This is the moment a CIA director most dreads. Like the new world of cyber-espionage from which it's drawn, The Director is a maze of double dealing, about a world where everything is written in zeroes and ones—and nothing can be trusted.

    But when those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government.Now, with no family and free from the military’s command structure, Reece applies the lessons that he’s learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.An intoxicating thriller that cautions against the seduction of absolute power and those who would do anything to achieve it, The Terminal List is perfect for fans of Vince Flynn, Brad Thor, Stephen Hunter, and Nelson DeMille.

    A member of the crack elite force the Special Air Service for seventeen years, McNab saw duty all over the world--and was the British Army's most highly decorated serving soldier when he resigned in 1993.Now, in Remote Control, his explosive fiction debut, McNab has drawn on his personal experience and unique knowledge to create a thriller of gripping authenticity, high-stakes intrigue, and unstoppable action. After his mission is suddenly terminated in Washington, D.C., British Intelligence agent Nick Stone decides to visit an old colleague, Kev Brown. But when Stone arrives at his friend's eerily quiet suburban home, he discovers a chilling scene of carnage. Every member of the Brown family has been brutally slaughtered except one: seven-year-old Kelly Brown. His instincts on red alert and adrenaline in overdrive, Stone grabs the girl and runs--with anonymous assassins in hot pursuit. But whom do they wish to silence: Stone, the innocent child, or both? During a heart-pounding chase that takes the resourceful, sometimes ruthless seasoned pro and his frightened young charge from Washington to Florida, and across the Atlantic to England, Stone begins to piece together a shocking global conspiracy. Thrust into a lethal game of cat-and-mouse, Stone is certain of two things: He and Kelly are on their own. No one can be trusted. And his darkest fears about the shadowy link between politics, money, and terrorism are about to be realized.Combining relentless action, daring escapes, and breathless plotting with chillingly authentic operational detail rarely seen in thrillers, Remote Control is a novel so real and so suspenseful it sets a new standard for the genre.From the Hardcover edition.

    Len Deighton’s classic first novel, whose protagonist is a nameless spy – later christened Harry Palmer and made famous worldwide in the iconic 1960s film starring Michael Caine.The Ipcress File was not only Len Deighton’s first novel, it was his first bestseller and the book that broke the mould of thriller writing.For the working class narrator, an apparently straightforward mission to find a missing biochemist becomes a journey to the heart of a dark and deadly conspiracy.The film of The Ipcress File gave Michael Caine one of his first and still most celebrated starring roles, while the novel itself has become a classic.

    Do you know where your husband is? Meet Will Rhodes: travel writer, recently married, barely solvent, his idealism rapidly giving way to disillusionment and the worry that he's living the wrong life. Then one night, on assignment for the award-winning Travelers magazine in the wine region of Argentina, a beautiful woman makes him an offer he can't refuse. Soon Will's bad choices and dark secrets take him across Europe, from a chateau in Bordeaux to a midnight raid on a Paris mansion, from a dive bar in Dublin to a mega-yacht in the Mediterranean and an isolated cabin perched on the rugged cliffs of Iceland. As he's drawn further into a tangled web of international intrigue, it becomes clear that nothing about Will Rhodes was ever ordinary, that the network of deception ensnaring him is part of an immense and deadly conspiracy with terrifying global implications and that the people closest to him may pose the greatest threat of all. It's 3:00 am. Your husband has just become a spy.

    Jonathan Ransom, a surgeon for Doctors Without Borders, is climbing in the Swiss Alps with his wife, Emma, when she falls into a hidden crevasse and dies. Twenty-four hours later, Jonathan receives an envelope addressed to his wife containing two baggage-claim tickets. Puzzled, he journeys to a railway station only to find himself inexplicably attacked by the Swiss police. Suddenly forced on the run, Jonathan's only chance at survival lies in uncovering the devastating truth behind his wife's secret life.

    His job? Professional "cleaner." Nothing too violent, just disposing of bodies, doing a little cleanup if necessary. But in Brett Battles's electrifying debut novel, Quinn's latest assignment will change everything, igniting a harrowing journey of violence, betrayal, and revenge.The job seemed simple enough: investigating a suspicious case of arson. But when a dead body turns up where it doesn't belong, and Quinn's handlers at "the Office" turn strangely silent, he knows he's in over his head. With only a handful of clues, Quinn scrambles for cover, struggling to find out why someone wants him dead . . . and if it's linked to a larger attempt to wipe out the Office. Quinn's only hope may be Orlando, a woman from his past who's reluctant to help but who may hold the key to solving the case. Suddenly the two are prying into old crimes, crisscrossing continents, struggling to stay alive long enough to unbury the truth.But as the hunt intensifies, Quinn is stunned by what he uncovers: a chilling secret . . . and a brilliantly orchestrated conspiracy, with an almost unimaginable goal.Furiously paced, filled with superbly drawn characters and pitch-perfect dialogue, The Cleaner puts a powerful twist on all our expectations as it confirms Brett Battle's place as one of the most exciting new talents in suspense fiction today.

    Christine Palmer, a young American doctor sailing solo across the Atlantic, makes an incredible discovery - a man narrowly clinging to his life in the frigid waters. But there is much more to this desperate survivor than meets the eye. David Slaton is a Kidon - a highly-trained, highly-precise, and highly-dangerous assassin. The Kidon is both the hunter and the hunted, and he and Christine are in grave danger. Will they win in this race against time?With the precision of a sharpshooter, author Ward Larsen weaves an intricate tale of espionage and intrigue.

    But the past doesn't give up on its secrets easily.When her new life on a tranquil island is shattered by a brutal attack, Jet must return to a clandestine existence of savagery and deception to save herself and those she loves. A gritty, unflinching roller-coaster of high-stakes twists and shocking turns, JET features a new breed of protagonist that breaks the mold.Fans of Lizbeth Salander, SALT, and the Bourne trilogy will find themselves carried along at Lamborghini speed to a conclusion as jarring and surprising as the story's heroine is unconventional.

    He contacts CIA headquarters for help but when an attempted rendezvous goes wrong, it quickly becomes clear that no one can be trusted. Malcolm disappears into the streets of Washington, hoping to evade the killers long enough to unravel the conspiracy—but will that be enough to save his life?

    Jonathan Grave, covert rescue specialist, always gets results. No names. No feds. No trace evidence.When an Indiana college student is abducted, Jonathan and his team of ace operatives unravel a deadly scheme the government wants ignored. Someone wants to control a devastating secret. Someone rich, powerful, and willing to kill anyone to get it. Even the people Jonathan loves most.

    Then his former bureau chief shows up at his house with a risky new assignment: travel undercover to Moscow and locate a Russian agent believed to be killing members of a clandestine US spy cell known as the seven sisters.Desperate for money, Jenkins agrees to the mission and heads to the Russian capital. But when he finds the mastermind agent behind the assassinations—the so-called eighth sister—she is not who or what he was led to believe. Then again, neither is anyone else in this deadly game of cat and mouse.Pursued by a dogged Russian intelligence officer, Jenkins executes a daring escape across the Black Sea, only to find himself abandoned by the agency he serves. With his family and freedom at risk, Jenkins is in the fight of his life—against his own country.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    It's said that when he's reached by the truly desperate and deserving, the Nowhere Man can and will do anything to protect and save them.But he's no legend.Evan Smoak is a man with skills, resources, and a personal mission to help those with nowhere else to turn. He's also a man with a dangerous past. Chosen as a child, he was raised and trained as part of the off-the-books black box Orphan program, designed to create the perfect deniable intelligence assets—i.e. assassins. He was Orphan X. Evan broke with the program, using everything he learned to disappear.Now, however, someone is on his tail. Someone with similar skills and training. Someone who knows Orphan X. Someone who is getting closer and closer. And will exploit Evan's weakness—his work as The Nowhere Man—to find him and eliminate him. Grabbing the reader from the very first page, Orphan X is a masterful thriller, the first in Gregg Hurwitz's electrifying new series featuring Evan Smoak.

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)