dedication and care.But isn't Manhattan their home? How can two women give up the perfect world they've worked so hard for by taking a chance on...life?'Joyous and breathtaking, a story to touch your heart, make you smile and see the world as a better place.' - Barbara Hannay

    Despite his upbringing in working-class Melbourne, he knows that his astonishing ability in the swimming pool has the potential to transform his life. Everything Danny has ever done, every sacrifice his family has ever made, has been in pursuit of this dream--but what happens when the talent that makes you special fails you? When the goal that you’ve been pursuing for as long as you can remember ends in humiliation and loss? Twenty years later, Dan is in Scotland, terrified to tell his partner about his past, afraid that revealing what he has done will make him unlovable. Haunted by shame, Dan relives the intervening years he spent in prison, where the optimism of his childhood was completely foreign.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman