A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    A change of clothes. A wig. An inconspicuous sedan. We doubled back once, twice, then drove south when we were really headed east. In San Francisco we had a girl who looked like me board a plane to Hawaii.Oh, I thought I was so clever.But you probably already know that I'm not.LA IT girl Janie Jenkins has it all. The looks, the brains, the connections. The criminal record.Ten years ago, in a trial that transfixed America, Janie was convicted of murdering her mother. Now she's been released on a technicality she's determined to unravel the mystery of her mother's last words, words that send her to a tiny town in the very back of beyond. But with the whole of America's media on her tail, convinced she's literally got away with murder, she has to do everything she can to throw her pursuers off the scent.She knows she really didn't like her mother. Could she have killed her?

    . . I loved every page” —Ann Patchett), Act of God (“A feat of literary magic”—Booklist) and, with Amy Hempel, The Hand That Feeds You (“An unnerving, elegant page-turner” —Vanity Fair), a spare, masterful novel.The place: central Florida. The situation: a sensational murder trial, set in a courthouse more Soviet than Le Corbusier; a rich, white teenage girl—a twin—on trial for murdering her toddler brother.Two of the jurors: Hannah, a married fifty-two-year-old former Rolling Stone and Interview Magazine photographer of rock stars and socialites (she began to photograph animals when she realized she saw people “as a species”), and Graham, a forty-one-year-old anatomy professor. Both are sequestered (she, juror C-2; he, F-17) along with the other jurors at the Econo Lodge off I-75. As the shocking and numbing details of the crime are revealed during a string of days and courtroom hours, and the nights play out in a series of court-financed meals at Outback Steak House (the state isn’t paying for their drinks) and Red Lobster, Hannah and Graham fall into a furtive affair, keeping their oath as jurors never to discuss the trial. During deliberations the lovers learn that they are on opposing sides of the case. Suddenly they look at one another through an altogether different lens, as things become more complicated . . . After the verdict, Hannah returns home to her much older husband, but the case ignites once again and Hannah’s “one last dalliance before she is too old” takes on profoundly personal and moral consequences as The Body in Question moves to its affecting, powerful, and surprising conclusion.

    Petersburg––taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now 36 years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career––and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets can't stay buried forever. Moving between the trio's adolescent years and the present day, The Ballerinas explores the complexities of female friendship, the dark drive towards physical perfection in the name of artistic expression, the double-edged sword of ambition and passion, and the sublimated rage that so many women hold inside––all culminating in a twist you won't see coming, with magnetic characters you won't soon forget.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    again.It is meant to be a celebration but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed.But Evelyn will not die just once. Until Aiden – one of the guests summoned to Blackheath for the party – can solve her murder, the day will repeat itself, over and over again. Every time ending with the fateful pistol shot. The only way to break this cycle is to identify the killer. But each time the day begins again, Aiden wakes in the body of a different guest. And someone is determined to prevent him ever escaping Blackheath...

    Caroline Cashion, a professor of French literature at Georgetown University, is stunned when an MRI reveals that she has a bullet lodged near the base of her skull. It makes no sense: she has never been shot. She has no entry wound. No scar. When she confronts her parents, they initially profess bewilderment. Then, over the course of one awful evening, she learns the truth: she was adopted when she was three years old, after her real parents were murdered in cold blood. Caroline had been there the night of the attack, and she was hit by a single gunshot to the neck. Buried too deep among vital nerves and blood vessels, the surgeons had left it, and stitched up the traumatized little girl with the bullet still inside. That was thirty-four years ago.Now, Caroline returns to her hometown to learn whatever she can about who her parents were and why they died. Along the way she meets a cop who worked the case, who reveals that even after all these years, the police do not have enough evidence to nail their suspect. The killer is still at large. Caroline is in danger: the bullet in her neck could identify the murderer, and he'll do anything to keep it out of the police hands. Now Caroline will have to decide: run for her life, or stay and fight?

    Her husband, Ben, a Los Angeles restaurateur, has disappeared, leaving behind an unexplained bank deposit of a million dollars, a loaded Glock in the nightstand, and a video security system that’s been wiped clean. The only answers their son, Zack, can offer are the last words his father said to him: keep the doors locked and set the alarm.Sarah’s marriage was more troubled than anyone suspected, but now she is afraid that her husband’s recent past could be darker than she dares to admit. Suspecting that nothing about Ben’s vanishing is what it seems, Sarah must delve into the space between old memories, newfound fears, and misleading clues to piece together the mystery of her husband’s disappearance—and find what she hopes in her heart is the truth.

    Or a countdown to something terrible.It is 180 minutes to discover who you will die for and what men will kill for.In rural Somerset in the middle of a blizzard, the unthinkable happens: a school is under siege. Told from the point of view of the people at the heart of it, from the wounded headmaster in the library, unable to help his trapped pupils and staff, to teenage Hannah in love for the first time, to the parents gathering desperate for news, to the 16 year old Syrian refugee trying to rescue his little brother, to the police psychologist who must identify the gunmen, to the students taking refuge in the school theatre, all experience the most intense hours of their lives, where evil and terror are met by courage, love and redemption.

    But his daughter, Fina, is a bit of a black sheep. A law school dropout, her father keeps her in the fold as the firm’s private investigator, working alongside her brothers.Juggling her family of high-powered (and highly dysfunctional) attorneys, the cops and Boston’s criminal element is usually something Fina does without breaking a sweat. But when her sister-in-law disappears, she’s caught up in a case unlike any she’s encountered before.Carl wants things resolved without police interference, but the deeper Fina digs, the more impossible that seems. The Ludlows close ranks, and her brother Rand and his unruly teenage daughter Haley grow mysteriously distant from the family. As Fina unearths more dirt, the demands of family loyalty intensify. But Fina is after the truth—no matter the cost.

    While out on a run in the middle of the night, a young girl runs into him on the seaside boardwalk. Barefoot and terrified, she’s running from a group of heavily armed men with one clear goal—to kill the fleeing child. After Dryden helps her evade her pursuers, he learns that the eleven year old, for as long as she can remember, has been kept in a secret prison by forces within the government. But she doesn’t know much beyond her own name, Rachel. She only remembers the past two months of her life—and that she has a skill that makes her very dangerous to these men and the hidden men in charge.Dryden, who lost his wife and young daughter in an accident five years ago, agrees to help her try to unravel her own past and make sense of it, to protect her from the people who are moving heaven and earth to find them both. Although Dryden is only one man, he’s a man with the extraordinary skills and experience—as a Ranger, a Delta, and five years doing off-the-book black ops with an elite team. But, as he slowly begins to discover, the highly trained paramilitary forces on their heels is the only part of the danger they must face. Will Rachel’s own unremembered past be the most deadly of them all?

    Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus.A Brewing StormSeveral others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, forced to resign from the police department in disgrace, is betting her career on keeping the drug safe; and a local television reporter, determined to move up, has sniffed the story, even if he has to bend the facts to tell it.A House Under SiegeA sinister gang spots an opportunity to use one of Stanley’s children against him and steal the virus. As everyone takes shelter, it becomes apparent that being inside the house may be more dangerous than the storm outside, especially when a lethal virus might be on the loose . . .

    But when he’s ambushed and almost killed, his supervisor is determined to find out who’s after the members of his elite squad—and why. Due to worries that this unknown enemy will strike again, Morgan is sent to a remote location and told to lay low and stay vigilant. But between a tempting housemate he’s determined to protect and a deadly threat waiting in the shadows, keeping under the radar is proving to be his most dangerous mission yet.The part-time police chief of a small West Virginian mountain town, Isabeau “Bo” Maran finally has her life figured out. She’s got friends, a dog, and a little money in the bank. Then Morgan Yancy shows up on her doorstep. Bo doesn’t need a mysterious man in her life—especially a troublemaker as enticing and secretive as Morgan.The harder they fight the intense heat between them, the closer Morgan and Bo become, even though she knows he’s hiding from something. But discovering the truth could cost Bo more than she’s willing to give. And when Morgan’s cover is blown, it might just cost her life.

    She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.The socialite – The nice guy – The alcoholic – The girl on the verge – The conciergeEveryone’s a neighbor. Everyone’s a suspect. And everyone knows something they’re not telling.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.