BRAND NEW, Exactly same ISBN as listed, Please double check ISBN carefully before ordering.

    In Volume One meet Julius Chancer, the adventurous assistant to historical-researcher Sir Alfred Catesby-Grey, as he embarks on a quest to find the mystical rainbow orchid — an extraordinary flower last mentioned by the ancient Greek philosopher Theophrastus and steeped in legend.The Rainbow Orchid is an ambitious blend of classic storytelling and cinematic artwork in which adventure, historical drama and legend are seamlessly intertwined.

    Thus CHACHA CHAUDHARY was born in 1971.Tall and robust SABU, who is an inhabitant of planet Jupiter, gave Chaudhary an ideal company. A combination of wisdom and strength was formed to tackle any difficult task. It is said that " Chacha Chaudhary's brain works faster than a computer". Though both fight the criminals and tricksters, each episode ends with a touch of humour. The duo perform in lighter vein. The CHAUDHARY family consists of his wife Bini, a fat sharp tongue woman, Sabu, Rocket - the dog and Dag- Dag, an old truck who is half human- half machine. Chacha Chaudhary is the most popular Indian comics. More than 10 million readers enjoy this series regularly in newspapers and comic books in ten languages. A T.V. serial based on the comics has crossed 500 episodes and still continue to be telecast on premier channel "Sahara ONE".

    No less than a god to his own people, he is the sheer embodiment of evil to his enemies. This arrogant demon brooks no hindrance to snatching his heart's desire, and his terror seems unstoppable to gods and humans alike. But he makes a mistake when he abducts the wife of Lord Rama, the exiled divine ruler of Ayodhya.Ravana is a story of a demon, who dared to challenge the gods, and almost got away with it. Ravana's tale is one that will incite awe and fear simultaneously. Whose side was this enigma on, good or evil? The obvious answer seems to be but one: his own. Or was he really? This graphic novel seeks to explore that question, and others.

    Not just once or twice, but seven dozen times. Each death a new demise, from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré's macabre, gravestone-rubbing-style art, Henry King's ends are brought to a vivid life.

    enthralling’ BIBEK DEBROY‘A magical and thought-provoking adventure, Ahalya will intrigue and mesmerize readers’ CHITRA BANERJEE DIVAKARUNI‘An enigmatic tale about purity, chastity, seduction and redemption’ NAMITA GOKHALE‘Brilliant and intriguing’ ANAND NEELAKANTANIt is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity.In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.

    Bhishma, the venerable patriarch of the families, lies fatally wounded on the plains of Kurukshetra. On his deathbed he offers Radheya, his nemesis, a chance to rule the Kuru kingdom by capturing Yudhishthira.In the Pandava camp, Yudhishthira, a reluctant warrior, tries desperately to hold his allies together and escape capture without appearing to be a coward. Meanwhile, his young and impulsive nephew, Abhimanyu, a warrior prince, dreams of glory and yearns for a chance to save the Pandava cause. The lives of these three warriors, Yudhisthira, Radheya and Abhimanyu, collide brutally on the thirteenth day. A story of how stories are created, how fact becomes fiction, how history becomes mythology and how men become legends, The Thirteenth Day re-imagines India's greatest epic like never before.

    .html

    As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata.In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will - who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God.

    While his courtiers were jealous of Birbal, the emperor was quick to notice his agile mind. While the two men loathed hypocrisy and deceit; they also relished a good joke.

    Little did his family realize that Soordas could often see more than anyone else. He could direct a shepherd to his lost goat and a father to his missing son. He could describe exactly how the idol of his beloved Lord Krishna was dressed in the temple each day. The Mughal emperor Akbar personally came to invite him to his court. The poet Tulsidas visited him. The powerful, the wise and the ordinary flocked to him for his all-seeing wisdom and his soul-stirring songs of devotion.

    Later, the memory of the hills and forests which are his home call him back. Kacha goes back to his people and is made the Kaka or village chief. However, the Hegade or feudal lord authorised to collect tribute on behalf of the king, exploits the villagers by demanding in excess and keeping more than half for himself. Kacha is determined to fight this tyranny. The Elusive Kaka is adapted from the Kannada play, Kakana Kote, written by Masti Venkatesha Iyengar. It speaks of the bond that the Kurubas have with the forest and how they must fight to preserve it, if they must preserve themselves.

    But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter!

    Who was Indira Priyadarshini, the person after whom her grandfather named her? And why her? What is her legacy as India’s first—and only—woman prime minister?Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Mrs Gandhi, young Indira gets tangled up in the life and times of her memorable namesake. Sometimes by design and sometimes by accident, story after story comes alive—about a childhood spent in Allahabad growing the Vanar Sena, of a youthful romance with the charming Feroze Gandhi, of stints in jail and elephant rides through pouring rain, a magnificent audacity that catapulted India onto the international stage, and of the final, tragic end that ripped apart the fabric of the nation.Real and imagined worlds, the past and present, text and image all entwine as Indira walks us through the most formative decades of political life of India.

    Changes of such enormity that they would be barely comprehensible to civil society. And now, the decade-long findings are finally going to be made public by one Sri Sarnath Banerjee, who has created the Harappa Files, a series of graphic commentaries that analyse the cracks in postliberalized India. Although impressed by the far-sightedness of the government in setting up the GHRRRC, Banerjee has one niggling concern: he is worried that the consequence of his project will be the release of the dreaded Harappa recommendations, making it mandatory for all citizens to sign the draconian, ultrainvasive Form 28B, giving the government the power to decide the fate of every single citizen.