On her way to a presentation that could make or break her, she runs into Jason Turner, a handsome, mysterious billionaire. Jason is immediately drawn to Kaia, and wastes no time in letting her know how much he wants her. But for reasons that Jason doesn’t explain, reasons that he doesn’t even like to think about, he can’t let himself get involved with anyone. It’s not safe. So, he asks Kaia to meet up with him that evening, but there’s a catch: they can only have one night together. Despite her own better judgement, Kaia agrees. But one pleasure-filled night isn’t enough for either one of them, and Jason finds his resistance crumbling. If Jason lets Kaia get closer, she could get hurt. If he lets her go, he’ll always want her. If he can keep her safe, is it worth a chance? When Kaia finds out that past Jason’s holding onto is built on a lie, maybe Jason will finally let himself have a future with her…

    He’s found his teacher’s bad side, and she wants him expelled. Although learning is his favorite thing to do, and Teddy is good at it, what he really wants is a friend. Friendship can be hard to find and sometimes fades, but Teddy keeps trying. Even at a young age, Teddy is kind, with a strong sense of right and wrong. When Mrs. Braunshausen gives away his turn to feed Mr. Chompers, the class tortoise, Teddy is not happy about it. He loves Mr. Chompers. This is the story of a young genius who grows into a hopeless romantic. We follow his life from age six, through high school at age twelve, and on to his decision to go back to college (for a PhD in Literature) after finishing his bachelor’s and master’s degrees in physics at eighteen. A coming of age novel about life, decisions, love, and genius. Killing Hemingway is a perfect book for teen and young adult readers, those who never liked Hemingway, and anyone who enjoys a bit of humorous fiction with a side of cute.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    He wanders through the Indian countryside among other animals, enjoying a sense of freedom, belonging to nobody. The holidays approach, Diwali, the Festival of Lights; the monsoon season, when the skies go pitch dark and the rains come, has arrived. At a time when everyone is eager to be home with family and friends, Billi is alone--and lonely.Walking into a village, Billi gazes through windows and sees a cozy fire, a content dog, and a happy family with children. Inspired, an untamed soul begins the transformative journey to a new life of warmth and togetherness in a world of interconnectedness. With his inimitable storytelling gifts and his unparalleled ability to penetrate the feline psyche, Jeffrey Moussaieff Masson captures Billi's inner world, his aloofness, mischievousness, and ultimately his new perspective on the deep connection shared by humans and their feline friends.

    Stuck in a dead end job, divorced and in debt. For me, every day was much like the last.But things were about to change. Dramatically.So, how did a lonely, overweight, depressed 40-something woman go from poverty, debt and despair to a life of fulfilment, happiness, wealth and spiritual awakening? Did I rob a bank, win the lottery or marry a millionaire? Did I see doctors, therapists and counsellors? Did I join a cult? No, none of these things.I used Magic.In this book, I share my true-life story of exactly how I went from rags to riches, from depression to awakening, and created a truly exceptional life for myself.Over the last few years, I've had many adventures and fantastic experiences. I have also life-changing insights into magic, manifesting, and the whole business of being alive. These insights had such a profound effect on me they've changed my whole outlook on the world. I didn't know this sort of peace of mind was possible. I didn't know life could get this good. And until now, I told no one how I did it.Writing under the pen name, Genevieve Davis, I chose to remain completely anonymous, hiding my secret identity even from my own family. Finally, I have decided to go public, with this bitingly honest account of my discovery, mastery and belief in what I like to call Magic. By revealing my true identity I can finally prove to you that everything I said in my early books about manifesting an exceptional life was true. All of it.And then, I want to help you see what I have seen. I want to help you understand what I now understand. I want you create a life just as exceptional.For lovers of self-help, memoirs, and for those who like to believe that life should be magnificent. Even sceptics may read this book and start to wonder: Is Magic actually real?

    Chapters: A Storm of Swords, a Game of Thrones, a Feast for Crows, a Clash of Kings, Tales of Dunk and Egg, a Dance With Dragons, Windhaven, Hunter's Run, Fevre Dream, Dying of the Light, the Armageddon Rag. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: A Storm of Swords is the third of seven planned novels in A Song of Ice and Fire, an epic fantasy series by American author George R. R. Martin. It was first published on 8 August 2000 in the United Kingdom, with a United States edition following in November 2000. Its publication was preceded by a novella called Path of the Dragon, which collects some of the Daenerys Targaryen chapters from the novel into a single book. To date, A Storm of Swords is the longest novel in the series. It was so long that in the UK its paperback edition was split in half, Part 1 being published as Steel and Snow in June 2001 (with the one-volume cover) and Part 2 as Blood and Gold in August 2001 (with a specially-commissioned new cover). In France, the decision was made to cut the novel into four separate editions. A Storm of Swords won the 2001 Locus Award, the 2002 Geffen Award for Best Novel and was nominated for the 2001 Nebula Award for Best Novel. Significantly, it was the first novel in the series to be nominated for the Hugo Award, one of the two most prestigious awards in science fiction and fantasy publishing, although it lost to J. K. Rowling's novel Harry Potter and the Goblet of Fire. Meisha Merlin, who had previously issued limited, illustrated editions of both A Game of Thrones and A Clash of Kings, were planning to release a similar version for A Storm of Swords in two volumes. However, lengthy delays on the release of A Clash of Kings caused Meisha Merlin to lose the printing rights for the book, which were picked up by Subte...http://booksllc.net/?l=en' to 'This is nonfiction commentary. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: A Storm of Swords, a Game of Thrones, a Feast for Crows, a Clash of Kings, Tales of Dunk and Egg, a Dance With Dragons, Windhaven, Hunter's Run, Fevre Dream, Dying of the Light, the Armageddon Rag. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: A Storm of Swords is the third of seven planned novels in A Song of Ice and Fire, an epic fantasy series by American author George R. R. Martin. It was first published on 8 August 2000 in the United Kingdom, with a United States edition following in November 2000. Its publication was preceded by a novella called Path of the Dragon, which collects some of the Daenerys Targaryen chapters from the novel into a single book. To date, A Storm of Swords is the longest novel in the series. It was so long that in the UK its paperback edition was split in half, Part 1 being published as Steel and Snow in June 2001 (with the one-volume cover) and Part 2 as Blood and Gold in August 2001 (with a specially-commissioned new cover). In France, the decision was made to cut the novel into four separate editions. A Storm of Swords won the 2001 Locus Award, the 2002 Geffen Award for Best Novel and was nominated for the 2001 Nebula Award for Best Novel. Significantly, it was the first novel in the series to be nominated for the Hugo Award, one of the two most prestigious awards in science fiction and fantasy publishing, although it lost to J. K. Rowling's novel Harry Potter and the Goblet of Fire. Meisha Merlin, who had previously issued limited, illustrated editions of both A Game of Thrones and A Clash of Kings, were planning to release a similar version for A Storm of Swords in two volumes. However, lengthy delays on the release of A Clash of Kings caused Meisha Merlin to lose the printing rights for the boo...