THE LAW AND THE LADY . . . Graphic artist Genevieve L'Esperance has got it all together, even by tough New York standards: A thriving career, a spacious Upper East Side condo, even a sort-of boyfriend named Barry. But the one thing she *doesn't* have is something Americans take for granted . . . and if she's found out it'll mean the end of life as she knows it. And now the law is closing in on her . . . THE LADY AND THE LAWYER . . . Gen's friend Barry comes up with a solution and quickly moves her to a rented room uptown while he finalizes arrangements to keep her safe. While Gen is grateful to him, she can't help feeling that she's sold out her future. But then Barry's master plan gets delayed, and when she meets Dexter Gray, the struggling law student who occupies the other room on the floor, things *really* start to get complicated . . .

    At 29, he has great friends, a huge job, all the women he can handle, and no commitments. A public relations executive, Dylan has dashed up the ladder of success by mastering the art of the spin – bending the truth to his and his clients’ needs. But when a former lover steps back into his life with a three-year-old girl by her side (no, she’s not his), Dylan suddenly finds himself in a place he can’t spin himself out of. And when Dylan unexpectedly becomes the child’s sole guardian, he finds himself to be like a circus performer trying to keep all of his spinning plates from crashing to the ground. In what seems like a blink of the eye, Dylan Hunter’s life has changed completely…whether he’s ready for it or not.Alternately humorous and poignant, romantic and tragic, playful and dramatic, Spinning is the kind of wise, touching, emotion-packed novel readers have come to expect from Michael Baron.

    When an icy road and a dark night leave her a young widow, she’s forced to trade in her perfectly planned future for the unknown. Like a child hiding from a monster, she pulls her covers up over and head with the intention of sheltering herself forever. But once an unexpected stranger shows up on her doorstep, Autumn has to choose between being alone or connecting with someone who is hurting as badly as she is. Noah Key, an emergency room doctor. He has solemnly informed countless families that their loved one could not be saved. However, when his own wife dies suddenly there are no words to bring him comfort. His in-laws want him to fall to pieces to confirm his love for his late wife. His colleagues want him to take time off to grieve. The only thing Noah wants is to work enough hours in the day to forget his wife is gone. He’s written himself a prescription for a cocktail of distraction and exhaustion in order to trick his brain into thinking his life isn’t in shambles. When the world keeps moving on without them, Noah and Autumn will need to decide if they’ll survive the storm or allow themselves to swept away by it. Rough Waters Series: Book 1: The Goodbye Storm Book 2: The Runaway Storm

    After John Sayre starts slipping off at odd hours from the family farm, his wife Frances begins to suspect that he's joined a newly-revived chapter of the Ku Klux Klan. By the time their young son discovers the corpse of a lynched black man along the side of a nearby dirt road, Frances Sayre has had enough. But John hasn't joined the ranks of the murderous KKK as his wife fears. Just the same, John's secret has the potential to destroy their marriage, if not so much more. What comes to pass over those heated days of summer, none on any side could have imagined, or wanted.

    With plenty of money and plenty of time to kill, Wilton is charming but ruthless as he inserts himself into the couple's life in a quest for distraction, friendship--and most urgently--a connection with Anya, the daughter he abandoned years earlier. Facing stresses at home and work, Mira begins to accompany Wilton to a casino and is drawn to the slot machines. Escapism soon turns to full-on addiction and a growing tangle of lies and shame that threatens her fraying marriage and home. Betrayed and confused, Owen turns to the mysterious Anya, who is testing her own ability to trust her father after many years apart.The Tell is a finely-wrought novel about risk: of dependence, of responsibility, of addiction, of trust, of violence. Told with equal parts suspense, sympathy, and psychological complexity, it shows us the intimate and shifting ways in which we reveal ourselves before we act, and what we assume but don't know about those closest to us.

    And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.Enter Mia Warren - an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.When old family friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town - and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at an unexpected and devastating cost . . .

    It is the first adventure in this sizzling romantic suspense trilogy.Anne Mason thinks she’ll be safe living in the Midwest building a wind farm. She may be dead wrong. Someone is dumping bodies in her corn field and telling Anne they are gifts—for her!As the body count rises, Anne realizes a cold-blooded serial killer is patiently waiting and watching her every move. And he won’t stop until he ends her life. It is clear there are no limits to this killer’s thirst for revenge or how far he will go to get it.After a nasty divorce, Anne Mason does not want to get romantically involved, especially with ex-husband’s attorney, Michael Brandt.The ruggedly handsome new County Prosecutor is the last person Anne can trust, but may offer her only chance at survival from a psychopathic killer. But will she survive the passion that rages between them?

    Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did. Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgiveness.

    The story is presented in two forms: Testimonials and Field Reports.Testimonials are presented in the form of oral histories told by characters directly affected by the condition — parents, teachers, doctors, cult leaders, faith healers, and government officials, with unexpected intersections and unifying narratives. A new Testimonial will be revealed to subscribers daily.The Field Reports are short, site-specific accounts that deepen and expand the central narrative, written and edited in collaboration with the readers of the Testimonials. To access and comprehend a Field Report, the reader must be physically present in the location where the Report is set. Reports are deeply entwined with the particularities of their specific physical environments — the stains on the sidewalk, the view between the branches, a strangely ornate bannister, etc — so that the text and the actual setting support and enhance each other. Each of these reports can be read on its own, but they all interrelate and cohere within the larger narrative.

     She must have been important because the mysterious client spared no expense to get her there to investigate the disappearance, making the gig too good to resist. Had Lindy known the victim’s identity, and her own financial reality were not so grim, she would have turned him down in an instant. Instead, she travels to a remote island with a man she’d rather avoid, and where the residents keep their secrets close. One of them knows the truth, and she must find it before it finds her.

    He was born without a conscience and remorse is an alien concept. Will he ever find out the truth about the past that shaped who he really is?Cassie refuses to live up to the expectations of her family, instead choosing to have fun with her flat mates and go home with various deviant men.Her best friend, Lisette, on the other hand, just wants a quiet predictable life with her steady boyfriend Jarred. But can Lisette find a way to fix their mediocre love life?Police Sergeant Lynn Gough knows exactly what she wants – and that’s her childhood crush Pete. The only thing getting in the way is his fiancée, Tamika. Lynn knows about Tamika’s dirty secrets however, and will stop at nothing to get rid of her.Rita wants children, but her husband Lewis is not so sure. Rita’s traumatic childhood continues to impact her relationships as an adult. While she battles with her inner demons, Lewis finds other ways of occupying his time. Will Rita learn to address the past to save her future?Explore how sex, lies and love impact our complex web of relationships, and discover how deeply our choices can impact others.

    The lush and majestic setting of the Pacific Northwest calls to her and offers a place of refuge and perhaps renewal. Her grandmother has passed away, leaving the Madrona Island Bed & Breakfast Inn to Lily. Left with only an old guestbook as her guide–a curious book full of letters, recipes, and glimpses into her family history–Lily is determined to embrace her newfound independence and recreate herself, one page at a time. With the help of the quirky island residents she has befriended, she slowly finds the strength to seek out happiness on her own terms. But as soon as she has sworn off men and is standing on her own two feet, Lily meets Ian, the alluring artist who lives next door, and her new life is suddenly thrown off course. The last thing she wants to do right now is to open her heart to another man. Ultimately, Lily must decide if it’s worth giving up her soul for security or risking everything to follow her heart.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Did one of them kill to get it?Prep school sweethearts Ian and Andi Copeland are envied by everyone they know. They have successful businesses, a beautiful house in St. Louis, and their eldest daughter, Cassidy, is following in their footsteps by attending prestigious Glenlake Academy. Then, a submerged car is dredged from the bottom of a swimming hole near the campus. So are the remains of a former writer-in-residence who vanished twenty years ago—during Ian and Andi’s senior year.When Cassidy’s journalism class begins investigating the death, Ian and Andi’s high school secrets rise to the surface. Each has a troubled link to the man whose arrival and sudden disappearance once set the school on edge. And each had a reason to want him gone. As Cassidy unwittingly edges closer to the truth, unspoken words, locked away for decades, will force Ian and Andi to question what they really know—about themselves, about the past, and about a marriage built on a murderous lie.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.