Pictures the transition between the old white-dominated Southern Rhodesia, through the Bush War, to the new black regime of Zimbabwe.

    In 1990, when thousands of teenage fighters, including young men wearing women's clothing and bizarre objects of decoration, laid siege to the capital, the world took notice. Since then Liberia has been through devastating civil upheaval. What began as a civil conflict, has spread to other West African nations.Eschewing popular stereotypes and simple explanations, Stephen Ellis traces the history of the civil war that has blighted Liberia in recent years and looks at its political, ethnic and cultural roots. He focuses on the role religion and ritual have played in shaping and intensifying this brutal war. In this edition, with a new preface by the author, Ellis provides a current picture of Liberia and details how much of the same problems still exist.

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past.But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.

    The Sand Child tells the story of a Moroccan father's effort to thwart the consequences of Islam's inheritance laws regarding female offspring. Already the father of seven daughters, Hajji Ahmed determines that his eighth child will be a male. Accordingly, the infant, a girl, is named Mohammed Ahmed and raised as a young man with all the privileges granted exclusively to men in traditional Arab-Islamic societies. As she matures, however, Ahmed's desire to have children marks the beginning of her sexual evolution, and as a woman named Zahra, Ahmed begins to explore her true sexual identity. Drawing on the rich Arabic oral tradition, Ben Jelloun relates the extraordinary events of Ahmed's life through a professional storyteller and the listeners who have gathered in a Marrakesh market square in the 1950s to hear his tale. A poetic vision of power, colonialism, and gender in North Africa, The Sand Child has been justifiably celebrated around the world as a daring and significant work of international fiction.

    A lone woman searching for the lost, she exposes us to a world where truth is ephemeral, and where compassion, though frail, still bleeds through the grit and dust. In "Detour" she investigates the apparent suicide of a beloved coffee plantation owner in Kenya. In "Gorillas and Banana Beer," James ventures into the jungles of Rwanda to catch a glimpse of the nearly extinct mountain gorillas, only to struggle for survival against merciless poachers in a village of forgotten children. In "Beira," at the edge of Mozambique and anarchy's ground-zero, James searches for a lost woman and her daughter. "Witchdoctor" takes James deep into Turkanaland, otherwise known as "hell on earth," to find a woman doctor who has disappeared. James's sanity and life hang in the balance in a surreal and ferocious closing to this compelling debut work."Dancing with the Witchdoctor is a testimony to the strength of women, one that reveals how even in a land where flesh withers in the sun, there is no better proof of humanity than when it is on the brink.

    With high hopes the twins attempt to flee from home, but only LaMamo escapes successfully and is able to live their dream of becoming a soldier who meets beautiful women. Mamo, the sickly, awkward twin, is doomed to remain in the village with his father. Gradually he comes out of his father's shadow and gains local fame as a historian, and, using Plutarch's Parallel Lives as his model, he embarks on the ambitious project of writing a "true" history of his people. But when the rains fail and famine rages, religious zealots incite the people to violence—and LaMamo returns to fight the enemy at home.A novel of ardent loyalty, encroaching modernity, political desire, and personal liberation, Measuring Time is a heart-wrenching history of Nigeria, portrayed through the eyes of a single family.

    'Imagine This' is a fictional memoir of a British born girl growing up in an African village.

    On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman. “Dr. Morayo Da Silva is one of the most memorable characters you are likely to encounter on the page – intelligent, indomitable, author and survivor of a large life. In dreamlike prose, Manyika dips in and out of her present, her past, in a story that argues always for generosity, for connection, for a vigorous and joyful endurance." - Karen Joy Fowler, author of We Are All Completely Beside Ourselves“Manyika's story about an elderly Nigerian woman is quiet, sophisticated and it expands the canon of contemporary African literature into welcome new territory.” - Bernardine Evaristo, author of Mr Loverman“If aging be a lamp, then Morayo, the protagonist in Like a Mule Bringing Ice Cream to the Sun is a mesmerizing glow. Astute, sensual, funny, and moving.” - NoViolet Bulawayo, author of We Need New Names “A wonderfully constructed novel, always surprising and wrong-footing the reader at every turn and challenging one's assumptions about the Other. Like a Mule Bringing Ice Cream to the Sun is a delightful multi-helical reading experience that speaks to our times in insightful and pleasantly understated ways." - Brian Chikwava, author of Harare North

    It seeks to expose the fallacies of the human condition while remaining real in its depiction of universal problems inflicted on postcolonial Africa.

    Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams...and maybe even change the world.

    Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children's school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.But Blessing's grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world.

    Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarence’s bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king.Camara Laye published his first novel in 1953, the autobiographical L'Enfant noir (The African Child, also published under the title The Dark Child). It follows his own journey from childhood in Kouroussa, his education in Conakry, and eventual departure for France. The book won the Prix Charles Veillon in 1954. L'Enfant noir was followed the next year by Le Regard du roi (The Radiance of the King).

    Malik has been secretly in love with Rose Mbikwa, a woman who leads the weekly bird walks sponsored by the East African Ornithological Society. Just as Malik is getting up the nerve to invite Rose to the Nairobi Hunt Club Ball (the premier social occasion of the Kenyan calendar), Harry Khan, a nemesis from his school days, arrives in town.Khan has also become enraptured with Rose and announces his intent to invite her to the Ball. Rather than force Rose to choose between the two men, a clever solution is proposed. Whoever can identify the most species of birds in one week’s time gets the privilege of asking Ms. Mbikwa to the ball.

    Rifaat (1930-1996) did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment.Translated from the Arabic by Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya's despariting anger at her deceitful husband, for example, or the hauntingly melancholy of "At the Time of the Jasmine," are treated with a sensitivity to the discipline and order of Islam.