Son of a blacksmith, political genius, briber, charmer, bully. A man with a deadly expertise in manipulating people and events. Mike Poulton's two-part adaptation of Hilary Mantel's acclaimed novels 'Wolf Hall' and 'Bring Up the Bodies' is a thrilling and utterly convincing portrait of a brilliant man embroiled in the lethal, high-stakes politics of the court of Henry VIII. 'Wolf Hall' begins in England in 1527. Henry has been King for almost twenty years and is desperate for a male heir, but Cardinal Wolsey is unable to deliver the divorce he craves. Into this volatile court enters the commoner Thomas Cromwell, who sets out to achieve the King's desire, whilst methodically and ruthlessly pursuing his own reforming agenda. In 'Bring Up the Bodies', Anne Boleyn is now Queen, her path to Henry's side cleared by Cromwell. When the King begins to fall in love with Jane Seymour, Cromwell must negotiate within an increasingly perilous court to satisfy Henry, keep the nation safe, and advance his own ambitions. Hilary Mantel's novels are the most formidable literary achievements of recent times. She is the first writer to win the Man Booker Prize with consecutive novels.Adapted by Mike Poulton, the plays were premiered by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon, in December 2013, directed by Jeremy Herrin. This edition contains a substantial set of notes by Hilary Mantel on each of the principal characters, offering a unique insight into the world of the plays and an invaluable resource to any theatre companies wishing to stage them.

    Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

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    Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    When several more men return from Y-3, each thinking they're a plant, Harris travels to the asteroid to solve the puzzle. He soon finds out that the soldiers claim that a certain indigenous people on the asteroid called "Pipers," who live in the woods, made them realize that they're plants. Harris ventures into the woods and discovers that Pipers do not exist, they were merely invented by the soldiers to cope with the pressure of their jobs. The soldiers relaxed by simply turning into plants, or their minds thought so. Harris returns to earth and contemplates all the work that lies ahead of him. He unpacks his suitcases, which, rather than carrying clothes, contain soil from Y-3. Harris lays the soil on the ground, lies in it like a plant, and goes to sleep.