A medical student and a pro-democracy protestor in Tiananmen Square in June 1989, he was struck by a soldier’s bullet and fell into a deep coma. As soon as the hospital authorities discovered that he had been an activist, his mother was forced to take him home. She allowed pharmacists access to his body and sold his urine and his left kidney to fund special treatment from Master Yao, a member of the outlawed Falun Gong sect. But during a government crackdown, the Master was arrested, and Dai Wai’s mother—who had fallen in love with him—lost her mind. As the millennium draws near, a sparrow flies through the window and lands on Dai Wei’s naked chest, a sign that he must emerge from his coma. But China has also undergone a massive transformation while Dai Wei lay unconscious. As he prepares to take leave of his old metal bed, Dai Wei realizes that the rich, imaginative world afforded to him as a coma patient is a startling contrast with the death-in-life of the world outside. At once a powerful allegory of a rising China, racked by contradictions, and a seminal examination of the Tiananmen Square protests, Beijing Coma is Ma Jian’s masterpiece. Spiked with dark wit, poetic beauty, and deep rage, this extraordinary novel confirms his place as one of the world’s most significant living writers.

    Her father, the son of missionaries, leads a charmed and secretive life, though his greatest joy is sharing his beloved city with his only daughter. Yet when Anna and her mother flee Japanese-occupied Shanghai to return to California, he stays behind, believing his connections and a little bit of luck will keep him safe.Through Anna's memories and her father's journals we learn of his fall from charismatic millionaire to tortured prisoner, in a story of betrayal and reconciliation that spans two continents. The Distant Land of My Father, a breathtaking and richly lyrical debut, unfolds to reveal an enduring family love through tragic circumstances.

    The work of Can Xue (a pseudonym of Changsa writer Deng Xiao-hua) renews our consciousness of the long tradition of the irrational in our literature, where dreams and reality constitute one territory, its borders open, the passage back and forth barely discernible. She fuses lyrical purity with the darkest visions of the grotesque and the result is a unique literary experience.

    The rain and snow have weathered me, and I too have weathered them’.At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.An idyllic childhood playing by the river ends with her father’s death and the growing realisation that her mother’s and uncle’s relationship is not as simple as she thought. Then, in the 1930s, the intimate, secluded world of the tribe is shattered when the Japanese army invades China. The Evenki cannot avoid being pulled into the brutal conflict which marks the first step towards the end of their isolation…In The Last Quarter of the Moon, prize-winning novelist Chi Zijian, creates a dazzling epic about an extraordinary woman bearing witness not just to the stories of her tribe but also to the transformation of China.

    Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.

    There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution. Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf. The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence. After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon. Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

    As a child, she was asked to publicly humiliate a teacher; at seventeen, she was sent to work at a labor collective. Forbidden to speak, dress, read, write, or love as she pleased, she found a lifeline in a secret love affair with another woman. Miraculously selected for the film version of one of Madame Mao’s political operas, Min’s life changed overnight. Then Chairman Mao suddenly died, taking with him an entire world. A revelatory and disturbing portrait of China, Anchee Min’s memoir is exceptional for its candor, its poignancy, its courage, and for its prose.

    Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

    It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping a marriage to a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, and being a teenager on the Red Guard during the cultural revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.As the letters continue to appear seemingly out of thin air, Wang becomes convinced that someone is watching him—someone who claims to have known him for over one thousand years. And with each letter, Wang feels the watcher growing closer and closer…Seamlessly weaving Chinese folklore, history, and literary classics, The Incarnations is a taut and gripping novel that sheds light on the cyclical nature of history as it hints that the past is never truly settled.

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    Mao Zedong's Cultural Revolution engulfed millions of Chinese citizens, and the Red Guard enforced Mao's brutal communist regime. Chen's family belonged to the despised landlord class, and his father and grandfather were routinely beaten and sent to labor camps, the family of eight left without a breadwinner. Despite this background of poverty and danger, and Da Chen grows up to be resilient, tough, and funny, learning how to defend himself and how to work toward his future. By the final pages, when his says his last goodbyes to his father and boards the bus to Beijing to attend college, Da Chen has become a hopeful man astonishing in his resilience and cheerful strength.

    In this intimate memoir, Shen Fu recounts the domestic and romantic joys of his marriage to Yun, the beautiful and artistic girl he fell in love with as a child. He also describes other incidents of his life, including how his beloved wife obtained a courtesan for him and reflects on his travels through China. Shen Fu's exquisite memoir shows six parallel "layers" of one man's life, loves and career, with revealing glimpses into Chinese society of the Ch'ing Dynasty.