Steve Erickson's Days Between Stations is the stunning, now classic dream-spec of our precarious age -- by turns beautiful and obsessed, haunted and hallucinated, in which lives erotically collide, the past ambushes the future, and forbidden secrets intercut with each other like the frames of a film.

    But Matt won’t give in. The hunger clears his mind, keeps him sharp—and he needs to be as sharp as possible if he’s going to find out just how Tariq and his band of high school bullies drove his sister, Maya, away.Matt’s hardworking mom keeps the kitchen crammed with food, but Matt can resist the siren call of casseroles and cookies because he has discovered something: the less he eats the more he seems to have . . . powers. The ability to see things he shouldn’t be able to see. The knack of tuning in to thoughts right out of people’s heads. Maybe even the authority to bend time and space. So what is lunch, really, compared to the secrets of the universe?Matt decides to infiltrate Tariq’s life, then use his powers to uncover what happened to Maya. All he needs to do is keep the hunger and longing at bay. No problem. But Matt doesn’t realize there are many kinds of hunger… and he isn’t in control of all of them.A darkly funny, moving story of body image, addiction, friendship, and love, Sam J. Miller’s debut novel will resonate with any reader who’s ever craved the power that comes with self-acceptance.

    A desperate young woman makes a prayer to the Saint of Sidewalks, but the miracle she receives isn’t what she expected. A painter spies a naked man, crouched by the Cathedral of St. John the Divine, transform into a beautiful white bird and decides to paint him, and becomes involved in his curse. Jeanne, a duelist and a sacred blade for God and Her holy saints, finds that the price of truth is always blood. And in the novella “Once, Future” Howard reimagines the Arthurian romance on a modern college campus as a story that is told, and told again, until the ending is right.

    She only took a couple of valium washed down with a cocktail, but now she's locked away in suspended animation, oblivious to the passage of time. What if she were to wake up decades later - a 17-year-old girl in a distant future, a future where the world has gone dark?

    The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.)

    A masterful, mesmerizing modern tale about worlds dangerously colliding, the monsters that are unleashed when reason recedes, and a beautiful testament to the power of love and humanity in chaotic times. Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement--enchanting, both very funny and terrifying. It is narrated by our descendants 1000 years hence, looking back on "The War of the Worlds" that began with "the time of the strangenesses": a simple gardener begins to levitate; a baby is born with the unnerving ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth (as well as some graphic superheroes). Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learned to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semi-magical great-great--etc.--grandchildren--a motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights--or, to be precise, two years, eight months and twenty-eight nights.

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

    With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son. Traveling into the country, through towns named only by ascending letters of the alphabet, the man and his son encounter a wide range of human experience. While some townspeople welcome them into their homes, others who bear the physical brand of past censuses on their ribs are wary of their presence. When they press toward the edges of civilization, the landscape grows wilder, and the towns grow farther apart and more blighted by industrial decay. As they approach “Z,” the man must confront a series of questions: What is the purpose of the census? Is he complicit in its mission? And just how will he learn to say good-bye to his son? Mysterious and evocative, Census is a novel about free will, grief, the power of memory, and the ferocity of parental love, from one of our most captivating young writers.

    They own a few remnants of civilization: some books, a pane of glass, a set of flint and steel, a comb. The father teaches his daughter how to fish and hunt and the secrets of the seasons and the stars. He is preparing her for an adulthood in harmony with nature, for they are the last of humankind. But when the girl finds herself alone in an unknown landscape, it is a bear that will lead her back home through a vast wilderness that offers the greatest lessons of all, if she can learn to listen. A cautionary tale of human fragility, of love and loss, The Bear is a stunning tribute to the beauty of nature’s dominion.

    Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War-reinventing larger-than-life figures as living people engaged in a desperate struggle that dooms both the victors and the vanquished, their fate seen through the eyes of Kassandra-priestess, princess, and passionate woman with the spirit of a warrior.

    Heather and Morag just want to start the first radical fairy punk rock band, but first they’ll have make a match between two highly unlikely sweethearts, start a street brawl between rival gangs of Italian, Chinese, and African fairies, help the ghost of a dead rocker track down his lost guitar, reclaim a rare triple-bloomed Welsh poppy from a bag lady with delusions of grandeur, disrupt a local community performance of A Midsummer Night’s Dream, and somehow manage to stay sober enough to save all of New York from an invasion of evil Cornish fairies.If they can stop feuding with each other, that is.

    She rescues him, and it quickly becomes clear he is not a man...and not one of us. The rescued body recovers at an unnatural speed, and just as fast, Evelyn and Adam fall deeply in love. In The Enchanted Life of Adam Hope, Rhonda Riley reveals the exhilarating, terrifying mystery inherent in all relationships: No matter how deeply we love someone, and no matter how much we will sacrifice for them, we can only know them so well...

    Alone on her island, she has exiled herself to a life of tending watery graves as penance for a long-ago mistake that still haunts her. Meanwhile, North works as a circus performer with the Excalibur, a floating troupe of acrobats, clowns, dancers, and trainers who sail from one archipelago to the next, entertaining in exchange for sustenance. In a world divided between those inhabiting the mainland ("landlockers") and those who float on the sea ("damplings"), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives - offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected future. Inspired in part by Scottish myths and fairytales, The Gracekeepers tells a modern story of an irreparably changed world: one that harbors the same isolation and sadness, but also joys and marvels of our own age.

    It is here that Lisa Carey sets her lyrical and sensual first novel, weaving together the voices and lives of three generations of Irish and Irish-American women.Years ago, the fierce and beautiful Grace stole away from the island with her small daughter, Gráinne, unable to bear its isolation. Now Gráinne is motherless at fifteen, and a grandmother she has never met has come to take her back. Her heart is pulled between a life in which she no longer belongs and a family she cannot remember. But only on Inis Murúch can she begin to understand the forces that have torn her family apart.

    In recognition of his service to the Emperor of Kitai, Shen Tai has been sent a mysterious and dangerous gift: 250 Sardian horses. Wisely the gift comes with the stipulation that the horses must be claimed in person. Otherwise, he would probably be dead already.